Little Rock Look Back: The City welcomes Katrina evacuees

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Hurricane KatrinaIn light of the landfall of Hurricane Katrina in August 2005, Little Rock Mayor Jim Dailey and City Manager Bruce Moore sprung into action to marshal resources to welcome visitors who found themselves in Little Rock. From greeting buses and aircraft that arrived with evacuees, to coordinating with churches and non-profits to distribute supplies, to working with area businesses to identify resources, Mayor Dailey, the City Manager and other City leaders worked diligently to offer assistance.

Mayor Dailey noted, “While we welcome these visitors to our City, obviously the timeframe for this stay was not of their own choosing. As they wait out the hurricane and its aftereffects, I wanted to extend this hospitality to them on behalf of all our citizens.”

One of the things the City did was distribute a list of the cultural institutions which had free admission. These museums offered a respite for people who were spending time in hotel rooms or temporary shelters. With economic futures uncertain, spending money on entertainment was not an option for many.  The chance to see exhibits for free was a break from the monotony of television coverage and endless waiting.

In addition to providing information on free and low-cost Little Rock attractions, the Convention & Visitors Bureau worked around the clock to identify available hotel rooms and other places where evacuees could stay.  Little Rock’s Animal Services division worked to find places to keep animals since some could not stay in hotel rooms.

With the breaking of the levee and the subsequent flooding, it became obvious that what many had expected to be a three-day absence from New Orleans and the Gulf Coast, was going to be much longer.  The days turned into weeks; subsequently, the City shifted its focus into helping people find housing and jobs.

“I am proud of how Little Rock has responded,” said Mayor Dailey at the time. “From volunteers to utility workers, a number of our citizens are poised to go down there and help restore those basic necessities to the areas hit by Hurricane Katrina. I am also proud to know that our hospitality and attraction industries in Little Rock are working to offer comfort and relief here. Perhaps most importantly, the compassionate smiles and words of encouragement extended by everyday men and women in Little Rock to our newest visitors are so significant.”

“I think we can never underestimate the value of helping our neighbors. When Little Rock has been beset by disaster, it has been the knowledge that other people cared about us that has helped as we worked to return to daily routines. While I am sorry that this situation has occurred, I am grateful that we can repay in some small way, all that others have done for us,” said the Mayor.

Ten years on, much has changed in Little Rock because of Katrina.  Some people who came here “temporarily” have stayed.  Others who returned have maintained ties with Central Arkansas friends.  Little Rock’s culinary and hospitality industry have benefitted from several of the newcomers who were brought here by Katrina.  There is perhaps a bit more diversity of beliefs, tastes, and accents because of this storm.

As they did with people stranded in Little Rock after September 11, the City’s cultural institutions opened their doors, their arms and their hearts to the Katrina visitors.  It proved again the healing power of not only the arts but also of hospitality.

Dave Anderson’s ONE BLOCK at Christ Church

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IMG_0596In recognition of the 10th anniversary of Hurricane Katrina, Christ Episcopal Church in downtown Little Rock is showing a collection of Dave Anderson’s One Block photos.

Little Rock photographer Dave Anderson followed the reconstruction of a single block in New Orleans from 2006 to 2010. This delivers a powerful portrait of the storm’s ongoing physical and psychological impact on a neighborhood and its residents.

Using portraiture, still lifes and abstract images, Anderson’s photos document the evolution of both the street and its houses as residents literally rebuild their lives, exploring the very nature of community while testing its resilience. Anderson’s compassionate treatment of the neighborhood’s straitened financial circumstances and its courageous reconstruction has drawn comparisons to coverage of the Great Depression by Dorothea Lange, Walker Evans and other Farm Security Administration-funded photographers.

Seventy years later, between the devastation left by Katrina and the current housing crisis, the stability and permanence of the American home are once again in jeopardy, lending Anderson’s record a heightened, timely pertinence. One Block is an extension of Anderson’s optimistic belief that the good within each of us is what unites us, as well as his hope that this commonality will afford us the grace to both endure and emerge from our current turmoil.

