Nathalia Edenmont: Force of Nature exhibit brings larger than life photographs to Arkansas Arts Center

AAC LargerLifeToday through May 1, the Arkansas Arts Center plays host to photographer Nathalia Edenmont’s first major U.S. exhibition.

Nathalia Edenmont: Force of Nature is the artist’s first solo exhibition in a major American museum and features ten, richly colored, large-format photographs. Five of the photographs, including Eden, a self-portrait of the artist, are recent works and have never before been exhibited. Force of Nature is organized by the Arkansas Arts Center and Nancy Hoffman Gallery (New York City) and is presented in conjunction with the Garden Club of America Zone 9 annual meeting, which occurs in Little Rock in late-April 2016.

“Nathalia Edenmont’s photos are striking both in terms of their scale and colorful content,” said Brian J. Lang, chief curator and curator of contemporary craft at the Arkansas Arts Center. “We look forward to hosting Edenmont’s first major U.S. exhibition, giving Arkansans the opportunity to be among the first to see some of her most recent photos.”

Born in 1970 in Yalta, Ukraine, Nathalia Edenmont moved to Sweden by the age of 20, realizing that life in the former Soviet Union was disintegrating and held no future for her. At 27, Edenmont enrolled in the Forsbergs Skola to study graphic design. At the school her artist-mentor, Per Hüttner, encouraged her to visualize her inner pictures and to try to capture them with the camera.

All of Edenmont’s photographs derive from her life experience. “I only look inside my head,” the artist explains. “What I see in my mind is what I create. I do not sketch; the image is complete and sharp within me. I have absolute control over all aspects of what I do.”

Using a large-format Sinar camera with 8×10 film and many lenses, Edenmont works with a team of eight to twelve people over the course of one day to compose a single “shot.” She has two camera assistants (both professional photographers), a hair stylist and a dressmaker.

What each figure wears is central to the meaning of each work. The artist’s “portraits” reflect intensity, each subject stands expressionless and motionless against a pitch-black background, cloaked in flowers revealing only her neck and shoulders; light emanates from within. It is the “flower pile” or dress the artist composes that tells the tale, sometimes with birds or snakes, sometimes with fresh flowers or vegetables, and at other times with wilted blooms. “Since my childhood I have heard that a woman’s beauty is like a flower, it passes quickly,” Edenmont says. “That is why I switch from fresh flowers to dry and very old. I see much beauty in dried flowers. I grew up as a Russian Orthodox and in the cemetery the fresh graves covered in flowers looked like my flower piles from which I compose my dresses.”

Edenmont is a two-time recipient of the Konstnarsnamndens Arbetsstipendium, a grant awarded by the Culture Department in Stockholm, Sweden. Her work has been exhibited internationally, including museums in Sweden, Russia and Germany; Nathalia Edenmont: Force of Nature is the artist’s first solo exhibition in a major American museum.

Edenmont will speak at an AAC Member Lecture & Late Night event at 6 p.m. on Thursday, January 21. A book signing will immediately follow the lecture.

Nathalia Edenmont: Force of Nature is sponsored by Tipton & Hurst, Kara and David Dowers for Annie Dowers and Dr. and Mrs. Charles Cole.

Final day to see OUR AMERICA exhibit at the Arkansas Arts Center

Today is the final day to enjoy the Arkansas Arts Center exhibition Our America: The Latino Presence in American Art.  This major collection of modern and contemporary Latino art from the Smithsonian American Art Museum has been here since October.

The exhibition Our America includes 93 works in all media by 72 artists who participated in various artistic styles and movements, including abstract expressionism; activist, conceptual and performance art and classic American genres such as landscape, portraiture and scenes of everyday life.

Our America presents the rich and varied contributions of Latino artists in the United States since the mid-20th century, when the concept of a collective Latino identity began to emerge. The exhibition is drawn entirely from the Smithsonian American Art Museum’s pioneering collection of Latino art.

 

Our America features bilingual labels for each work and a Spanish-language website created by the Smithsonian American Art Museum. Select works also feature podcasts with the artist’s commentary. Museum goers can simply call a number, scan a QR code or visit a website for more background on the artist and background on each piece—in English and Spanish.

Artists featured in the exhibition reflect the rich diversity of Latino communities in the United States. Our Americashowcases artists of Mexican, Puerto Rican, Cuban and Dominican descent, as well as other Latin American groups with deep roots in the United States. By presenting works by artists of different generations and regions, the exhibition reveals recurring themes among artists working across the country.

