Creative Class of 2015: Chris Hancock

ChrisHancock_K0A1139-webSocial media at history museums may seem to be a paradox. But Chris Hancock proves that it can be a successful way to increase outreach and awareness.   As Communications Manager at Historic Arkansas Museum, he uses cutting edge technologies (and old school methods) to spread the word about Arkansas’ earliest days.

A native of Russellville and graduate of UCA, he joined HAM in September 2014.  Prior to that he was Public Information Officer at one of HAM’s sister museums – Mosaic Templars Cultural Center.

In addition to getting ready for HAM’s Candlelight Gala on November 7, he is also co-chair of Pop Up in the Rock’s Pop Up West 9th which takes place on October 24.

Hancock is a member of the City of Little Rock’s City Beautiful Commission and is on the Board of studioMAIN. He is also active in the Little Rock Regional Chamber of Commerce’s Create Little Rock initiative.

Little Rock Look Back: Pre-Opening Dance at Robinson Auditorium

RC-pre-opening-signIn October 1939, it looked as if Robinson Auditorium would never open.  The construction had run out of money.  But in an effort to generate a little revenue and give the public the chance to see the building, a few events were booked in the lower level.

At the time, the entrance to the lower level was off of Garland Street which ran to the north of the structure.

While Mayor J. V. Satterfield and other leaders were in Washington seeking additional funding, the Joseph Taylor Robinson Memorial Auditorium hosted its first event.  On October 4, 1939, the convention hall on the lower level was the site of a preview dance.  The pecan block flooring had been installed just the week before.

RC-dance-orchestraThe first four people to enter the building as paying guests were Mr. and Mrs. Alfred Wilheim, Frances Frazier and Bill Christian.  Reports estimated 3,200 people attended and danced to the music of Jan Garber and His Orchestra.  By happenstance, Garber and his musicians had also played in Little Rock on January 26, 1937, the date of the election which approved the auditorium bonds.  Since Little Rock then did not have a suitable space, that appearance had been on the stage of the high school auditorium.

The event was a success.  But as the building had no heating or cooling mechanism at the time, there were limits as to how long even the lower level could be in use.  After a few weeks, the PWA, which was still in charge of the construction site, halted all future bookings.

Sandwich in History today at the White-Baucum House

ahpp White-Baucum HouseThe monthly architectural history program “Sandwiching in History” visits the White-Baucum House, located at 201 South Izard Street. The program begins at noon today.  A historian with the Arkansas Historic Preservation Program delivers a brief lecture about the church before leading guests on a tour.

This Italianate-style house was built in 1869-1870 for Robert J. T. White, then-Arkansas secretary of state, and was enlarged in the mid-1870s by its second owner, businessman George F. Baucum. The White-Baucum House was recently rehabilitated using federal and state tax incentives to serve as office space.

Sandwiching in History is a program of the Arkansas Historic Preservation Program, an agency of the Department of Arkansas Heritage.  The AHPP is responsible for identifying, evaluating, registering and preserving the state’s cultural resources. Other DAH agencies are the Arkansas Arts Council, the Delta Cultural Center in Helena, the Old State House Museum, the Mosaic Templars Cultural Center, the Arkansas Natural Heritage Commission and the Historic Arkansas Museum.

Happy 50th Birthday to the National Endowment for the Arts & National Endowment for the Humanities

NEANEH50On September 29, 1965, President Lyndon Baines Johnson signed into law the National Foundation on the Arts and the Humanities Act of 1965 at a White House Rose Garden ceremony, attended by scholars, artists, educators, political leaders, and other luminaries.

The law created the National Endowment for the Humanities as an independent federal agency, the first grand public investment in American culture. It identified the need for a national cultural agency that would preserve America’s rich history and cultural heritage, and encourage and support scholarship and innovation in history, archeology, philosophy, literature, and other humanities disciplines.

On this occasion, President Johnson said: “Art is a nation’s most precious heritage. For it is in our works of art that we reveal ourselves, and to others, the inner vision which guides us as a nation. And where there is no vision, the people perish.”

This new law was the fruit of two presidents, several senators and representatives, and four previous pieces of legislation. Separate bills had been introduced, in previous years, into the House by Representative Frank Thompson (D-NJ), and into the Senate by Senators Hubert Humphrey (D-MN) and Jacob Javits (R-NY). Senator Claiborne Pell (D-RI) had overseen hearings on some of this preliminary legislation, beginning in October 1963, before the death of President John F. Kennedy.

Over the years, the NEA and NEH have awarded millions of dollars to Little Rock based institutions, organizations and individuals through direct appropriations.  They have also impacted Little Rock cultural life through funding of the Mid-America Arts Alliance, Arkansas Arts Council, Department of Arkansas Heritage, Arkansas Department of Parks & Tourism, and U.S. Conference of Mayors among others. These groups have either re-granted the dollars to Little Rock entities or undertaken projects which have directly impacted and improved life in Little Rock.

 

Day 2 of ACANSA offers Laughs, Learning, Thrills and Thought-Provoking Moments

Acansa day 2The second day of this year’s ACANSA Arts Festival offers theatre, dance, music and art!  Four different stages offer opportunities to experience unique performances.

