Black History Month Spotlight: Amina Claudine Myers

bhm aminaAmina Claudine Myers was born in Conway County and grew up in the Dallas/Fort Worth area.  She started singing and playing the piano and organ as a child in church choirs.  Returning to Arkansas, she graduated in concert music and music education from Philander Smith College in the early 1960s. After graduation, Myers moved to Chicago where she taught music, attended classes at Roosevelt University and worked with musicians such as Sonny Stitt and Gene Ammons. In 1966 she joined the AACM in Chicago, focusing on vocal compositions and arrangements, and recording her first jazz album with Kalaparusha Maurice McIntyre in 1969.

In 1976 Myers relocated to New York City, where she intensified her compositional work and expanded it into the realm of Off-Broadway productions. She also continued performing and recording as a pianist and organist. In 1985 she joined Charlie Haden’s Liberation Music Orchestra. Notable collaborations also include recordings with Bill Laswell, Marian McPartland, the Art Ensemble of Chicago, Archie Shepp, David Murray, Arthur Blythe, Frank Lowe, Leroy Jenkins, Jim Pepper and Ray Anderson.

In 1976 Amina moved to NY and became involved with the creative musicians that had migrated from Chicago and St. Louis, playing music in the lofts of NYC.  For a year she became a teacher at SUNY ((State Univ. of NY) developing the gospel chorus there.  Myers received several grants from the National Endowments for the Arts, Meet the Composer and NY Foundation for the Arts.                                                                           .

Myers began touring Europe with The Lester Bowie Quintet and The NY Organ Ensemble around 1978.  This began her European (all of Western Europe, Hungary, Turkey and Poland), Japanese, Canadian and U.S. performances of concerts, festivals and clubs as a soloist, with her trio, quartet, sextet and voice choir. This included workshops, seminars and residencies in universities and schools in the U.S. as well as Europe. Myers had the opportunity to perform in Cape Town, South Africa at The North Sea Jazz Festival with saxaphonist/composer Archie Shepp and to Accra, Ghana (West Africa) with composer/ vibraphonist Cecilia Smith during their jazz festival.

Myers’ works of blues, jazz, gospel and extended forms continues.  She teaches privately, giving lessons in theory, composition, piano, voice, organ, classical piano and assisting clients interested in stage/ performances. Amina  has  performed at Lincoln Center, Carnegie Hall, Town Hall, The Brooklyn Academy of Music, The Iridium Club, Birdland and other sites with her groups and with other artists and still continues to perform nationally and internationally.

She is a 2001 inductee into the Arkansas Black Hall of Fame.  For more on Amina Claudine Myers and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.

Dancing and Romancing on tap this weekend with Arkansas Symphony

joan_kirby_artist_1Just in time for the Valentine’s Weekend, the Arkansas Symphony Orchestra (ASO), Philip Mann, Music Director and Conductor, presents the third concert in the 2014-2015 Acxiom Pops Live! Series: Dancing and Romancing.

Broadway and Hollywood combine under the baton of ASO Associate Conductor Geoffrey Robson for a romantic and entertaining evening of song and dance with two veterans of the Broadway stage: Joan Hess and Kirby Ward. Inspired by the likes of Fred Astaire, Ginger Rogers, Gene Kelly and Eleanor Powell, this evening will put a song in hearts and have patrons dancing in the aisles. The Pops Live! Series is sponsored by Acxiom. The concert sponsor is UAMS.

Kirby Ward originated the role of Bobby Childs in the London production of Crazy for You (and is heard on the cast album). His Broadway credits include Show Boat, Woman of the Year and Never Gonna Dance.  Joan Hess recently starred on Broadway in Mamma Mia! Other Broadway roles include Crazy for You; Kiss Me, Kate; Dirty Rotten Scoundrels and Bells Are Ringing.  She is also a veteran of national tours of Sunset Boulevard, Crazy for You, 42nd Street and Beehive.

The concert is held at the Pulaski Academy Connor Performing Arts Center, 12701 Hinson Road, Little Rock, AR, on Saturday, February 14, 2015 at 7:30 p.m. and Sunday, February 15, 2015 at 3:00 p.m.

Tickets are $19, $35, $49, and $58; active duty military and student tickets are $10 are can be purchased online at www.ArkansasSymphony.org; at the Connor Performing Arts Center box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at the ASO website.

