Tag Archives: Arkansas Gazette

Little Rock Look Back: Plans approved for new City Hall…finally

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City Hall circa 1908

After a judge ruled in August 1906 that the City of Little Rock could not build a new City Hall and Auditorium complex, it looked like Little Rock would be stuck with its existing inadequate building.

However on September 10 it became obvious that much work had been taking place behind the scenes after that ruling.  On that day, the Board of Public Affairs (a City body charged with overseeing municipal government construction projects and comprised of the mayor and two citizens approved by the City Council) voted to ask the aldermen to cancel plans and rescind legislation for the city hall, jail and auditorium complex.  The Board of Public Affairs then offered up a new plan for a city hall and jail building.  Because no auditorium was involved, these plans would not be in violation of the Chancery Court.

That same evening the City Council followed suit and revoked the plans for the original project.  The aldermen then voted to proceed with building a new city hall and jail without the auditorium.  There was only one dissenting vote; Alderman Jonathan Tuohey voted no.  He explained his negative vote was not a lack of support for the project, but he was not comfortable with the way it was rushed through.

Mayor Warren E. Lenon told the Gazette, “The Chancery Court has enjoined us from erecting an auditorium and the Board of Public Affairs has consequently rescinded all resolutions and orders pertaining to that structure.” He noted that there would “be no appeal from the injunction granted by Chancellor Hart, because there is nothing to appeal.”

The coverage of the actions of the City Council that night was in keeping with the manner in which the two daily newspapers had covered the lawsuit and the trial.  The Gazette headline cried “City Hall Ordinance Railroaded Through” while the staid Democrat merely stated “New $175,000 City Hall Provided by City Council.”  The tone of theGazette’s article matched the headline while the Democrat’s story was more straightforward.

Architect Charles Thompson adjusted his plan for the new City Hall by removing the auditorium wing.  With the revised Th0mpson plan and the approval of the City Council, Little Rock was at last on its way to a new City Hall.  This was over two years after Mayor Lenon had first broached the subject.

Originally slated to open in 1907, the building officially opened in April 1908.

Little Rock Look Back: City of LR approves 1935 municipal auditorium plan

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An August 25, 1935, rendering in the ARKANSAS GAZETTE of the proposed Little Rock auditorium at Capitol and Scott Streets.

On August 26, 1935, the City of Little Rock took its first significant step in a decade for the creation of a City auditorium..  Under the leadership of Mayor R. E. Overman, the City Council approved authorization for the City to apply for $1,000,000 from the Federal Emergency Administration of Public Works (PWA) for the construction of an auditorium.  The PWA had issued a September 16, 1935, deadline for applications to be received as it sought to spend $4.8 billion in construction projects.

The auditorium plan was announced on Saturday, August 24, 1935.  Much preparation had already been undertaken before the project was publicly unveiled.  Private presentations hhad taken place, a team of architects had been chosen (Eugene Stern and the firm of Wittenberg & Delony), and a location had been selected.

The auditorium complex was slated for a block bounded by Capitol, Scott, Fourth and Cumberland Streets.  The Women’s City Club building on that block would remain with the new structure being built to wrap around two sides of the existing structure. The site was chosen because it was one block east of the Main Street business corridor and near existing meeting locations such as the Boys Club, Albert Pike Hotel, Albert Pike Masonic Lodge and several churches.

As planned by the architects, this structure’s front façade would have run the length of the Capitol Avenue side of the block.  The building was proposed to be constructed of concrete, stone and steel.  It would have a large hall with a proscenium stage and seating capacity of 4,000 with overflow of an additional 500.  The adjoining exhibition hall could seat 3,500 people.  The plan called for 150 cars to be parked in the building, and an additional 100 cars to be parked on a surface lot on the site.

Following an August 26 closed door meeting to discuss the project from which members of the public and press were excluded, in open session the City Council voted to pursue the funding for the million dollar auditorium.  If approved by the PWA, the funds would be provided in grants and loans, to be paid by over a 35 year period.