The 72 artists featured in the exhibition are ADÁL, Manuel Acevedo, Elia Alba, Olga Albizu, Carlos Almaraz, Jesse Amado, Asco (Harry Gamboa Jr., Gronk, Willie Herrón and Patssi Valdez), Luis Cruz Azaceta, Myrna Báez, Guillermo Bejarano, Charles “Chaz” Bojórquez, María Brito, Margarita Cabrera, María Magdalena Campos-Pons, Melesio “Mel” Casas, Leonard Castellanos, Oscar R. Castillo, José Cervantes, Enrique Chagoya, Roberto Chavez, Carlos A. Cortéz, Marcos Dimas, Ricardo Favela, Christina Fernandez, Teresita Fernández, iliana emilia garcía, Rupert García, Scherezade García, Carmen Lomas Garza, Ignacio Gomez, Ken Gonzales-Day, Hector González, Luis C. “Louie the Foot” González, Muriel Hasbun, Ester Hernandez, Judithe Hernández, Carmen Herrera, Carlos Irizarry, Luis Jiménez, Miguel Luciano, Emanuel Martinez, María Martínez-Cañas, Antonio Martorell, Ana Mendieta, Amalia Mesa-Bains, Franco Mondini-Ruiz, Delilah Montoya, Malaquias Montoya, Abelardo Morell, Jesús Moroles, Raphael Montañez Ortiz, Pepón Osorio, Amado M. Peña Jr., Chuck Ramirez, Paul Henry Ramirez, Sophie Rivera, Arturo Rodríguez, Freddy Rodríguez, Joseph Rodríguez, Frank Romero, Emilio Sánchez, Juan Sánchez, Jorge Soto Sánchez, Rafael Soriano, Ruben Trejo, Jesse Treviño, John M. Valadez, Alberto Valdés and Xavier Viramontes.

The exhibition is organized by E. Carmen Ramos, curator of Latino art at the Smithsonian American Art Museum.

Our America: The Latino Presence in American Art is organized by the Smithsonian American Art Museum. Generous support for the exhibition has been provided by Altria Group, the Honorable Aida M. Alvarez, Judah Best, The James F. Dicke Family Endowment, Sheila Duignan and Mike Wilkins, Tania and Tom Evans, Friends of the National Museum of the American Latino, The Michael A. and the Honorable Marilyn Logsdon Mennello Endowment, Henry R. Muñoz III, Wells Fargo and Zions Bank. Additional significant support was provided by The Latino Initiatives Pool, administered by the Smithsonian Latino Center. Support for “Treasures to Go,” the museum’s traveling exhibition program, comes from The C.F. Foundation, Atlanta.

Our America is sponsored in Arkansas by Donna and Mack McLarty, The Brown Foundation, Inc., of Houston, Consulate of Mexico in Little Rock and Alan DuBois Contemporary Craft Fund. Media sponsors include ¡Hola! Arkansas and Telemundo Arkansas.

Art+History Throwback Thursday: Museum of Fine Arts

MFA postcardOn February 9, Little Rock voters will have the chance to say Yes to improving the Arkansas Arts Center, MacArthur Museum of Arkansas Military History and MacArthur Park.

Leading up to that election is a good time to look back at the development of these two MacArthur Park sited museums.

The Museum of Fine Arts opened in October 1937.  The groundbreaking was held on January 3, 1936, with the cornerstone laid on October 6 of that year.  Nearly one year later, the Fine Arts Club held its first meeting in the building and hosted a grand open house on October 5, 1937.

The front doorway to the museum is visible today inside a gallery of the Arkansas Arts Center.

Sculpture at the River Market Show seeking artists; 2016 Monument Sculpture Competition winner will be placed at Central High

Sculpture at the River MarketThere is a very rare opportunity for an artist to have their work permanently displayed on the grounds of historic Central High School.  The recipient of the Sculpture at the River Market 2016 Monument Sculpture Commission Competition will have just that chance.  The installation will take place in 2017 to commemorate the 60th anniversary of the integration of Central High School.

This will be a $60,000 to $80,000 Award.  Artists selected into the 2016 Sculpture at the River Market Show & Sale in Little Rock, Arkansas will be eligible for the Central High School Monument Commission Competition. Only 50 artists will be selected to participate in the Show and Sale.

The River Market Sculpture Show and Sale dates are April 22-24, 2016.
Click here for a SHOW application.     Deadline to submit an application to the show is January 14.
centralentranceThe site for this year’s contest will be a space where two sidewalks converge to start the curved ramp that will lead to the front doors of Central High School. The site is street level, so the sculpture can be seen from both sides of the street and will be a focal point as you start ascending to the porch and the front doors.
The design should not be restrained by the historical events that occurred at Central High School. The entry can convey some aspect of the events of 1957, but can represent many other feelings such as hope, togetherness, the importance of education, opportunity, or any other positive feeling that would impact students and visitors to this important landmark. It can be solemn or whimsical, or it can be figurative, abstract or interactive.

About Central High School:  In 1957, the nation watched the Little Rock Nine story unfold as nine black students attempted to enter the previously all-white school. With the help of television news, then in its infancy, the events commanded worldwide attention. Little Rock came to symbolize the federal government’s commitment to eliminating separate systems of education for blacks and whites. When Little Rock Central High School was built in 1927, the American Institute of Architects named Central High School, “The Most Beautiful High School in America”. The high school is still operating today and is the only functioning high school to be located within the boundary of a national historic site.

Click here for a drawing of the COMPETITION site and more information about the COMPETITION.

For Show information visit www.sculptureattherivermarket.com or email SculptureAtTheRiverMarket@ymail.com.

