Little Rock Look Back: Little Rock Public Library opens in 1910

On February 2, 1910, the Little Rock Public Library officially opened its doors.  There had been an open house the night before, but this was the first day of acquiring a library card and checking out books.

Various private libraries had existed sporadically in Little Rock throughout the 19th Century.  In November 1900, a Little Rock School District committee made the first inquiry into the the creation of a Carnegie Library in Little Rock.  Over the next several years, numerous entreaties were made, but funding for the City’s portion was an obstacle.  On December 17, 1906, the Little Rock City Council passed an ordinance to move forward with building, furnishing and equipping a library.  Finally, in February 1908, the City approved acceptance of $88,100 from Andrew Carnegie.  The building would be designed by Edward Tilton, who designed Carnegie libraries, working with local architect Charles Thompson.

Mary Maud Pugsley was hired as the first librarian for Little Rock in May 1909. She began her duties on September 15, 1909, in order to get ready for the opening of the library at the southwest corner of 7th and Louisiana Streets.

On February 2, 1910, formal circulation of books began.  J. N. Heiskell was issued library card number 1.  He was secretary of the Library’s Board of Trustees and had long been an advocate for a public library in Little Rock.  He had often used his bully pulpit as editor of the Arkansas Gazette to advocate for a public library since arriving in Little Rock in 1902.  (Years later — he lived until 1972 — he received a replica of the library card made out of gold.)

That first day of operation, 500 people had applied for library cards. The application process required one to be a Little Rock property owner or to have a property owner sign the application.

Within the first year of operation, 2.5% of Little Rock’s population of 45,951 had applied for a library card.

For more on the history of the transformation of the Little Rock Public Library into the Central Arkansas Library System, read Shirley Schuette and Nathania Sawyer’s From Carnegie to Cyberspace — 100 Years at the Central Arkansas Library System, published by Butler Center Books.

And the 2016 Ellie for General Excellence in Literature, Science and Politics goes to THE OXFORD AMERICAN!

2e6b4_1320267846-oxa_logoOn February 1, at a ceremony in New York City, the Oxford American received some very good news: They won the 2016 Ellie – National Magazine Award in General Excellence! 

The OA was recognized in the Literature, Science and Politics category.  The other nominees were Aperture; Foreign Affairs; Nautilus; Poetery; and Virginia Quarterly Review.
Honors smaller-circulation general-interest magazines as well as publications covering the arts.

 

This is the Oxford American’s thirteenth National Magazine Award nomination since the magazine’s founding in 1992, and their first for General Excellence since 1999.  The award recognized both the efforts of former editor Roger Hodge and current editor Eliza Borné and the OA staff.
The American Society of Magazine Editors (ASME) celebrated the 50th anniversary of the awards.
Other winners of the evening were:

General Excellence

  • News, Sports and Entertainment – New York
  • Service and Lifestyle – Lucky Peach
  • Special Interest – The Hollywood Reporter

Design – Wired
Photography – The California Sunday Magazine
Single-Topic Issue – Bloomberg Businessweek for “Code: An Essay,” June 15-28
Website – New York
Multimedia – New York for “This Is the Story of One Block in Bed-Stuy, Brooklyn,”
Video – Vice News for “Selfie Soldiers: Russia’s Army Checks In to Ukraine
Public Interest – BuzzFeed News for “The New American Slavery,” and “All You Americans Are Fired,” by Jessica Garrison, Ken Bensinger and Jeremy Singer-Vine,
Personal Service – FamilyFun for “The Happy Family Playbook,” by Jennifer King Lindley
Leisure Interests – Eater for “The Eater Guide to Surviving Disney World
Magazine Section – New York for “The Culture Pages”
Reporting – Matter for “My Nurses Are Dead and I Don’t Know If I’m Already Infected,” by Joshua Hammer
Feature Writing – The New Yorker for “The Really Big One,” by Kathryn Schulz
Feature Photography – Politico for “Front Row at the Political Theater,” photographs by Mark Peterson
Essays and Criticism – Esquire for “The Friend,” by Matthew Teague
Columns and Commentary – The Intercept for three “The Barrett Brown Review of Arts and Letters and Prison” columns by Barrett Brown: “Stop Sending Me Jonathan Franzen Novels,” “A Visit to the Sweat Lodge,” and “Santa Muerte, Full of Grace.”
Fiction – Zoetrope: All-Story for “The Grozny Tourist Bureau,” by Anthony Marra
Magazine of the Year – The Atlantic

The American Society of Magazine Editors is the principal organization for magazine journalists in the United States. The members of ASME include the editorial leaders of most major consumer and business magazines published in print and on digital platforms. Founded in 1963, ASME works to defend the First Amendment, protect editorial independence and support the development of journalism. ASME sponsors the National Magazine Awards in association with the Columbia Journalism School and publishes the ASME Guidelines for Editors and Publishers.

