Shakespeare at the Shelter

shakeatshelterTonight Our House presents “Shakespeare at the Shelter.”  It is a performance of some of William Shakespeare’s most famous scenes presented by residents and alumni of Our House.

Proceeds directly beneift shelter life.  This year Our House is raising money to refurbish the common area at the shelter.  This is where residents eat, receive visitors and spend leisure time.  It is one of hte most used spaces on the Our House campus and is in need of new furniture.

The performance is at 7:30pm.  Tickets are $20 and can be purchased at https://donatenow.networkforgood.org/ourhouse

Our House provides the working homeless – individuals and families – with shelter, housing, job training, education, childcare and summer youth programs, in order to equip them with the skills to be successful in the workforce, the community and their own families.

Tin Roof Project: Robert Hupp

bob108_resizedThe first Tuesday of each month, Tales from the South features one person sharing their life story. They call it Tin Roof Project.  August features Robert Hupp the Producing Artistic Director of the Arkansas Repertory Theatre.  The program will be Tuesday, August 6.

Music is by the Salty Dogs and blues guitarist Mark Simpson.

Hupp is in his fourteenth season as producing artistic director of Arkansas Repertory Theatre. Robert’s directing credits for The Rep include Death of a Salesman, Henry V, To Kill a Mockingbird, The 39 Steps, Hamlet, Cat on a Hot Tin Roof, Les Miserables, The Full Monty, Of Mice and Men, God’s Man in Texas, Fully Committed, Proof, You Can’t Take It With You and The Grapes of Wrath.
Both Hupp and Tales from the South founder Paula Martin Morell have been announced as recipients of 2013 Governor’s Arts Awards.
Prior to assuming his position at The Rep, Hupp spent nine seasons as artistic director of Jean Cocteau Repertory theatre in New York City. He has served on funding panels for the National Endowment for the Arts, the Theatre Communications Group, the New Jersey State Council of the Arts and the New York City Department of Cultural Affairs. In addition to his duties at The Rep, Hupp serves on the Board of Directors of the Theatre Communications Group and was named “Non Profit Executive of the Year” in 2012 at the Arkansas Business of the Year Awards.

“Tales From the South” is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.

“Tales from the South” is a showcase of writers reading their own true stories. While the show itself is unrehearsed, the literary memoirs have been worked on for weeks leading up to the readings. Stories range from funny to touching, from everyday occurrences to life-altering tragedies.

The program takes place at Starving Artist Café.  Dinner is served from 5pm to 6:30pm, the show starts at 7pm.  Admission is $7.50, not including dinner.

You MUST purchase your ticket before the show

Previous episodes of “Tales from the South” air on KUAR Public Radio on Thursdays at 7pm.

Little Rock Look Back: Ben Piazza

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Piazza at LR High School

Actor-director-playwright Ben Piazza was born on July 30, 1933, in Little Rock.  Piazza graduated from Little Rock High School in 1951 as valedictorian. He also had starred in the senior play that year (The Man Who Came to Dinner) and edited the literary magazine.

Keeping the Tiger as his mascot, Piazza attended college at Princeton University.  While there he continued acting, including an appearance in a Theatre Intime production of Othello.  Following his 1955 graduation, he moved to New York City and studied at the Actor’s Studio.

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Piazza at Princeton

Piazza was an understudy in the 1956 play, Too Late the Phalarope at the Belasco Theatre.  In February 1958, he starred in Winesburg, Ohio sharing the National (now Nederlander) Theatre stage with James Whitmore, Dorothy McGuire, and Leon Ames. Other cast members included Claudia McNeil (who originated the part of Lena in A Raisin in the Sun) and Sandra Church (who originated the part of Gypsy Rose Lee in Gypsy).

In April 1959, Piazza starred in Kataki at the Ambassador Theatre. This two actor play also featured Sessue Hayakawa, who played a Japanese soldier who spoke only his native language.  Therefore, Piazza’s part was largely a very lengthy monologue.  For his performance, Piazza received one of the 1959 Theatre World Awards.

As the 1960s dawned, Piazza joined a small cadre of actors who had achieved status on Broadway who then also returned to acting Off Broadway.  Colleen Dewhurst, George C. Scott, and James Earl Jones were others in this select group who helped establish Off Broadway as an entity in itself, instead of being just a farm team for Broadway.

Piazza started the 1960s on Broadway starring at the Eugene O’Neill Theatre in A Second Stringwith Shirley Booth, Jean-Pierre Aumont, Nina Foch, Cathleen Nesbitt, and Carrie Nye.   Following that, he started his association with Edward Albee by appearing as the title character inThe American Dream.  That play opened at the York Playhouse in January 1961.  Later that year, he appeared in Albee’s The Zoo Story opposite original cast member William Daniels at the East End Theatre.