The Arkansas Arts Center seeking entries for 58th Annual Delta Exhibition

58thDeltaThe Arkansas Arts Center, the state’s premiere center for visual and performing arts, announces a call for entries for the 58th Annual Delta Exhibition which will be on display June 10 – August 28, 2016. The deadline to submit entries is March 11.

“As one of the most anticipated Arkansas Arts Center events of the year, the 58th Annual Delta Exhibition offers a unique snapshot of the talent located in the Delta region,” said Arkansas Arts Center Executive Director Todd Herman. “This exhibition allows artists to lead and inspire their communities through art, education and cultural excellence.”

The competition is open to all artists who live in or were born in one of the following states: Arkansas, Louisiana, Mississippi, Missouri, Oklahoma, Tennessee and Texas. All work must be completed during the last two years and must not have been exhibited previously at the Arkansas Arts Center.

Elizabeth K. Garvey will serve as juror for the 58th Annual Delta Exhibition. Garvey is the co-founder and owner of Garvey-Simon Art Access, Inc. Prior to her current role, she was co-director of the venerable Schmidt-Bingham Gallery in New York, where she worked from 1989-1998; and then president and owner of EKG Art Advisory, (1999-2009). She has been a fine art dealer and advisor in New York City for over 20 years and leverages her professional relationships with galleries, auction houses, private dealers and artists to offer clients a relaxed entry into the often intimidating visage of the New York art world. Garvey maintains a boutique gallery in Manhattan that is focused on drawing, works on paper, unusual materials and design; while also acting as curator and advisor to select private clients. She is a member of ArtTable, and a founding member of the New York chapter of the Association of Women Art Dealers.

Garvey will select the artworks to be exhibited and will assign the $2,500 Grand Award and two $750 Delta Awards. Additionally, a $250 Contemporaries Delta Award will be selected by the Contemporaries, an auxiliary membership group of the Arkansas Arts Center. Artists and AAC members will be invited to attend a special reception and exhibition preview on Thursday, June 9 during which the 58th Annual Delta winners will be announced.

The Delta Exhibition of Painting and Sculpture was founded in 1958 to feature contemporary work by artists from Arkansas and the bordering states. Today, the Annual Delta Exhibition has grown to encompass works in all media and is a showcase for the dynamic vision of the artists of the Mississippi Delta region. The diversity of their art reflects the region’s strong traditions of craftsmanship and observation, combined with an innovative use of materials and an experimental approach to subject matter.

Artists will be responsible for all shipping arrangements. Interested parties may enter their information and upload images of their work at ArkansasArtsCenter.org/delta by March 11, 2016. The entry fee is $20 for one entry and $10 for each additional entry. Artists are limited to three entries. Notifications will be mailed on March 30 and all accepted work must be received by April 27. This year’s exhibition will be on view June 10 – August 28.

The 58th Annual Delta Exhibition is sponsored by Isabel and John Ed Anthony, Bank of the Ozarks and the Delta Regional Authority. The Grand Award is supported by The John William Linn Endowment Fund. The exhibition is supported by the Andre Simon Memorial Trust in memory of everyone who has died of acquired immune deficiency syndrome (AIDS).

2nd Friday Art Night at the CALS Butler Center

2FAN logo Font sm2The second Friday of 2016 means it is time for the first 2nd Friday Art Night of the year.

Another participating location is the CALS Butler Center Galleries located inside the Arkansas Studies Institute building. They are open tonight from 5pm to 8pm.

Little Rock Box by Gary Cawood

Gene Hatfield: Outside the Lines
On view through Saturday, January 30

Earth Work: Photographs by Gary Cawood
On view through Saturday, February 27
Arkansas Pastel Society National Exhibition
On view through Saturday, February 27
Photographic Arts: African American Studio Photography from the Joshua & Mary Swift Collection
On view through Saturday, March 26
Featured artist: Tom Flynn
Tom Flynn is a metal sculptor who creates artwork using reclaimed metals.
Featured musician: Tommy Priakos
Tommy, a keyboardist based in Little Rock, will perform music in the galleries.
 
Second Friday Art Night is a free, monthly opportunity to visit downtown Little Rock’s galleries, museums, and businesses after hours.

Several other downtown museums and galleries participate in 2nd Friday Art Night.

Final day to see Arkansas Arts Center Collectors Show

arkartsThe New York gallery scene returned to Little Rock with the 47th Collectors Show and Sale.  Today is the final day to see this eclectic exhibition at the Arkansas Arts Center!

This selling exhibition features a selection of nearly 150 artworks carefully curated from more than 20 galleries, including old friends such as Debra Force Fine Art, Kraushaar Galleries, and Hirschl & Adler Gallery (all specializing in early-American modernism) and four galleries that are first-time participants: Morgan-Lehman Gallery (contemporary), Cecilia de Torres, Ltd. (modern and contemporary Latin American), Muriel Guepín Gallery (contemporary), and McKenzie Fine Art (contemporary).

Perfect for seasoned buyers to add to their collections and for new collectors to enter the field, all works in the show are for sale and range from under $1,000 up to $100,000.

While you are there, you can also view Our America: The Latino Presence in American Art which is on display for two more weeks.