The Hot Sardines – 8pm (Clinton Presidential Park Lawn) $20 (reserved seating), $50 (includes Jazz Cafe), $10 (lawn only)

Take a blustery brass lineup, layer it over a rhythm section led by a stride-piano virtuoso in the Fats Waller vein, and tie the whole thing together with a one-of-the-boys front woman with a voice from another era, and you have the Hot Sardines. (We haven’t even told you about the tap dancer yet.)

“The Dork Knight” – 9pm (Arkansas Rep Black Box, 550 Main) 9pm

Jason O’Connell brings an iconic interpretation of his relationship with Batman through the years. His impersonations are so lifelike that if you close your eyes, you would swear you were in the room with Christian Bale or Jack Nicholson. O’Connell keeps audiences in rapt attention, at times laughing hysterically or mesmerized in complete silence and he takes you with him on this journey with Batman.

“Blood at the Root” – 8pm (Argenta Community Theatre) $30 (general admission) $15 (students/military)

Based on a true story of the Jena Six, Blood at the Root, written by Dominique Morriseau, is a play that touches on many social issues. Directed by Steve Broadnax, head of the Pennsylvania State theatre program, this play has received international acclaim on its tours through South Africa, Scotland and Australia. It is an exciting piece of work that breaks traditional convention. It speaks to where America is right now racially, economically, and socially. It is also a fun show with musicality, and an emphasis on movement. The inclusion of many different perspectives makes for an exciting, thought provoking performance. Please note: This performance contains strong language.

PUSH Physical Theatre – 7pm (North Little Rock Middle School Auditorium) $20 (general admission), $10 (students/military)

Seeing award-winning PUSH Physical Theatre is like watching a live-action movie. This talented group of performers inspires awe with physical illusions and gravity-defying, dance-infused, acrobatic high-jinx.

PUSH’s repeated sold-out performances have established them as the masters of physical storytelling.

Earlier in the day – at noon, there is a Lunch and Learn at the Albert Pike Memorial Temple.  It will feature a tour of the building and a chance to learn about its history. This program is free.

The Angela Davis Johnson Exhibit will be on display at the Argenta Gallery all day today (and through October 12). It has free admission as well. A reception will take place this evening.

Architecture & Design Network kicks off 2015/16 lecture series tonight with Alex Gilliam

Photo by Mark Stehle

Photo by Mark Stehle

Alex Gilliam, long committed to K-12 design education, is scheduled to be the first speaker in  Architecture and Design Network’s 15/16 lecture series, the non-profit’s 12th season of talks by well regarded design professionals. Gilliam, who earned an undergraduate and a graduate degree in architecture, will share his ideas about  the value of hands-on experience and its role in design education. 

Gilliam will speak tonight at 6pm at the Arkansas Arts Center. A reception at 5:30 will precede the remarks.
As founder of the Public Workshop, an organization that works with young people to encourage their participation in the design or redesign – as the case may be – of facets of their communities, Gilliam refers to himself as the “cheerleader of possibility”. In their roles as  agents of change, his young  charges hone skills that enable them to repurpose abandoned spaces and bring change to places that figure in their everyday lives –  schools, playgrounds, bus stops, parks and more.
 
With the help of their mentor, participants learn to set goals for themselves and develop the competencies needed to make their surrounds more accommodating to their needs and those of others. Each hands-on effort takes place in full public view with the result that students get feedback from friends and neighbors, some of whom are likely to get involved with the project. “Small groups of motivated people attract the interest and support of others”, notes Gilliam. 
 
Since the Workshop’s founding,  Gilliam has worked with the Rural Studio, the Hester Street Collaborative, Cooper Hewitt Museum, the University of Pennsylvania, the National Building Museum, the Chicago Architectural Foundation and numerous other organizations and institutions across the country. 
 
Architecture and Design Network lectures and receptions are free an open to the public. No reservations are needed. For additional information, contact ardenetwork@mac.com.
Supporters of the non-profilt Architecture and Design  Network (ADN) include the Arkansas Arts Center, the Fay Jones School of Architecture, the Central Section of the Arkansas Chapter of the American Institute of Architects and friends in the community.

Preview this week’s ACANSA Arts Festival tonight from 6pm to 7pm

ACANSA email header

This evening, Join in the Discussion of the 2015 ACANSA Arts Festival from 6pm to 7pm tonight.

It will take place at Fosters at the Arkansas Repertory Theatre, 2nd Floor

(Not in the Rep’s Black Box as listed in the ACANSA brochure; Parking is available in the parking deck behind and adjacent to the Rep)
Join Arkansas Repertory Theatre Producing Artistic Director Bob Hupp and Arkansas Symphony Orchestra Conductor Philip Mann as they offer exclusive insight into the various festival performances. Bob and Philip are two amazing guys who provide leadership in Arkansas arts as well as ACANSA Arts Festival.
This is a one-hour discussion from 6:00 to 7:00 pm to enable you to enjoy dinner afterwards in one of the great restaurants in the area!