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Also in 1961 Piazza starred in several plays during a South American tour sponsored by the American Repertory Company.  He played Christopher Isherwood in I Am a Cameraand Chance Wayne in Sweet Bird of Youth.  In 1962, he starred in a series of plays at the Cherry Lane Theatre.  Piazza returned to Broadway to star along with Jane Fonda and Dyan Cannon in The Fun Couple at the Lyceum Theatre. This play had a troubled rehearsal period, which was documented in a short film about Jane Fonda.

Ben Piazza stayed on Broadway and returned to Albee in February 1963.  He took over the role of Nick in the original run of Who’s Afraid of Virginia Woolf? when original actor George Grizzard left to play Hamlet at the Guthrie Theatre.  (He had participated in earlier readings of the play prior to it being mounted on Broadway.)

This play was at the Billy Rose Theatre, which marked a return for Piazza. He had acted at this theatre when it was the National while doing Winseburg.  Piazza played Nick for the remainder of the run and acted with Uta Hagen, Arthur Hill, fellow Arkansan Melinda Dillon, Eileen Fulton, Nancy Kelly, Mercedes McCambridge, Rochelle Oliver and Sheppard Strudwick.

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During the run of this show, Piazza’s novel The Exact and Very Strange Truth was published.  It is a fictionalized account of his growing up in Little Rock during the 1930s and 1940s.  The book is filled with references to Centennial Elementary, Westside Junior High, Central High School, Immanuel Baptist Church and various stores and shops in Little Rock during that era.  The Piazza Shoe Store, located on Main Street, was called Gallanti’s.

Following Virginia Woolf, he starred in The Zoo Story at the Cherry Lane Theatre in 1965.  In August of 1967, his play The Sunday Agreement premiered at LaMaMa.  This was Piazza’s first playwright output to be professionally staged.

As Sunday Agreement was opening, Piazza was in rehearsal for his next Broadway opening. He appeared with Alfred Drake in The Song of the Grasshopper in September 1967.  In 1968, he returned to Albee and starred in The Death of Bessie Smith and The Zoo Story in repertory on Broadway at the Billy Rose Theatre.

Later that season, in March 1969, a double bill of his one-acts: Lime Green/Khaki Blue opened at the Provincetown Playhouse.  It was directed by future Tony nominee Peter Masterson and starred Louise Lasser, Robert Walden (starred in the 2013 production of Death of a Salesman at Arkansas Repertory Theatre), Clinton Allmon and Dolores Dorn-Heft, to whom Piazza was married at the time.

Throughout the 1960s and early 1970s, Piazza toured in many plays nationally and internationally. He also appeared in major regional theatres as an actor and a director.  During this time period he was in productions of Bus Stop, Who’s Afraid of Virginia Woolf?, You Know I Can’t Hear You when the Water’s Running  and Savages.  In 1970, he starred as Stanley Kowalski in a production of A Streetcar Named Desire in New Orleans.  As the 1970s progressed, he turned his focus to television and movies.

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Piazza headshot for HANGING TREE

Piazza’s film debut was in a 1959 Canadian film called The Dangerous Age. That same year, his Hollywood film debut came opposite Gary Cooper, Karl Malden, Maria Schell and George C. Scott in The Hanging Tree.  Though he received positive reviews for his performances, Piazza chose to return to New York and perform in stage and TV productions.

Throughout the 1950s and 1960s, he appeared in a number of TV shows including Studio One, Kraft Theatre, Zane Grey Theatre, The Naked City and Dick Powell Theatre.  He had a recurring role during one season of Ben Casey and appeared on the soap opera Love of Life.

In the 1970s, he starred in the films Tell Me That You Love Me, Junie Moon; The Candy Snatchers and I Never Promised You a Rose Garden.  He also starred as the City Councilman who recruits Walter Matthau to coach a baseball team in The Bad News Bears.

Among his numerous TV appearances in the 1970s were The Waltons, Mannix, Switch, Barnaby Jones, Gunsmoke, Mod Squad and Lou Grant (where he was reunited with Walden).

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Piazza in the late 1980s

In the 1980s, he appeared in The Blues Brothers, The Rockford Files, Barney Miller, Hart to Hart, Family Ties, The Winds of War, Dallas, Dynasty, Too Close for Comfort, The A Team, Saint Elsewhere, Santa Barbara, The Facts of Life, Mr. Belvedere, Moonlighting and Matlock.

Piazza’s final big screen appearance was in the 1991 film Guilty by Suspicion.  He played studio head Darryl Zanuck in this Robert DeNiro-Annette Bening tale of Hollywood during the Red scare.

Ben Piazza died on September 7, 1991.

Hogs Broadcasters focus of new book from Butler Center Books

bc-purvisRazorback football season is just a few short weeks away.  As thoughts start turning to the gridiron, it is time to think about the legacy of the Arkansas Razorbacks.
Established more than sixty years ago, the Razorback broadcasting network was a pioneering effort in collegiate sports. With announcers such as Bud Campbell and Paul Eells at the microphone, it has become an enduring feature of life in Arkansas. The Razorback network, from its modest beginning to its growth into a major force in sports broadcasting, is the basis of Voices of the Razorbacks, by Hoyt Purvis and Stanley Sharp, which has just been released by Butler Center Books.

