LR Cultural Touchstone: Peg Newton Smith

peg_3While the Culture Vulture remains a huge fan of Peg Newton Smith, it is better for this entry to be taken from a tribute written by her longtime friend Bill Worthen.

Peg Newton Smith was a pioneer in the field of history and historic preservation.  A founder of both the Arkansas Museums Association and the Quapaw Quarter Association, Little Rock’s historic preservation organization, she served as a significant resource for many local history researchers and historians.

Born February 10, 1915, Peg Smith came from a family deeply engaged in Arkansas history. Two Arkansas counties – Newton and Hempstead – are named after ancestors.  She married George Rose Smith, himself from a prominent Arkansas family, in 1938. Peg Smith became his most vigorous supporter as George Rose Smith was elected and  reelected to the State Supreme Court, ultimately offering 38 years of service as Associate Justice.

She  enjoyed a sixty-two year career as a volunteer at the Historic Arkansas Museum, where she served as Commission Chair from 1978 to 1983. On the museum’s first day, she was dressed in period garb as a volunteer.  She was named Chair Emerita of the Commission in 2002. Her commitment to history has also included decades of service on the Mount Holly Cemetery Association Board of Directors, where she was famous with Mary Worthen for tours of the cemetery, often hot items at charity auctions.

Because of her instrumental work for the Arkansas Museums Association and the Quapaw Quarter Association, both organizations named significant annual awards after her. She was appointed to the inaugural Review Committee of the State Historic Preservation Program and with architect Edwin Cromwell was the first Arkansan named to the Board of Advisors of the National Trust for Historic Preservation. She was appointed to the Arkansas Bicentennial Commission, was elected president of the Junior League of Little Rock, was a founding member of the Board of the Historic Preservation
Alliance of Arkansas, and was active in the Pulaski County Historical Society.  She also was an early supporter of the MacArthur Museum of Arkansas Military History.

She was honored by many groups, being named 1967 Greater Little Rock Woman of the Year by the Arkansas Democrat, Shield of the Trojan Award winner from the UALR Alumni Association in 1979, Fellow of the Museum of Science and History in 1981, and Candlelight Gala Honoree of the Historic Arkansas Museum in 1994. She became the first recipient of the Lifetime Achievement Award from the Arkansas Museums Association in 2003.

Peg Newton Smith died on July 20, 2003.

Because of her love of Arkansas history and Arkansas art, the Historic Arkansas Museum commissioned the pARTy for Peg sculpture which dances near the north entrance to the museum.  pARTy for Peg is not a portrait of our dear friend—it is a sculpture inspired by her spirit. It had been her brainchild for the museum to have a separate gallery devoted to contemporary Arkansas artists. She also founded the Museum Store, filled with Arkansas crafts.

 

LR Cultural Touchstone: Jane Rogers

Jane RogersJane Rogers is a Little Rock native who has had a hand in developing two different cultural entities in her hometown.  She helped organize the first Riverfest to be held in Riverfront Park in 1983.  Continuing her involvement, she later served as the first full-time executive director of Riverfest.  Under her leadership the festival experienced significant growth.  This, in turn, brought more people down to the banks of the Arkansas River and the new Riverfront Park.  Because of this, more people were familiar with the area which helped the fledgling River Market take hold in the mid-1990s.

Shortly after he became Governor, Mike Huckabee tapped her to lead the Department of Arkansas Heritage.  In that capacity, she oversaw the Arkansas Arts Council, Old State House Museum, Historic Arkansas Museum, Delta Cultural Center, Arkansas Historic Preservation Program and Arkansas Natural Heritage Commission.  She served as Director for two years.

In 2003, she was appointed to the University of Arkansas Board of Trustees.  In that capacity, she has been involved in efforts to strengthen cultural offerings and facilities at the various campuses in the University of Arkansas system.

Her most recent cultural endeavor has been as a founder of Sculpture at the River Market.  In 2007, she helped recruit volunteers to create Little Rock’s first nation-wide sculpture invitational show and sale.  Since that time, Sculpture at the River Market has built a $2,000,000+ collection of public sculpture placed in beautiful surroundings along the banks of the Arkansas River in downtown Little Rock.  As a result of pieces of these efforts, the Vogel Schwartz Sculpture Garden was created in Riverfront Park.

