For twelve years, Scott Walters has been an advocate for many things in Little Rock. One of these has been the arts — especially literature, visual arts and music.
His tenure as Rector of Christ Church saw the concerts by Mavis Staples and the Arkansas Symphony Orchestra, the development of The Undercroft music venue, the creation of the Sixth Street Library gallery, and partnerships with the Arkansas Literary Festival.
As he moves on to his next adventure in Memphis, this is a chance to say farewell to him.
CHANGES AND CHANCES
A troubadour of truths once came
to a church of rock in a city built on a rock.
A language loving scholar with an interest in seemingly everything
He was a student of cultures (both pop and high).
He was called to aid people as they worked and watched and wept.
With his carpenter’s hands he
During times of joy and woe, he shared insight he had gained.
In his brilliantly simple and simply brilliant words he referenced
Like the philosophers of old, he raised questions not easily answered.
As he sought to make sense of a world that too often
But, as in his carpentry days, he used his tools and
Found a way to restore equilibrium and return the bubble to the
Though at home in a pulpit,
he was equally at ease walking the streets
Be they the sidewalks of his city
Or a pilgrimage through Spain.
His unassuming manner was on display whether chatting with
Prize winning poets
And all other personalities included in this story of human redemption.
The troubadour and his family embraced the church of rock,
Its neighborhood and its city built on a rock.
As active participants in its life
Their impact spread far beyond the half of a city block.
There are many more lessons to teach.
There are many more lives to touch.
There are new words to explain.
There are new worlds to explore.
When particles collide, they are forever changed.
(That is what physicists tell us in their not-so-ancient texts.)
Hurtling on their new trajectories, seeking new directions,
The particles are eternally impacted because of the contact.
This church of rock in the city on a rock
Is likewise evermore transformed by the troubadour and his household.
A dozen years of tears, laughter, memories
And ordinary time that twas always more than that.
In improvisation (this troubadour once noted)
there is a perfect response when met with a strange new reality.
It is two words which accept that revised status quo
And anticipate the unforeseen.
So now as the troubadour and his family
venture into their new realms
And as the church of rock in the city on a rock
Remains with a renewed purpose
Collectively everyone takes a breath,
And utters with gratitude for the past
And anticipation for the future
October may have ended yesterday. But since this is about Creativity, the Creative Class stretches into November for one day this year. Scott Walters uses his position as Rector of Christ Church to build connections and raise awareness of a variety of art forms and creative disciplines.
Through his leadership and encouragement, two different public gallery spaces have been created at Christ Church, an Arts at Christ Church series has been launched (featuring all types of music from Grammy winning soul to Renaissance chamber), the basement has been turned into The Undercroft music venue with regular performances, and a partnership with the Arkansas Literary Festival has been undertaken.
Concerned with the built environment, he has led walking tours of downtown which have focused not only on the history of the neighborhood but also looking at its present and envisioning its future possibilities. Because Christ Church is at a hub of development in the River Market, Creative Corridor, SoMa, MacArthur Park and Hanger Hill, he is exploring ways to more actively integrate the church into its greater community.
Interested in historic preservation, he is currently shepherding an effort to restore the historic stained glass windows at the church. A student of poetry, philosophy and urban planning, he can often be found engaged in discussions about those topics. But he is just as likely to discuss comedians, YouTube videos, and the local music scene.
Appropriately for a music series serving beer which takes place in a church, The Undercroft welcomes A Rowdy Faith tonight at 8pm.
Alisyn Reid & Cate Davison make up this folk/Americana singing duo. As their official bio states they dabble in “singing, songwriting, storytelling, vocal harmonies, awkward on-stage rambling: the whole package.” Catch their act Friday, Aug. 28 at 8 pm. Tickets are $5 at the door. And there’s homebrew from Undercroft Beers.
