T
wenty-two years after authorizing the creation of the Museum of Fine Arts in City Park, the Little Rock City Council was asked to consider expanding the facility.
By 1957, the existing structure was felt to be inadequate. There was a desire for more gallery space as well as for more space for educational programming.
On July 8, 1957, the Little Rock City Council passed an ordinance authorizing the Board of the Museum of Fine Arts to be able to raise the funds for an expansion. This was merely the start of the process which would eventually lead to the creation of the Arkansas Arts Center.
The ordinance allowed for the expansion or extension of the building. It also authorized the museum’s board to accept gifts for the project and to invest those gifts for the purpose of the museum. Since the museum only received City funds for maintenance and salary, the ability to raise funds for the expansion was key to the future of the institution.
Lastly, the ordinance gave the museum’s board the ability to increase its membership by up to six positions without having to get additional approval by the City Council. With a fundraising drive underway and a larger facility planned, these additional board members could certainly prove to be key.
The ordinance passed with nine Ayes, zero Noes, and one absent.

With today being Independence Day, it seems appropriate to feature Eagle of the Rockin the Sculpture Vulture.
This was one of the original six sculptures placed in the River Market, back in November 2004. Sculpted by Sandy Scott, it depicts an eagle taking flight from atop a craggy rock. The eagle and rock are cast in bronze which is then set upon a limestone base. It is situated on President Clinton Avenue to the west of the entrance to Clinton Presidential Park.
At 5pm today, the galleries of the Arkansas Arts Center will close in MacArthur Park. They will not reopen until sometime in the first half of 2022.
Say goodbye to the 61st first edition of the Delta Exhibition, bid a fond farewell to the Arkansas Arts Center galleries as they are currently configured, and see the premiere of a film about 60th Delta (from 2018) all in one evening!
In Riverfront Park, Jane DeDecker’s THE TIES THAT BIND shows a father helping his son tie his shoes. It was installed in tribute to longtime Little Rock KATV executive Dale Nicholson. He had been an active supporter of Sculpture at the River Market. It is placed near another sculpture by Jane DeDecker, which Nicholson had selected as a memorial to his wife.
Not far from THE TIES THAT BIND is Kevin Kresse’s BREAKING THE CYCLE. Installed in 2013, it shows a son pushing his father in a wheelbarrow. At the time of the dedication, Kresse commented the piece is meant to show a father and son who have decided to “switch things up” for a new perspective on life. Kresse and his son were the models for the piece.
One of the first sculptures placed in Riverfront Park in 2004 was DeDecker’s ANGLERS. It shows a grandfather and granddaughter going off to fish. This sculpture is located near the Witt Stephens Jr. Central Arkansas Nature Center.
Near the Marriott Hotel, in the Vogel Schwartz Sculpture Garden, is C. T. Whitehouse’s HUDSON’S VOYAGE. This sculpture is a tribute to his father.

Also on the CALS Library Square campus,