Book on Ancient Greece, Macedonia by UALR History Professor Dr. Edward Anson published

anson ualr historyInternationally renowned scholar and University of Arkansas at Little Rock history professor Dr. Edward Anson had a second edition of his book, “Eumenes of Cardia: A Greek Among Macedonians,” released this summer.

Published by Brill Academic, the book is extensively revised from his 2004 edition, with new cuneiform material and a bibliography that includes 80 new entries.

“It has been a decade since the first edition, and much new research has been added since the original,” Anson said.

Eumenes of Cardia was a royal secretary who became a major contender for power after the death of Alexander the Great and was close to securing control of the Asian remnants of Alexander’s empire. Anson’s book argues that, despite traditional telling, Eumenes’ defeat and death were not caused by the fact that he had Greek rather than Macedonian origins.

The book may be purchased at Brill Academic and Barnes and Noble. The UALR Ottenheimer library also holds a copy.

Additionally, Anson had three chapters published in books this summer:

• “Alexander at the Beas” in “East and West in the Empire of Alexander: Essays in Honour of Brian Bosworth” by Oxford University Press
• “‘Shock and Awe’ à la Alexander the Great” in “The Many Faces of War” by Oxford University Press
• “Counter-Insurgency: The Lessons of Alexander the Great” in “Greece, Macedon, and Persia: Studies in Social, Political and Military History, A Festschrift honoring Waldemar Heckel” by Oxbow Books

Anson has published more than 50 encyclopedia articles, 14 book chapters, and more than 30 peer-reviewed articles.

His recently published books, “Alexander the Great: Themes and Issues” and “Alexander’s Heirs: The Age of the Diadochi,” was called “essential for all college and university libraries” by the American Library Association.

Anson is renowned for his work and study of fourth century B.C. Greek history. He is acclaimed by scholars all over the world for his area of specialization in the era of Alexander the Great and his successors.

His degrees include a Ph.D. from the University of Virginia and a B.A. from Drake University.

Little Rock Look Back: The City welcomes Katrina evacuees

Hurricane KatrinaIn light of the landfall of Hurricane Katrina in August 2005, Little Rock Mayor Jim Dailey and City Manager Bruce Moore sprung into action to marshal resources to welcome visitors who found themselves in Little Rock. From greeting buses and aircraft that arrived with evacuees, to coordinating with churches and non-profits to distribute supplies, to working with area businesses to identify resources, Mayor Dailey, the City Manager and other City leaders worked diligently to offer assistance.

Mayor Dailey noted, “While we welcome these visitors to our City, obviously the timeframe for this stay was not of their own choosing. As they wait out the hurricane and its aftereffects, I wanted to extend this hospitality to them on behalf of all our citizens.”

One of the things the City did was distribute a list of the cultural institutions which had free admission. These museums offered a respite for people who were spending time in hotel rooms or temporary shelters. With economic futures uncertain, spending money on entertainment was not an option for many.  The chance to see exhibits for free was a break from the monotony of television coverage and endless waiting.

In addition to providing information on free and low-cost Little Rock attractions, the Convention & Visitors Bureau worked around the clock to identify available hotel rooms and other places where evacuees could stay.  Little Rock’s Animal Services division worked to find places to keep animals since some could not stay in hotel rooms.

With the breaking of the levee and the subsequent flooding, it became obvious that what many had expected to be a three-day absence from New Orleans and the Gulf Coast, was going to be much longer.  The days turned into weeks; subsequently, the City shifted its focus into helping people find housing and jobs.

“I am proud of how Little Rock has responded,” said Mayor Dailey at the time. “From volunteers to utility workers, a number of our citizens are poised to go down there and help restore those basic necessities to the areas hit by Hurricane Katrina. I am also proud to know that our hospitality and attraction industries in Little Rock are working to offer comfort and relief here. Perhaps most importantly, the compassionate smiles and words of encouragement extended by everyday men and women in Little Rock to our newest visitors are so significant.”

“I think we can never underestimate the value of helping our neighbors. When Little Rock has been beset by disaster, it has been the knowledge that other people cared about us that has helped as we worked to return to daily routines. While I am sorry that this situation has occurred, I am grateful that we can repay in some small way, all that others have done for us,” said the Mayor.

Ten years on, much has changed in Little Rock because of Katrina.  Some people who came here “temporarily” have stayed.  Others who returned have maintained ties with Central Arkansas friends.  Little Rock’s culinary and hospitality industry have benefitted from several of the newcomers who were brought here by Katrina.  There is perhaps a bit more diversity of beliefs, tastes, and accents because of this storm.