The Razorback broadcasting network helped build interest in the Razorbacks and a loyal following for them but also forged strong links among Razorback fans and the broadcasters who became “voices” of the Razorbacks. A sense of kinship developed within the audience, and the broadcasts of Razorback sports became an essential part of the state’s culture.

Although an announcer today may say, This is the Razorback Sports Network from IMG College,” the Arkansas broadcast network is a direct descendant of the Razorback network Bob Cheyne assembled in the early 1950s at the direction of Athletic Director John Barnhill. There had been earlier broadcasts of Razorback sports, including games announced by Bob Fulton in the 1940s, but the Razorback network Cheyne developed help turn broadcasters into cultural icons.

Voices of the Razorbacks traces the history of the broadcasters and the memorable events and highlights over the decades, and it features interviews with many of the key figures in that history. It is hard to find anyone in Arkansas, or Razorback fans anywhere, without special memories of listening to or watching broadcasts of Razorback games. Voices of the Razorbacks brings all those memories back.

Co-author Hoyt Purvis has taught journalism, international relations, and political science at the University of Arkansas since 1982. He established the first sports journalism course at UA and taught it for twenty-five years. Co-author Stanley Sharp of Booneville, Arkansas, has followed Razorback sports all his life and has a master’s degree in journalism from UA.

            Voices of the Razorbacks is available from River Market Books & Gifts, 120 River Market Ave., and from the University of Arkansas Press, Butler Center Books’ distributor. Butler Center Books is a division of the Butler Center for Arkansas Studies, a department of the Central Arkansas Library System (CALS). The Butler Center’s research collections, art galleries, and offices are located in the Arkansas Studies Institute building at 401 PresidentClinton Ave. on the campus of the CALS Main Library. For more information, contact Rod Lorenzen at (501) 320-5716 or rlorenzen@cals.org.

Marching Band to Parade through trails at Hillary Clinton Children’s Library

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Today at 4:30pm, Little Rock residents will have the opportunity to experience a unique event in the trails between 12th Street and I-630.

In the fairy tale, the Pied Piper led children out of town. At the Central Arkansas Library System’s (CALS) Hillary Rodham Clinton Children’s Library & Learning Center, children and adults will be having too much fun to leave as the acclaimed and rowdy 20-piece marching band, What Cheer Brigade, leads a parade for all to join along the nature trails of the Children’s Library on Tuesday, July 23, at 4:30 p.m.

The public is encouraged to come in costume and to bring homemade instruments and noisemakers. Face painting and giant puppets will add to this noisy celebration of summer fun.

What Cheer Brigade, of Providence, Rhode Island, is a 20-piece marching band that defies boundaries and appeals to young and old alike. The band has been performing since 2005 at a variety of events, has received a grant from the state of Rhode Island to play during the recess periods of six elementary schools, and has been described as “an explosion of good cheer” by the New York Times.

The parade is free and open to the public. The CALS Hillary Rodham Clinton Children’s Library & Learning Center is one of fourteen CALS branches serving Pulaski and Perry counties. For more information, call 978-3870 or visit www.cals.org.

Tales from the South: Animal Tales

talesfromthesouthTonight’s edition of  ”Tales from the South” is Animal Tales. It will feature stories by Danny J. Ramsey,  Louis Houston, and Roger Poole. Music is by Paul Morphis and blues guitarist Mark Simpson

“Tales From the South” is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.

“Tales from the South” is a showcase of writers reading their own true stories. While the show itself is unrehearsed, the literary memoirs have been worked on for weeks leading up to the readings. Stories range from funny to touching, from everyday occurrences to life-altering tragedies.

The program takes place at Starving Artist Café.  Dinner is served from 5pm to 6:30pm, the show starts at 7pm.  Admission is $7.50, not including dinner.

You MUST purchase your ticket before the show

Previous episodes of “Tales from the South” air on KUAR Public Radio on Thursdays at 7pm.

Arts Council announces Gov Arts Award recipients

Arkansas_Arts_Council_logo_2The Arkansas Arts Council has announced the recipients of the 2013 Governor’s Arts Awards.

They are:
Arts Community Development Award – Bob Ford and Amy Herzberg (Fayetteville)
Arts in Education Award – Paul Leopoulos (North Little Rock)
Corporate Sponsorship of the Arts Award – Mitchell, Williams, Selig, Gates & Woodyard, PLLC (Little Rock)
Folklife Award – Paula Morell (North Little Rock)
Individual Artist Award – Robert Hupp (Little Rock)
Patron Award – Lee and Dale Ronnel (Little Rock)
Lifetime Achievement Award – Billie Seamans (McGehee)
Judges Special Recognition Award – Farrell Ford (Arkadelphia)

The awards will be presented in the fall.