LR Cultural Touchstone: Jeannette Edris Rockefeller

J RockefellerJeannette Edris Rockefeller only lived in Arkansas for about fifteen years. But her impact on the cultural life of Little Rock and all of Arkansas continues to be felt today.

Born and raised in Seattle, as a young mother she met Winthrop Rockefeller while both were in New York.  He moved to Arkansas in 1953; after their 1956 marriage, she joined him. They split their time between Little Rock and Petit Jean.

In 1959, she was asked to become involved in plans for a new art museum in Little Rock.  She became a tireless advocate and fundraiser for the new Arkansas Arts Center.   In 1960, she assumed the role of president of the Arkansas Arts Center Board of Trustees, a position she held until 1968.  During that time period she oversaw the planning, construction and opening of the building.  She also invited Townsend Wolfe, who she had met when he taught some classes at the Arts Center, to apply to become the museum’s first executive director.

From 1967 to 1971, she was First Lady of Arkansas.  In that capacity, she supervised renovation of the Governor’s Mansion and started the tradition of displaying art on the walls.

Shortly after her 1971 divorce from Rockefeller, she relocated to California.  She continued to be a supporter of the Arts Center.  One of the galleries in the Arts Center is named in her honor.  In addition, one of the sculptures on the lawn of the Arts Center, Standing Red, was dedicated in 1970 in recognition of her service on the Arts Center Board.

LR Cultural Touchstone: Kathryn Donham Rice

Katy RiceKathryn Donham Rice was better known by her friends as Katy.  As a historian, she was an archivist and an author.

A native of Little Rock, she was a lifelong Methodist.  Her interest in Arkansas Methodist history led to her appointment as the Archivist of the Little Rock Conference of the United Methodist Church. In 1980, she authored A History of the First United Methodist Church in Little Rock, Arkansas 1831 – 1981 to commemorate the church’s sesquicentennial. She served as church historian for twenty-eight years, creating with her husband, James H. Rice, Jr., the History Hall where many Methodist historic photographs and artifacts are displayed. She was a board member of the Commission on Archives and History of the United Methodist Church and a charter member of the Arkansas United Methodist Historical Society.

In the 1970’s she was employed at the Old State House Museum, first as a guide, then as Registrar, a position for which she trained at the Smithsonian Institution, Washington, DC. In 1986 she was appointed to serve on the Arkansas Sesquicentennial Commission as head of the Religious Organizations Task Force. This group sponsored four regional workshops on church history-writing and church archives management during the year.

Katy was an active supporter of Hendrix College, her alma mater.  She volunteered as archivist in the Winfred Polk United Methodist Archives and the Bailey Library.  She also was active in the Aesthetic Club, where she served as President; the Arkansas Women’s History Institute; the Pulaski County Historical Society; and the Arkansas Historical Association.  She wrote two additional histories which were published: The History of Lakeside Country Club and The History of Belcher Lake Farms.

For several years she was a very active volunteer for the MacArthur Museum of Arkansas Military History.  She assisted with registrar duties, including processing many of the photographs in the Allison collection. For several hours every week, she could be found in the basement of the museum with her white archivist gloves on helping out.  She would also give tours of the museum once it opened.

 

LR Cultural Touchstone: Ann Nicholson

ann_nicholsonAnn Nicholson has been in Little Rock since the 1970s. She maintains the distinctive accent of her native Great Britain, which she puts to use as the “voice of UALR Public Radio” and the host of the weekly interview show “Art Scene.”

For more than 25 years, Ann Nicholson has shared the news and promoted cultural events in Central Arkansas via the KLRE/KUAR airwaves.  Host of “The Arts Scene,” an in-depth interview program that features local and international artists in all genres and a weekly arts calendar, Nicholson has loyal listeners who have enjoyed her interviews, her soothing and inviting British accent and her tireless enthusiasm for the arts. Those at KLRE/KUAR often refer to her as “the heart of Little Rock public radio.”

Being featured on Arts Scene has been a boon to many emerging organizations and institutions.  But more than that, her insightful and engaging interview style allows listeners to learn more about the artists and the artistic process.  The program feels less like an interview and more like a chance to eavesdrop on an entertaining conversation.