The auditorium proposal was filed with the PWA in Washington in September 1935.  Throughout the next several months, Mayor Overman and the city were engaged in a series of conversations and negotiations with the PWA for the expansion of both the water system and the sewer system. This diverted attention from pursuing the auditorium immediately.  This specific auditorium project stalled.  But because the plan had been filed by the September 16 deadline, it allowed the City to make use of PWA funds a few years later which would lead to the construction of Robinson Auditorium.

Little Rock Look Back: Verdict rendered in 1906 City Hall-Jail-Auditorium case

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The 1906 plans for City Hall with the Municipal Auditorium on the left portion.

Last week: Little Rock Mayor Warren E. Lenon had been advocating for a new City Hall a municipal auditorium since shortly after taking office in April 1903. After plans were approved in July 1906, a group of citizens, led by Arkansas Gazette publisher J. N. Heiskell, filed suit to stop the City.

The closing arguments in the trial against plans for a new City Hall and auditorium complex had been heard on Monday, July 30.  The case was heard by Chancery Judge J. C. Hart.  Serving as an advisor to Chancellor Hart throughout the trial (though with no official legal standing) was Pulaski County Circuit Court Judge Robert J. Lea.  To accommodate the expected large attendance, the trial had been moved into his courtroom which was larger than Chancellor Hart’s.

On Friday, August 3, Pulaski County Chancery Judge J. C. Hart issued an injunction to keep the City from signing a contract for the construction of a city hall, jail and auditorium.  Chancellor Hart concurred with the plaintiffs that Arkansas’ constitution and laws dictated all taxation must be for public purposes.  He found there was nothing in Arkansas case law which defined an auditorium to be used for conventions as a public purpose.

As had been the case throughout the trial, the tone of the coverage of the decision differed greatly in the city’s two daily papers.  The subheading in the Democrat noted that the plaintiffs would be liable for any losses to the municipal government’s coffers due to a delay in commencing the construction if Little Rock eventually prevailed.  That fact is not mentioned by the Gazette.  Both papers did make note that Judge Lea agreed with the Chancellor’s decision.

For now, it looked as if the City of Little Rock would be stuck in the 1867 City Hall on Markham between Main and Louisiana.  Mr. Heiskell and his compatriots waited to see if the City would appeal the decision.

While August would be a quiet month publicly, work would go on behind the scenes.  More on that, in the future.

Little Rock Look Back: Cornice installed at Robinson Auditorium

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On June 1, 1939, the cornice was installed on Robinson Auditorium.  This granite slab noted the name of the building as the Joseph Taylor Robinson Memorial Auditorium.  (It is interesting to note that it used the more modern “u” instead of the classical “v” which was often used in buildings during prior decades – as evidenced by the Pvlaski Covnty Covrt Hovse across the street.)

This was a milestone marking the completion of the front facade of the structure.  Much work would continue on the interior of the structure.  This step in the construction was considered major enough that the Arkansas Gazette mentioned it in a news article.

On this date in 2015 and 2016, the cornice was again surrounded by construction materials and braces. But the restoration of Robinson Center finished in November 2016. Once again, the cornice stands proudly atop the six columns with no impediments around it.

Little Rock Look Back: Elvis headlines Robinson

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Photo by Wayne Cranford

After two visits in 1955 where he was down on the bill, Elvis Presley made his third and final appearance at Robinson Auditorium on May 16, 1956.  This time he was the star and Robinson was packed. The tickets were $1.50 in advance at Walgreens and $2.00 at the box office.

The ads featured 8 great acts in “his” variety show which consisted of the Jordonaires; Rick and Emil Flaim and their orchestra; vocalists Frankie Conners and Jackie Little and comedian-magician Phil Maraquin. A second show was added at 9:30 p.m. to accommodate the ticket demand.

About 30 minutes late, due to a missed flight, Elvis appeared on stage in a purple blazer and started singing “Heartbreak Hotel.”  The crowd rushed the stage. Little Rock police officers were able to control them eventually and get the teenagers back to their seats.  While the crowd was impressed, the police officers were less so.  One of the patrolmen told the Arkansas Gazettereporter: “I wouldn’t know him if I saw him. And I wouldn’t be here unless I was being paid.”

Disc jockey Ray Green recorded the concert that night.  Copies of the concert on CD (which also includes an interview with Presley) are prized possessions of Presley collectors.