Reid and Davison Cate first sang together ten years ago on a beach in South Carolina. They went their separate ways, wrote their separate songs, but have brought their voices together again as A Rowdy Faith. They consider their music folk/Americana, but each have distinct influences—Reid’s music has elements of country and rock and roll, while Davison’s has evidence of jazz and blues.
The Undercroft is in the lower level of Christ Church. Access it through the street level red door on Capitol Avenue, just to the east of Scott Street.
Fret & Worry will be bringing their unique brand of music tonight to The Undercroft. It is located on Capital Avenue just east of Scott Street, in the undercroft of Christ Church. The entrance is through the sidewalk-level red door on Capitol Avenue east of Scott Street.
The concert starts at 8pm, with doors opening at 7pm. The cover charge is $8 at the door. A donation will get you a fresh brew from Undercroft Beers.
Fret & Worry (Uncle Joe Meazle on guitar and RJ Looney on harmonica) sing songs that celebrate Arkansas and cover the subjects of trains, ladies of the evening, wrongful deaths, and moonshine.
2014 was a busy year. Here are 14 cultural highlights. In no particular order. Except maybe once in while.
Dr. Jane Chu visits Arkansas. Former Arkadelphia resident Dr. Jane Chu was appointed as the Chairman of the National Endowment for the Arts. In October, she paid a visit to Little Rock and northwest Arkansas. While in the Rock, she participated in a discussion at the Arkansas Repertory Theatre and toured the new Creative Corridor spaces under construction for the Rep, Ballet Arkansas and Arkansas SymphonyOrchestra. Dr. Chu was also the guest of honor at a reception hosted by the Arkansas Arts Council. While here, she had the chance to renew old friendships as well as make new ones.
Carroll Cloar exhibit at Arkansas Arts Center. The Arkansas Arts Center featured the works of Arkansas native Carroll Cloar. Much as the Biblical prophet who is ignored in his homeland, Cloar has long been better recognized outside of his native state. The Cloar exhibit (which included a painting of future Little Rock mayor J. V. Satterfield playing football, a personal favorite of the LRCV) and the outreach by the AAC staff made great strides towards raising Arkansas’ consciousness about the works by the American treasure.
Robinson Center Music Hall closes for renovation. Opening in February 1940 as the Joseph Taylor Robinson Memorial Auditorium, the City’s prime venue for performances and civic gatherings needed an external and internal facelift at 74. The building closed in July 2014 for a two year renovation which will see the reconfiguration of the performance and audience space in the music hall, the creation of a new special events venue overlooking the Arkansas River, and the restoration of this historic main lobby and front façade to 1940 appearance. During this closure tenants such as Ballet Arkansas, the Arkansas Symphony Orchestra and Celebrity Attractions have temporarily relocated to other venues including the Pulaski Academy Connor Performing Arts Center and the Maumelle Performing Arts Center.
Ron Robinson Theater opens. Shortly before one Robinson closed, another opened. The Central Arkansas Library System’s new Ron Robinson Theater opened. This multi-purpose venue has quickly become home to lectures (by the library, the Clinton School and others), films (in partnership with Arkansas Times, Little Rock Film Festival and others) and music (including the Arkansas Sounds series). Named for famed Little Rock adman Ron Robinson, the public spaces pay tribute to his love of movies and music about Arkansas.
Music Music Music
As noted above, Arkansas Sounds has switched from a concentrated music festival to instead offering a variety of music styles and genres throughout the year at the new Ron Robinson Theatre. The music has ranged from Big Band to Klezmer to Country to Rock to Rap. This is only one of the new music offerings in Little Rock.
South on Main completed its first full year of the weekly Local Live free music series sponsored by the Oxford American and Landers Fiat. South on Main also started a Jazz on Main series as well as increased their bookings of other musicians ranging from Rodney Block to Rodney Crowell.
Meanwhile, The Undercroft completed its first full year of (mainly) acoustic music offerings at the corner of Capitol and Scott Streets.
New Works of Art.