In addition to hosting the weekly interview program, she has been an active supporter of Little Rock’s arts community since her arrival.  She has been on the Board of Ballet Arkansas and UALR Friends of the Arts. She is often in the opening night audience at the Arkansas Rep.  She also rarely misses a performance of the Arkansas Symphony Orchestra.  Ann was a longtime member of the Little Rock Arts and Humanities Promotion Commission. She is a supporter of the Little Rock Musical Coterie and the National Federation of Music Clubs. When that organization’s national meeting was in Little Rock in 2002, she was involved in the planning of the meeting.

 

Portraits and Sculptures focus of new exhibits at Arkansas Arts Center

arkartsThursday, October 23, 6 p.m., Lower Lobby Lecture Hall

Member Lecture and Reception
“Making Beckman” by Tom Butler, Director of the Columbus Museum in Columbus, Georgia

Learn more about William Beckman’s gripping drawings in the first major retrospective of this great realists artist’s work on paper. The reception begins at 6:30 p.m. in the Alice Pratt Brown Atrium. Tickets are required to attend the lecture and are $15 for non-members and free for members. For more information or to reserve your ticket, call (501) 372-4000.

 

Friday, October 24, 2014 through February 1, 2015, Jeannette Edris Rockefeller and Townsend Wolfe Galleries

William Beckman: Drawings, 1967-2013

This exhibition includes intimate portraits of friends and family members, alongside arresting nudes of the artist and his wife. Some of the most attention-demanding works are massive portrayals of bulls. Accompanying the exhibition is a 112-page, full-color catalogue of Beckman’s work, which includes a revealing interview with the artist by exhibition curator Tom Butler and also illustrates archival photos from his childhood and college days. The catalogue is published by D Giles, Ltd., London. The exhibition was originated by the Columbus Museum in response to the ideas of Townsend Wolfe, the long-time director of the Arkansas Arts Center.

 

Friday, October 24, 2014 through January 18, 2015, Winthrop Rockefeller Gallery

The Sculpture of Stoney Lamar

This exhibition presents work from 1987 to the present. Uninspired by traditional turned wood vessel forms, Stoney Lamar embarked on a personal exploration of the lathe and other tools of turners and woodworkers. This spirit of experimentation has firmly placed his work in the avant-garde of the wood turning world. Not only was he one of the first to use multi-axial turning, but eventually he added steel, color and distressed surface treatments.

 

Friday, October 24, 12 – 1 p.m., Jeannette Edris Rockefeller and Townsend Wolfe Galleries
Feed Your Mind Friday with Artist William Beckman

Take an hour to feed your mind and learn more about William Beckman’s work in William Beckman: Drawings, 1967-2013. While Beckman’s paintings depict landscapes, figures, and still lifes, his most celebrated drawings are those of the human figure. Sign up at the Stephens Inc. Visitors Center to attend this free event. For more information, visit ArkansasArtsCenter.org or call (501) 372-4000.

An Arkansas Made Tales from the South tonight at Historic Arkansas Museum

talesfromsouthWith a theme of “Arkansas Made,” where better to find Tales from the South than the home of the “Arkansas Made” exhibits – Historic Arkansas Museum?

The featured storytellers are Haley Villines, Alan Hale, and Denise Parkinson.  Live music is provided by Amy & Brad Williams and bluesman Mark Simpson.

“Tales From the South” is a radio show created and produced by Paula Martin Morell, who is also the show’s host. The show is taped live on Tuesday. The night is a cross between a house concert and a reading/show, with incredible food and great company. Tickets must be purchased before the show, as shows are usually standing-room only.

“Tales from the South” is a showcase of writers reading their own true stories. While the show itself is unrehearsed, the literary memoirs have been worked on for weeks leading up to the readings. Stories range from funny to touching, from everyday occurrences to life-altering tragedies.

Doors open for dinner, socializing at 5 pm; Live music at 6 pm; Dinner available for purchase from Southern Salt Food Truck.  Show starts at 7 pm Tickets $10

You MUST purchase your ticket before the show.

Previous episodes of “Tales from the South” air on KUAR Public Radio on Thursdays at 7pm.  This program will air on November 13.