Black History Month Spotlight – Mosaic Templars of America

The new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

The Mosaic Templars of America was formed as a business in the late 1870s by Arkansas freedmen John E. Bush and Chester W. Keatts to provide insurance and other services to black people, and was incorporated as a fraternal organization in 1882. The Mosaic Templars name was derived from the biblical Moses who led his people out of bondage and relates to black America’s journey out of slavery.

By the 1920s the Templars’ organization extended to 26 states and six Caribbean nations. At the time, as one of the largest black-owned business enterprises in the world, Templars’ holdings included the original insurance company, a building and loan association, a publishing company, a business college, a nursing school and a hospital. For more than 40 years, the Templars Headquarters Building and the adjoining Annex and State Temple buildings on Broadway anchored the city’s black business district on West Ninth Street. Like many businesses, black and white, the Templars did not survive the era of the Great Depression.

Though the original Headquarters building burned in 2005, the Mosaic Templars Cultural Center is modeled on the original design. Exhibits highlight black business and self-achievement from Reconstruction to the 1950s in Arkansas and the nation.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

 

National Park Service Director, Local Leaders to Speak at Black History Month Town Hall Meeting

Feb 2 NPS eventLittle Rock Central High School National Historic Site in partnership with Little Rock Convention & Visitors Bureau, Mosaic Templars Cultural Center and the City of Little Rock, invite the public to join them for a Black History Month Town Hall Meeting entitled Arkansas’s Past-N-Motion to be held at Mosaic Templars Cultural Center at 5:30pm on February 2, 2016.

National Park Service Agency Director Jonathan Jarvis will serve as the guest speaker, and will discuss the National Parks Centennial Celebration, his tour to several of our nation’s civil rights-related historic sites and parks, and the importance of the National Park Service’s role in preserving and sharing our country’s history for future generations.  After his remarks, a panel discussion with local individuals will discuss several local institutions, and their roles and recent initiatives in preserving and sharing our city’s African American history, and its unique place in our nation’s civil rights movement.  This discussion will feature State Senator Joyce Elliott as moderator, and feature local panelists: Constance Sarto, Member, Mayor’s Tourism Commission; Dr. John Kirk – Director, UALR Institute on Race and Ethnicity; and Charles Stewart, Chairman, Arkansas Black Hall of Fame.

This Town Hall Meeting will highlight the resources of Civil Right institutions both from a national and local perspective, and the role of the National Park Service as the nation’s storyteller as it prepares to embark upon its Centennial 100th Birthday celebration on August 25, 2016.

During Director Jarvis’ time in Arkansas, he plans to visit Little Rock Central High School National Historic Site, engage Youth Leadership Academy members from Central High School as well as elementary students around the new White House youth initiative to get all 4th graders and their families to experience the places that are home to our country’s natural treasures, rich history, and vibrant culture FREE OF CHARGE! His visit to Arkansas will mark the start of Director Jarvis’ month-long endeavor to promote Civil Rights Sites during Black History Month.

They have also created the hashtag #ARPastNMotion to encourage local community groups to share information regarding any upcoming events relating to Black History Month.

For more information, please contact Enimini Ekong at (501) 396-3006 or Enimini_Ekong@nps.gov, or visit www.LittleRock.com/NPS.

Little Rock Central High School National Historic Site is located at 2120 Daisy L. Gatson Bates Drive, diagonally across the street from Central High School. The visitor center is open from 9:00 a.m. – 4:30 p.m. Monday through Sunday.  Admission is free. For more information call (501) 374-1957 or email chsc_visitor_center@nps.gov.

African Americans in the arts is topic of Mosaic Templars lunchtime program

mosaictemplarsThe Mosaic Templars Cultural Center “It’s In the Bag” quarterly lunch series offers a variety of topics meant to educate, entertain and inspire.

Today (2/2) at noon, the topic is African Americans in the arts.  It will feature guest panelists: poet Chris James, founder and executive director, House of Art; filmmaker Brian Lee; and Theresa Timmons-Shamberger, executive director, Timmons Arts Foundation.