New sculptures were added to the Vogel-Schwartz Sculpture Garden and Riverfront Park as well as the Bernice Gardens.
In what may be the first for any symphony in the US, the musicians of the Arkansas Symphony Orchestra commissioned a new piece in honor of the ASO board of directors. The work, composed by Christopher Theofanidis, was entitled The Wind and Petit Jean. It was well-received by audience and musicians alike.
Ballet Arkansas sponsored a choreography competition “Visions” which featured five choreographers competing to be selected for a full-scale commission. The winner was Hilary Wolfley whose work will be seen at the spring Ballet Arkansas presentation.
Finally, in conjunction with the 175th anniversary of Christ Episcopal Church (the oldest church in Little Rock to be at its original location), a new choral piece was commissioned. Daniel E. Gawthrop’s “Haste the Day” premiered on December 7.
The Tonight Show with Kevin Delaney. Because Jimmy Fallon is really just a big kid at heart, he wanted to include periodic “cool” science experiments when he took over the “Tonight Show.” After being contacted by a producer of Fallon’s show and an audition process, the Museum of Discovery’s Kevin Delaney was booked to appear. He debuted on May 5 performing experiment with Fallon and returned on November 7. When not a guest of NBC, Delaney performs the same types of “Awesome Science” experiments for tens of thousands of children and adults at the Museum of Discovery.
New Festival of Arts. Acansa, a new multi-discplinary, multi-venue arts festival, debuted this year in September. Over a five day period, ACANSA Arts Festival brought together audiences and cultural resources to present unique and exciting visual and performing works which celebrate the unique influence of the south and champion excellence and innovation in artistry. There was theatre, dance, instrumental music, choral music, puppetry and visual art.
Gridiron Returns. The talk of the return of the Star Wars movie franchise was not the only welcome news of returns. Gridiron, the biennial attorney fundraiser which spoofs politics, current events, sports and everything that is “sacred” to the general populace, returned after a hiatus. Once again this effort was under the watchful eye of producer Judge Mary McGowan, the creative leadership of Jana Beard, and the writing prowess of the anonymous committee. As has been the case in the past, many of the targets of the show good-naturedly showed up and laughed along in the audience.
Sculptures Returned. Gridiron was not the only welcome return. Earlier this year several sculptures were stolen from the Vogel-Schwartz Sculpture Garden in Riverfront Park. After a media blitz about the theft, some people strolling through the park stumbled across a bag containing the missing sculptures. The pieces are in the process of being restored and will be reinstalled soon.
Clinton Center turned 10. Proving that you can come home again, quite a few of the people who were present for the opening of the Clinton Presidential Center in 2004 showed up again in 2014 to take part in celebratory festivities. Among events included several lectures; a day of service benefiting the Arkansas Food Bank; a barbecue picnic; and a concert featuring Nick Jonas, Kool & the Gang and others which was hosted by Kevin Spacey. The Clinton School also celebrated 10 years of lectures and innovative programs.
Preservation Concentration – The Quapaw Quarter Association marked the 50th Spring Tour this year. The event was co-chaired by First Lady Ginger Beebe and lifestyle expert P. Allen Smith. Later in the year, the QQA hosted its first Mid-Century architecture tour highlighting some of Little Rock’s buildings from this style. They ended the year with the news that they had purchased the William E. Woodruff House in east Little Rock. One of Little Rock’s oldest houses, it was built by the founder of the ArkansasGazette. They will shore up the building to try to ensure no further decay as the building is readied for its next phase.
Reese Rowland, architect and principal at Polk Stanley Wilcox Architects of Little Rock, was named a fellow of the American Institute of Architects, awarded to fewer than 4 percent of AIA members.
Little Rock native Will Trice earned his third Tony Award in three years, this time for producing All The Way, the Best Play of 2014. His previous Tonys were for Porgy and Bess (Musical Revival-2012) and Who’s Afraid of Virginia Woolf? (Play Revival-2013).