The Arkansas Democrat-Gazette has a special section on its website containing quotes from some of the concert attendees.

Little Rock Look Back: ARKANSAS GAZETTE wins 2 Pulitzer Prizes

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On May 5, 1958, it was announced that the Arkansas Gazette had received two Pulitzer Prizes.  These were for the coverage of the 1957 integration (or lack thereof) at Little Rock Central High School.

The first Pulitzer was for Public Service.  It was awarded to the newspaper.  The citation stated:

For demonstrating the highest qualities of civic leadership, journalistic responsibility and moral courage in the face of great public tension during the school integration crisis of 1957. The newspaper’s fearless and completely objective news coverage, plus its reasoned and moderate policy, did much to restore calmness and order to an overwrought community, reflecting great credit on its editors and its management.

The second Pulitzer was for Editorial Writing.  It was awarded to Harry Ashmore.  The citation read:

For the forcefulness, dispassionate analysis and clarity of his editorials on the school integration conflict in Little Rock.

This was the first time that the Pulitzer for Public Service and Editorial Writing went to the same publication in the same year.

The newspaper coverage in the afternoon Arkansas Democrat and morning Arkansas Gazette was provided by the Associated Press.  The Democrat‘s story ran on the afternoon of the announcement. The front page story had the headline “Pulitzer Honors Go to Gazette.”  The next morning the Gazette ran a longer story under the headline “Gazette and Editor Win Two Pulitzer Prizes for Race Crisis Stand.”  It included a quote from publisher Hugh Patterson, Jr.  He stated, “This recognition belongs to every member of the staff of the Gazette.  I am proud to be associated with these men and women.”

The Pulitzer for National Reporting went to Relman Morin of the Associated Press for his coverage of the events.  His citation noted:
for his dramatic and incisive eyewitness report of mob violence on September 23, 1957, during the integration crisis at the Central High School in Little Rock, Arkansas.

Photographer Will Counts of the Arkansas Democrat was the unanimous choice of the jury to receive the Pulitzer in photography for his photo of the crowd jeering at Elizabeth Eckford.  The board overruled that selection, as was their purview. Speculation was that the board may not have wanted to award four Pulitzers for the same news story.

Little Rock Look Back: SOUTH PACIFIC wins Pulitzer Prize

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On May 5, 1950, the Rodgers and Hammerstein musical South Pacific captured the Pulitzer Prize in Drama. This would receive special attention in the Arkansas Gazette. The reason this carried such weight in Arkansas was that the musical had a connection to Little Rock.
The 1950 Pulitzer for Drama went to a musical, for only the second time in the history of the awards. The recipient was South Pacific by Richard Rodgers, Oscar Hammerstein II and Joshua Logan. The character was the leading lady of Nellie Forbush. She was an Navy ensign and a nurse stationed on an exotic island during World War II. The musical was based on a Pulitzer Prize winning novel, James Michener’s Tales of the South Pacific.

In the Michener novel, Miss Forbush is not from Little Rock. She is actually from a small town in Alabama. The part was written for Mary Martin from Weatherford, Texas. Rodgers, Hammerstein & Logan did not discuss why they relocated Nellie’s birthplace.

Originally the musical contained a song entitled “My Girl Back Home” in which Nellie sang of being from “Little Rock, A-R-K” while another character sang of being from “Philadelphia, P-A” and “Princeton, N-J.” It is possible the change to Little Rock was made because it offered more lyrical possibilities, but that is only a supposition on the part of the Culture Vulture. That song did appear in the movie version in which Mitzi Gaynor played Nellie Forbush. It was also featured in the 2008 Broadway revival, this time with Kelli O’Hara playing Nellie.

In the musical, Nellie struggles with her own prejudices. This issue of prejudice became an instance of fact meeting fiction. In 1957, a few weeks after Eisenhower sent troops into Little Rock to ensure that Central High would be desegregated, a production of South Pacific on Long Island was temporarily halted when the audience booed and yelled after Nellie mentioned she was from Little Rock. Interestingly, the movie was released in 1958, but retained references to Little Rock. That was either a testament to the expense of re-editing it, or the fact that audience reaction had lessened.