As they did with people stranded in Little Rock after September 11, the City’s cultural institutions opened their doors, their arms and their hearts to the Katrina visitors.  It proved again the healing power of not only the arts but also of hospitality.

BEND, examining Japanese American experience in World War II, to be presented tonight

Bend-DrawingCloseUp72-bannerTonight at 7pm at the Ron Robinson Theater, the Arkansas Archeological Survey presents a play about the Japanese American experience during World War II.
Kimi Maeda’s solo performance, Bend, tells the true story of two men interned in a Japanese American internment camp during World War II: Maeda’s father, an Asian Art historian currently suffering from dementia, and the subject of his research, Isamu Noguchi, a half-Japanese-half-American sculptor. Weaving together live feed projections of sand drawings with archival footage from the 1940s, Maeda’s performance poses important questions about how the Japanese American internment camps will be remembered.
The Arkansas Archeological Survey is partnering with the World War II Japanese American Internment Museum, the University of Arkansas at Monticello’s Japanese Club, and the University of Arkansas in Little Rock (UALR) to help teach the public about the state’s rich history. Art, particularly the performance and active creation of art, as Maeda does, is an important way to communicate the emotion of past events. Bend will be performed in Little Rock and McGehee. Dr. Johanna Miller-Lewis, a historian at UALR, and Richard Yada, who was born at Rohwer, will participate in a talk back session following the performance.
Bend in Little Rock – Thursday, August 27, 7 PM
Ron Robinson Theater
100 River Market Avenue
Purchase your tickets now. $10.00

Little Rock Look Back: City Council approves 1935 auditorium plan

An August 25, 1935, rendering in the ARKANSAS GAZETTE of the proposed Little Rock auditorium at Capitol and Scott Streets.

An August 25, 1935, rendering in the ARKANSAS GAZETTE of the proposed Little Rock auditorium at Capitol and Scott Streets.

On August 26, 1935, the City of Little Rock took its first significant step in a decade for the creation of a City auditorium..  Under the leadership of Mayor R. E. Overman, the City Council approved authorization for the City to apply for $1,000,000 from the Federal Emergency Administration of Public Works (PWA) for the construction of an auditorium.  The PWA had issued a September 16, 1935, deadline for applications to be received as it sought to spend $4.8 billion in construction projects.

The auditorium plan was announced on Saturday, August 24, 1935.  Much preparation had already been undertaken before the project was publicly unveiled.  Private presentations hhad taken place, a team of architects had been chosen (Eugene Stern and the firm of Wittenberg & Delony), and a location had been selected.

The auditorium complex was slated for a block bounded by Capitol, Scott, Fourth and Cumberland Streets.  The Women’s City Club building on that block would remain with the new structure being built to wrap around two sides of the existing structure. The site was chosen because it was one block east of the Main Street business corridor and near existing meeting locations such as the Boys Club, Albert Pike Hotel, Albert Pike Masonic Lodge and several churches.

As planned by the architects, this structure’s front façade would have run the length of the Capitol Avenue side of the block.  The building was proposed to be constructed of concrete, stone and steel.  It would have a large hall with a proscenium stage and seating capacity of 4,000 with overflow of an additional 500.  The adjoining exhibition hall could seat 3,500 people.  The plan called for 150 cars to be parked in the building, and an additional 100 cars to be parked on a surface lot on the site.

Following an August 26 closed door meeting to discuss the project from which members of the public and press were excluded, in open session the City Council voted to pursue the funding for the million dollar auditorium.  If approved by the PWA, the funds would be provided in grants and loans, to be paid by over a 35 year period.

The auditorium proposal was filed with the PWA in Washington in September 1935.  Throughout the next several months, Mayor Overman and the city were engaged in a series of conversations and negotiations with the PWA for the expansion of both the water system and the sewer system. This diverted attention from pursuing the auditorium immediately.  This specific auditorium project stalled.  But because the plan had been filed by the September 16 deadline, it allowed the City to make use of PWA funds a few years later which would lead to the construction of Robinson Auditorium.

 

RSVP today for August 29 Lights! Camera! Arkansas! FREE seminar at Old State House Museum

LCA_topThis Saturday, the Old State House Museum will host a FREE seminar to explore Arkansas’s connection with the film and television industry.  It will take place from 9am to 2:30pm on August 29.

Activities will include a screening of the 2001 Academy-award winning Best Live Action Short Film “The Accountant.” Speakers including Robert Cochran, Suzanne McCray, Ben Fry, Stephen Koch and Philip Martin will discuss topics including women in film, Broncho Billy Anderson, music in Arkansas and Arkansas in the rise of regional Southern cinema.