Bring your lunch and MTCC will provide the drinks!

The Mosaic Templars Cultural Center is an agency of the Department of Arkansas Heritage.

Black History Month Spotlight – West Ninth Street

BHM16 W9thThe new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

As early as the 1840s and reaching 1880, the businesses of both black and white races existed in what is now known as Downtown Little Rock. In the last years of the 1800s, a prolific business broker and social center for African Americans dominated West Ninth Street.

In 1898, D. B. Gaines, a local black doctor who also served as pastor of the Mt. Pleasant Baptist Church, wrote a book called Racial Possibilities as Indicated by the Negroes of Arkansas. The last chapter, “Colored Business Directory of Little Rock,” documents the existence of a vibrant commercial center with almost twenty churches and hundreds of dealers of black people.

The black district was home to doctors, dentists, lawyers and entrepreneurs such as restaurant owners, newspaper editors, pharmacists, barbers, tailors, and merchants.

This city within a city, met the needs of the black community since the early 1880 to the 1950s. West Ninth Street saw its peak between 1870 and 1950. Since the 1960s, a number of factors including desegregation, urbanization, urban renewal and the construction of I-630 caused its decline.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

Little Rock Look Back: Movie Stars send LR fans in frenzy at Robinson Auditorium

Autograph seekers crowd around the actors at the Movie Ball (photo from Arkansas Gazette)

Autograph seekers crowd around the actors at the Movie Ball (photo from Arkansas Gazette)

As final preparations were being made for the opening of the Joseph Taylor Robinson Municipal Auditorium in early 1940, a glamorous evening took place in Robinson’s lower level convention hall on February 1.

In conjunction with a meeting of film executives and movie theatre owners sponsored by Robb and Rowley Theaters (which later became the United Artists theatre chain), several Hollywood actors were in Little Rock and headlined a Movie Ball. While in Little Rock, Maureen O’Hara, Phyllis Brooks, Arleen Whelan, Tim Holt and Gene Autry had also made a variety of public appearances.

Mr. Autrey had to miss the ball because he had to return to Hollywood early to attend to business matters. Actress Ilona Massey had also been scheduled to attend the events but was unable due to illness.

The quartet who did appear at the Movie Ball caused quite a scene. Upon their entrance, so many of the attendees crowded around for autographs that the evening’s grand march could not take place (a newspaper headline in the Democrat innocently used the word “orgy” to describe the crowd). After two attempts, Little Rock Mayor J. V. Satterfield (who was escorting Miss O’Hara) and the other members of the Little Rock host delegation led the Hollywood foursome to their reserved table. For quite a while that evening, the table was besieged by autograph seekers.

Mayor J V Satterfield escorting actress Maureen O'Hara at the Movie Ball (photo from Arkansas Democrat)

Mayor J V Satterfield escorting actress Maureen O’Hara at the Movie Ball (photo from Arkansas Democrat)

Though it is unknown as to whether he sought an autograph, photos from the evening showed a very satisfied Mayor Satterfield with Miss O’Hara on his arm. Satterfield family lore joked that Mrs. Satterfield (who had stayed home that night to tend to a sick son) was not a fan of Miss O’Hara’s films after that evening.

The Movie Ball showed Little Rock citizens the value of Robinson Auditorium even before it had been officially dedicated. The film industry meetings had taken place at the Albert Pike Hotel which did not feature a ballroom large enough to host the ball. Without the auditorium’s availability for the gala, organizers might not have chosen Little Rock for the meeting.

With the auditorium’s convention hall not attached to any hotel, it opened up the chance for Little Rock to host more events. This had been one of the key arguments for an auditorium since Mayor W. E. Lenon’s first proposal back in 1904. Having a glamorous event this early in the auditorium’s life validated that contention. After having endured the challenges to open the building, it was a nice lagniappe for the auditorium’s proponents who were present.

The actor Tim Holt would again be connected to Little Rock. In September 1951, he tried to obtain a divorce in Arkansas and stated that he had been a resident of the state for at least six weeks. He also had someone else testify to that fact. In October 1951, the divorce was granted. Later Mr. Holt was charged with perjury and fined $200 for falsely representing his length of residence in Arkansas. Judicial sanctions for his legal team, which included a State Senator, were eventually reviewed by the Arkansas Supreme Court.