The Arkansas Symphony Orchestra celebrates its 49th season in 2014-2015, under the leadership of Music Director Philip Mann. ASO is the resident orchestra of Robinson Center Music Hall, and performs more than sixty concerts each year for more than 165,000 people through its Stella Boyle Smith Masterworks Series, ACXIOM Pops LIVE! Series, River Rhapsodies Chamber Music Series, and numerous concerts performed around the state of Arkansas, in addition to serving central Arkansas through numerous community outreach programs and bringing live symphonic music education to over 26,000 school children and over 200 schools.

Charley Sandage and Harmony tonight at the Ron Robinson Theatre

sandage

In its continuing quest to cover the depth and breadth of Arkansas’ musical heritage, tonight Arkansas Sounds presents another concert at the Ron Robinson Theatre.

Charley Sandage and Harmony, a Mountain View trio comprising Mary and Robert Gillihan and Dave Smith, present original songs that tell stories about people and events that shaped Arkansas. The group uses an array of traditional instruments including fiddle, banjo, guitar, mandolin, autoharp, bass, button accordion, harmonica, pickin’ bow, and spoons.

The concert is free.  It starts at 7:30 pm at the Ron Robinson Theater.

The Charley Sandage & Harmony concert is supported by the Arkansas Arts Council, an agency of the Department of Arkansas Heritage, and the National Endowment for the Arts. This concert is also supported in part by a grant from the Arkansas Humanities Council and the Department of Arkansas Heritage.

Tonight in downtown LR – Anonymous 4 in concert at Christ Church

anonymous4Renowned for their unearthly vocal blend and virtuosic ensemble singing, the four women of Anonymous 4 combine historical scholarship with contemporary performance intuition to create their magical sound. They return for the last time (2015 will be the last season for Anonymous 4 to perform) with songs from their 1865: Songs of Hope and Home from the American Civil War tour.

1865 focuses on the personal experience of men, women, and children from the North and from the South, toward the end of the Civil War and in its immediate aftermath — as told in songs originally written for the stage and for the parlor, and in songs and instrumental tunes from the hills and back roads of America.

Many of the songs in 1865 were published between 1861 and 1865; others first appeared in print earlier, but were sung constantly during the war years, perhaps in an effort to bring to mind the familiar and the good. Yet other songs and instrumental tunes are not datable; by the year 1865, they had already been passed down from generation to generation without the aid of the printed page.

Joining Anonymous 4 for this project is renowned old-time fiddler, master banjo and guitar player, and heavenly vocalist, Bruce Molsky. 

Anonymous 4 and Bruce have put our own stamp on the songs in 1865: sounds include 5-part harmonies on the Stephen Foster gem “Hard Times, Come Again No More;” “Home, Sweet Home” and “Listen to the Mocking Bird” accompanied by the banjo; an homage to the Carter Family on “The Faded Coat of Blue;” the high lonesome sound on folk songs like “Bright Sunny South” and “Brother Green;” Bruce’s inimitable fiddle and banjo playing on instrumental tunes “Camp Chase,” “Rebel Raid” and “Polly Put the Kettle On,” and the four-part a cappella singing of Anonymous 4 on the hymn “Abide with Me” and the timeless anti-war song “Tenting on the Old Camp Ground.”

 

The concert starts at 7:30 pm at Christ Episcopal Church.  Tickets are $25, students $15, available at the door. CDs will be available after the performance for cash or check only.

 

Black History Month Spotlight – Jimmy McKissic

bhm mckissicJames Henry “Jimmy” McKissic was born March 16, 1940 in Little Rock and was raised in Pine Bluff by his parents, Rev. James E. McKissic and Rosa Daniels McKissic.  He spent a lot of time in church and by age 3 was playing church hymns by ear. His mother was his piano teacher until age 13. At that point, she decided he needed professional instructors. He soon developed the dream of someday playing at Carnegie Hall.

Growing up in Pine Bluff in the late 1950s and early 1960s, he was well known for musical talent in both the white and African American communities.  He served as a musical coach for a Miss Pine Bluff contestant, Frances Jane Anderson, who later went on to become Miss Arkansas and first runner up to Miss America.  Today, she is better known as Frances Cranford.

 

As a young man Jimmy played for St. Paul Missionary Baptist Church and the Mt. Calvary Baptist, where his father pastored. He also played for other churches in Pine Bluff and the surrounding area.  He earned a B.S. in Music Education from A.M.&N. College (now UAPB) which was followed by additional study with Marjorie Petray of Berkeley, before receiving a Hertz Scholarship to further his piano and musical training in Geneva, Switzerland. He worked at the American Church in Paris, where he was in charge of young adults for two years.