Arkansas native and frequent Little Rock performer Al Green was one of the 2014 Kennedy Center Honorees.
Little Rock’s Creative Corridor continued to rack up honors. The UA’s Community Design Center, which includes faculty and staff members from the school, won a 2014 Honor Award from the American Institute of Architects for its work on the Creative Corridor, on which it collaborated with Marlon Blackwell Architect of Fayetteville. The project also received the American Society of Landscape Architects Honor Award for Analysis and Planning.
Sharon Priest, a longtime cultural advocate as a City Beautiful Commission member, Little Rock City Director, Little Rock Mayor and Arkansas Secretary of State announced her retirement after 12 years as Executive Director of the Downtown Little Rock Partnership. Over the past dozen years, she has continued her cultural advocacy.
One of Priest’s successors as a member of the Little Rock City Board, Stacy Hurst, was named by Gov.-Elect Asa Hutchinson to be his choice to lead the Department of Arkansas Heritage. She will oversee seven agencies including three Little Rock museums: Mosaic Templars Cultural Center, Old State House Museum and Historic Arkansas Museum.
Following the closure of Starving Artists Cafe, the weekly Tales from the South program (which originated from there) had to scramble to find a place. After several weeks of a completely nomadic existence, it is now settling into a rotating list of locations. The Arkansas Arts Center’s Best Impressions restaurant has been designated a “permanent” site for the first Tuesday of each month.
The free outdoor Movies in the Park celebrated its 10th season this year. Founders Blake Rutherford, Heather Allmendinger and Ben Beaumont were honored at the start of the season. A few weeks into the season, the series screened the film Frozen and set a new record for attendance by logging over 7,000 attendees.
After the closure of the Riverdale cinema in 2013, the space sat vacant. In June 2014, Matt Smith moved the Market Street Cinema operations into the Riverdale space. He upgraded the equipment at Riverdale (which was also a vast improvement over the equipment at Market Street). The new Riverdale 10 shows a mix of first-run blockbusters as well as the independent films for which Market Street had been beloved.
The Studio Theatre was launched adjacent to the new Lobby Bar in downtown Little Rock. In addition to producing its own performances, it is also the new home of the Community Theatre of Little Rock and Precipice Theatre.
Weekend Theatre founder Ralph Hyman retired as the Artistic Director of that group. He will continue to direct productions from time to time.
Back by popular demand! Kevin Kerby plays at one of Little Rock’s newest music venues when he performs tonight at The Undercroft. It is located on Capital Avenue just east of Scott Street, in the undercroft of Christ Church.
The concert starts at 8 p.m. The cover charge is $10 at the door. The space is on the campus of Christ Church; the entrance is through the sidewalk-level red door on Capitol Avenue east of Scott Street.
Kerby has long been one of those songwriters about town who has consistently created great music. It’s a streak that stretches back to before his days in Ho-Hum, and includes time in Ho-Hum, Mulehead — with its four albums of Arkansas rock — and other bands. Following the end of Mulehead, Kerby wrote and recorded two solo albums. First came The Secret Lives of All Night Radios, and then, picking up backing band Battery, Beautiful & Bright.
Bonnie Montgomery plays at one of Little Rock’s newest music venues when they perform tonight at The Undercroft. It is located on Capital Avenue just east of Scott Street, in the undercroft of Christ Church.
Arkansas born and bred Bonnie Montgomery is a classically trained composer and opera singer by day and country queen by night. Bringing her raucous spin on traditional southern music to honky-tonks throughout the U.S. and Europe, Bonnie’s catalog hails from a place where outlaw country saddles up with Americana and folk.
The concert starts at 7 p.m. The cover charge is $5 at the door. The space is on the campus of Christ Church; the entrance is through the sidewalk-level red door on Capitol Avenue east of Scott Street.
For information about the new performance space The Undercroft, contact Rev. Scott Walters at Christ Church at firstname.lastname@example.org or 501-375-2342.