“It gives a great sense of state pride knowing how incredibly important Arkansas has been to the film industry from a historical, technical and social standpoint,” said Suzanne McCray, one of the seminar’s presenters. “From the very first cowboy in film to the great up-and-coming actors and directors of today, Arkansas has made its case as a relevant and essential part of film and television.”

OSH logoSimilarly, presenter Bob Cochran said that his talk about a common film character-type is a perfect analogy for Arkansas. “There’s a standard trope of Hollywood films, the outsider — the character who the audience doesn’t expect anything from,” Cochran said. “However, by the end of the film this outsider reveals unexpected qualities and potential. That’s a wonderful analogy for the film industry in the state of Arkansas.”

An RSVP to the free event is required, and reservations can be made by emailing georganne@arkansasheritage.org or calling (501) 324-9685 today to reserve a place. The seminar is programming in support of the “Lights! Camera! Arkansas!” exhibit at the Old State House Museum, which will be on display until January 25, 2016.

The Old State House Museum is an agency of the Department of Arkansas Heritage.

Dr. Clea Hupp to lead UALR History Department

C-HuppDr. Clea Hupp has been named as the new Chair of the UALR History Department.

Clea E. Hupp is an Associate Professor of History. She joined the UALR History Department in 2006 and received her Ph.D. at the University of Arkansas, Fayetteville in 2004.

Clea Hupp specializes in the history of the Modern Middle East and U.S. – Middle Eastern relations. Dr. Hupp received grants from numerous institutions including the John F. Kennedy Foundation, the Lyndon Johnson Foundation, the Society for Historians of American Foreign Relations, and the American Center of Oriental Research. Her latest book was recently published from I. B. Tauris and is entitled “The United States and Jordan: Middle East Diplomacy during the Cold War.” She has traveled extensively in the Middle East and she speaks both Arabic and French.

She has made numerous presentations both in Arkansas and throughout the US on Middle East relations.  In addition to her book, her publications include:

“Strike at Samu: Covert Diplomacy and Shifting Alliances Prior to the Six Day War,” Diplomatic History January,2008.

“Supporting the Brave Young King: The Suez Crisis and Eisenhower’s New Approach to Jordan, 1953-1958” in Reassessing Suez 2008.

“Balancing Act: Jordan and the United States during the Johnson Administration,” Canadian Journal of History 2006.

Dr. Hupp serves on the Board of Directors of Ballet Arkansas. She is also an active supporter of many arts organizations in Little Rock.

Nativity Scenes from the Americas on exhibit at UALR

Dr. Bill Wiggins at UALR's Sequoyah National Research Center on Wednesday, August 5, 2015.

Dr. Bill Wiggins at UALR’s Sequoyah National Research Center on Wednesday, August 5, 2015.

Christmas is four months from today – yet you can see a variety of Nativity scenes at UALR.

Dr. J.W. “Bill” Wiggins took a different route with his Nativity scene collection. Essentially, if he ran across something native-arts related that he liked during his travels, he bought it.

“As I started to collect Nativities, it quickly became a folk art collection,” Wiggins said.

Figures and paintings Wiggins accumulated during the past four decades found a home in his “Nativities from the Americas” exhibit, available for viewing 8 a.m. to 5 p.m. weekdays through Oct. 9 at the University of Arkansas at Little Rock Sequoyah National Research Center.

The exhibit features about 45 Nativity scenes, mainly crafted by Native American, Mexican and South American artists, although there also are some from other parts of the world.

Wiggins is fascinated with how different cultures view Christianity and the story of the birth of Jesus Christ. Most of the artists represented in his collection incorporate their culture into the imagery.

That means, for example, visitors might see a buffalo or an eagle among the Nativity animals in some displays, and they’ll have a chance to view the figures presented in different mediums — from wood to clay, to even mud.

Wiggins said the Nativity collection is one of his most popular and most-requested exhibits. It was last on display in 2011, and Wiggins’ collection has grown since then.

One of the reasons for the exhibit’s popularity is that so many families decorate with Nativity sets of their own, Wiggins said, and the exhibit lets people see different interpretations of that venerated tradition.

Visitors to Wiggins’ exhibit shouldn’t expect to find Nativity scenes similar to those that annually line department store shelves. His collection features unique artistic perspectives such as a display that uses characters from other American holidays to symbolically represent the birth in Bethlehem.

Wiggins enjoys meeting the artists as he adds to his collection, and he tries not to miss an opportunity to discuss the displays with guests.

“I’m always interested in people’s reaction,” Wiggins said. “And what they see and what they don’t see is interesting.”

The Sequoyah National Research Center is home to one of the largest collections of Native American expression in the world. Its mission is to acquire and preserve the written and visual ideas of Native North Americans.

For more information, visit its website: http://ualr.edu/sequoyah/