Copies of Anderson’s book One Block are available for purchase at the church.

Meshugga Klezmer Band tonight at The Studio Theatre

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klezmerCome hear Arkansas’s premiere (maybe only) klezmer ensemble!!!

It all begins tonight at 7:30 pm at The Studio Theatre. For only a $10 cover, experience the joy of Meshugga Klezmer Band (Meshugga.org)

Meshugga Klezmer Band was formed in Little Rock in 1999 and has performed with the Arkansas Symphony Orchestra, for bar/bat mitzvahs, weddings, and at Jewish food festivals, Juanita’s Cantina, Wildwood Park, the Afterthought Lounge, Acoustic Sounds Café, and private parties.  They have played on the stage of both the Joseph Taylor Robinson Memorial Auditorium and the Ron Robinson Theater.

Klezmer music has eastern European Jewish folk roots and is characterized by the cantorial, vocal, often crying style reminiscent of Jewish prayer. Like the cantor, the lead musicians sob, laugh, and slide from note to note.

The musicians include:

  • Jim Harper: clarinet
  • Izzy Getzov: violin
  • Stephanie Smittle: vocals
  • Rand Retzloff: drums
  • Peter Miller: guitar
  • Casey Huie: Trombone
  • Roland Gladen: bass

 

Tonight at 10, Bijoux & LoVe Theory at South on Main in a Late Night Concert

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bijoux.jpg.190x140_q60_cropSouth on Main welcomes Bijoux & the LoVe Theory tonight for a Late Night Concert.  Doors open at 4:00 PM, show begins at 10:00 PM. Wristbands can be purchased for $15 after doors open.

Bijoux—a native of Little Rock – is a sultry soul singer adept in various styles. The daughter of West African parents, Bijoux grew up in a household exposed to differing genres of music including folk, classic rock and roll, makossa, country, and R&B. Her jovial spirit, endearing vocals, vibrant entertaining, and musical versatility make her concerts engaging and fun.

A Rowdy Faith tonight at 8 at The Undercroft

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Undercroft Rowdy FaithAppropriately for a music series serving beer which takes place in a church, The Undercroft welcomes A Rowdy Faith tonight at 8pm.

Alisyn Reid & Cate Davison make up this folk/Americana singing duo. As their official bio states they dabble in “singing, songwriting, storytelling, vocal harmonies, awkward on-stage rambling: the whole package.” Catch their act Friday, Aug. 28 at 8 pm. Tickets are $5 at the door. And there’s homebrew from Undercroft Beers.

Reid and Davison Cate first sang together ten years ago on a beach in South Carolina. They went their separate ways, wrote their separate songs, but have brought their voices together again as A Rowdy Faith. They consider their music folk/Americana, but each have distinct influences—Reid’s music has elements of country and rock and roll, while Davison’s has evidence of jazz and blues.

The Undercroft is in the lower level of Christ Church. Access it through the street level red door on Capitol Avenue, just to the east of Scott Street.

Sculpture Vulture: National Bow Tie Day

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DSC_0701Today is National Bow Tie Day.  Though there is not specifically a sculpture in Little Rock with a bow tie, one of the newest sculptures in Riverfront Park mimics the shape of a bow tie.  Valerie Jean Schafer’s Butterfly Banner evokes not only a butterfly but a bow tie.  However, the imagery goes beyond that.

This is drawn from a visual vocabulary inspired by Native American artifacts from prehistory. While a banner was originally a small stone or wood counterweight for the atlatl (a weapon predating the bow and arrow) this enlarged representation speaks of the beauty of Native American culture beyond the usual stereotypes. The sculpture embraces tradition, as it reveals Native Americans as inhabitants of the Americas far longer than most people believe. At the same time, the simplicity of the form evokes a sense of elegance with a decidedly contemporary feel.

Dean Kumpuris 2014It is fitting that it is located in Riverfront Park. The Trail of Tears went through the park as Native Americans were forcibly moved west.  It serves as a reminder of the heritage of Little Rock. Not all of the City’s past was glorious; but in remembering the past, it helps to look forward to a better future.