Establishing residency in Cannes, France, Jimmy’s personality led him to become one of Europe’s most popular entertainers. He performed concerts all over the globe including Switzerland (Geneva, Lucerne, Davos), Franc (Paris, Biarritz, Nice, Cannes), Morocco, England, Kenya (Nairobi, Mombasa), Syria, Holland, Bangkok, Singapore and Brazil, among others. He performed in numerous cities and states in the USA including Arkansas, California, Mississippi, Texas and New York. During his lifetime, while spending 49 years of his life abroad Jimmy played for three U.S. presidents. He also performed 28 at Carnegie Hall in New York City.

After that debut, Jimmy considered it a privilege to invite people to attend his concerts “without charge”. He would say, “To whom much is given, much is required.” He often closed his classical concerts with hymns and/or popular songs as a reminder of his roots and his celebration of the universal nature of music. People from all over the world would come to hear him play from as far away as Australia or as close as Washington, D.C.  He later served on the musical faculty of the University of California, Berkeley.

A PBS documentary, “How Do You Get to Carnegie Hall,” chronicles his odyssey from Pine Bluff to New York, with scores of stops and detours in between.  In 1994, he was inducted into the Arkansas Black Hall of Fame.  Regardless of where he lived or worked, he continued to visit Arkansas and support endeavors in the state.  In 2006, he lent his talents to a fundraiser for the Mosaic Templars Cultural Center.  Four years later, he made the rafters shake in capacity concerts at that now-opened museum as well as the Clinton Presidential Center.  In addition to his musical talent and winning personality, he was known for his unique fashion sense (deliberately not matching his shoes was one trademark).

Two years ago today (February 13, 2013), McKissic died. His funeral services were held on the campus of UAPB, where he had spent so much time growing up.

For more on Jimmy McKissic and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.

Second 2nd Friday Art Night of 2015

2nd Friday Art NightForget friggatriskaidekaphobia. Don’t think of today as Friday the 13th. Embrace it as the second 2nd Friday Art Night of the year.  Among the highlights for tonight are:

Butler Center
Three exhibits continue at the Butler Center.  Reflections on Line & Mass: Paintings & Sculpture by Robyn Horn in the Butler Center Galleries (through April 24), Of the Soil: Photography by Geoff Winningham in the Butler Center Loft Gallery (through Febraury 28) and Echoes of the Ancestors: Native American Objects from the University of Arkansas Museum (through March 15).

Historic Arkansas Museum
Two exhibit openings – John Harlan Norris: Public Face opens in the Trinity Gallery for Arkansas Artists  and Lisa Krannichfeld: She opens in the Second Floor Gallery.  Live music by Whale Fire and food by The Veg.  As part of the continuing Year of Arkansas Beer, this month features Stones Throw Brewing’s Chocolate Stout.

Old State House Museum
Join violinist Geoff Robson and cellist Felice Farrell for a performance of works for solo strings by J.S. Bach. The performance will begin at 5:00 and last until 6:30. The museum will remain open until 8:00. This is a casual event and guests are welcome to drop in and seat themselves after the music has started.

Black History Month Spotlight: Dr. Patricia McGraw

bhm mcgrawDr. Patricia Washington McGraw is an educator and author.  Now retired from the University of Central Arkansas where she was a professor of English and African/African American Studies, McGraw is recognized for her achievements as an educational/civic leader and social advocate.  She has received over 300 teaching excellence and community service awards on the local, state and national levels.

McGraw graduated from San Francisco State College in 1957 and received her master’s degree in special studies in American literature from the college in 1967. In 1982 she earned her Ph.D. in sociolinguistics and Black studies from Washington University in St. Louis. She graduated with honors from each institution.

Despite her status as a retired professor, McGraw remains an active force in her community and abroad. From 1983-1994 she owned and operated The McGraw Learning Institute: Abilities Unlimited, a private school for African-American children. She has served as a literary consultant to two youth groups and has been an African storyteller at various museums throughout Central Arkansas.  She has co-hosted televisions shows and is the creator of a one-woman show, A Profile of Four Black Women: Look Upon Them and Be Renewed, that has received rave reviews and has been performed over 400 times in Africa, the West Indies and Canada.

Dr. McGraw is a noted author having published several books and more than 500 articles and works of poetry. Her work as a humanitarian has taken her to Africa seven times, having visited 18 countries on the continent. In 1999, on Lake Kivu, between the East African countries of Rwanda and the Republic of the Congo, members of the Rwandese Parliament presented an island to her.

She was inducted into the Arkansas Black Hall of Fame in 2004.  For more on Dr. McGraw and other inductees into the Arkansas Black Hall of Fame, visit the permanent exhibit at the Mosaic Templars Cultural Center. That museum is an agency of the Department of Arkansas Heritage.