It is also appropriate to feature this sculpture today for another reason.  A driving force behind the placement of sculptures in Little Rock is bow tie clad City Director Dr. Dean Kumpuris.

Studio Show series of Arkansas Arts Center Children’s Theatre launches with THE UGLY DUCKLING

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aac ct ss UglyDuckling_posterThis year, the Arkansas Arts Center Children’s Theatre features three Studio Shows in addition to its mainstage shows.  Up first, The Ugly Duckling, Aug. 28-Sept. 6, 2015.

Devised and directed by Katie Campbell, The Ugly Duckling is a reimagining of the classic fairytale by Hans Christian Andersen. It follows a young girl as she embarks on a journey of self-discovery and personal transformation. This shadow play unfolds with three actor-puppeteers, two overhead projectors, nearly 100 paper puppets.

“The striking and graphic simplicity of the paper cutting along with the inherently cinematic quality of overhead projector puppetry lays the aesthetic foundation for the production,” Campbell said. “There is no dialogue as the narrative unfolds entirely in the visual language of puppetry and the emotional topography of music.”

Campbell, a North Carolina native, made her home in Little Rock eight years ago when she became a company member with the Arkansas Arts Center Children’s Theatre. The Ugly Duckling stemmed from a thesis project as she pursed an MFA in directing theatre for young audiences at the University of North Carolina at Greensboro.

“It happened out of necessity—I needed a story that could be told with very few actors and a minimalist set in order to share a tour van with another student,” Campbell said. “But I believe in the story so much. I love telling stories of personal transformation, so it was a natural fit for me to reimagine Andersen’s classic but to adapt it from my personal life lens.”

After touring in North Carolina, Campbell contacted the AACCT to gauge their interest in her show. “There’s never been a single idea that Brad [Bradley Anderson, AACCT artistic director] has said ‘no’ to,” Campbell said. “He and the Arts Center are just so supportive and encouraging of anyone with artistic ambition.”

Before the show could begin at the AAC Children’s Theatre, Campbell needed to find new music since the University of North Carolina at Greensboro owned the rights to the original scores. Enter the Jim Henson Foundation.

The Ugly Duckling was the recipient of a 2015 Jim Henson Foundation Family Grant which celebrates innovation and excellence in puppetry. The grant allowed Campbell to approach Jessica Drake Mosher to compose and arrange new, original music.

The two met through a mutual friend on Facebook, and after only a few months of comparing notes, the ensemble was complete. Mosher’s music will be performed live by a 15-piece ensemble from the Arkansas Symphony Youth Orchestra, directed by Geoffrey Robson.

“I have long been interested in collaborating with the Arkansas Arts Center and this is a wonderful opportunity for a first collaboration,” said Robson, associate conductor for the Arkansas Symphony Orchestra.

“I was even more excited that Katie was commissioning new music to be written for this production,” Robson said. “It is always a thrill to be involved in a world premiere, and to give students the opportunity to work with a living composer. Performing a piece of music for the first time is a unique learning experience, and it is a thrill that all of this is happening as the Arts Center kicks off its Studio Series.”

“This is a true collaboration of arts organizations,” Campbell said. “I just consider myself a caretaker of this project because it would not have been possible without any of them.”

After the 36-minute show, the audience is invited to participate in a hands-on demonstration of the shadow puppetry process.

The Ugly Duckling is presented by The Philip R. Jonsson Foundation and sponsored by the Jim Henson Foundation. The 2015/2016 season of the Arkansas Arts Center Children’s Theatre is sponsored by: Presenting Sponsor, Arkansas BlueCross Blue Shield; Fall Season Sponsor, Centennial Bank; Spring Season Sponsors, The Fine Arts Club of Arkansas and Dr. Loren Bartole, ‘Family Foot Care’; Additional Support Provided by The Morris Foundation and Media Sponsor, Little Rock Family Magazine.

Show times: Fridays at 7 p.m., Saturdays at 2 p.m. and 7 p.m., Sundays at 2 p.m.

Ticket prices: $10 General admission, $8 for Arkansas Arts Center members