Creative Class 2016: Korto Momolu

cc16-momoluInspired by her African roots, Liberian-born fashion designer and stylist Korto Momolu is stamping her global brand on fashion forward women’s wear and accessories that celebrate the essence of her rich heritage while based in her new home of Little Rock.

After a coup in Liberia in 1989, she relocated to Canada in 1990.  A graduate of the L’Academies des Couturiers Design Institute in Ottawa, Ontario, Korto also studied at the renowned Parsons School of Design in New York City while working as an independent fashion designer. Advancing her field experience, she earned a spot on the fifth season of Bravo TV’s hit show, Project Runway. Throughout the season, Korto’s primary signature for high color and diversity in style and presentation, in addition to her feisty spirit, resonated well with audiences, earning her the prize of “fan favorite” and ultimately, a placement of first runner up at the season’s close.

As the Korto Momolu brand expands, so do her accomplishments and opportunities to include designing for Miss Universe (Leila Lopes) and the President of Liberia, Ellen Johnson-Sirleaf; creating an accessory line for Dillard’s; producing an eco-friendly jewelry line for the Smithsonian museum stores; designing the uniforms for the Crystal Bridges; serving as the Cheerios’ ambassador for the Shoprite Partners in Caring “Knock Out Hunger” campaign; and contributing her time and talents to countless charitable and philanthropic endeavors.

Highlighted in the ‘Top 5 Designers to Watch’ in New York City this season, Korto has been featured in many international and national publications and has appeared on numerous television shows, including two seasons of Project Runway AllStars.

Creative Class 2016: Joe Joyner

cc16-joynerJoe Joyner began playing viola professionally with the Arkansas Symphony Orchestra in 1998 while he was still in high school. After two seasons, he left the orchestra to attend the University of Houston. After graduating summa cum laude in 2004, Joe performed in the Houston area as a member of Orchestra X, the Texas Music Festival Orchestra, and the Victoria Symphony.

After returning to Little Rock in 2007, Joe rejoined the Arkansas Symphony and has been an active member of the local chamber music community, serving as President of the Chamber Music Society of Little Rock and performing regularly with the Soma Quartet and Little Rock String Quartet.

Joe is also the owner of the Little Rock Violin Shop, central Arkansas’s bowed string instrument specialists. Trained at the Violin Making School of America and the Lisle Violin Shop, Joe performs bow repairs and restorations for string players throughout the state. In addition to bow repairs, the shop offers instrument repairs and sells instruments, bows, cases, and accessories for students and professional musicians.

In addition to classical music, Joe has a keen interest in playing rock viola. While in Houston, he performed regularly with the experimental folk rock band ListenListen, with which he recorded a self titled EP and a full length album, Hymns for Rhodesia. Wanting to share his passion for playing rock music with younger string players, Joe served as assistant director of the Youth Rock Orchestra.

Creative Class 2016: Phillip Rex Huddleston

cc16-huddlestonRenaissance Man is probably the best way to describe Phillip Rex Huddleston.  He is a writer, a musician, a composer, an artist, a teacher, an arts promoter, and so many other things.

By day, he is the Visual Art Specialist for eStem Middle School.  There, he teaches his students a variety of styles of art.  His own visual art style varies from realistic sketches, to caricatures, to comic strips and witty distillations of epic literature into a few frames.

As a guitarist and pianist he can often be found performing with his many talented friends throughout Little Rock’s live music scene in formal settings and on front porches.  As a composer, he has contributed compositions and performances to a variety of films made in Arkansas. His most recent effort was in Mark Thiedeman’s White Nights, which premiered in August.

A graduate of the University of Central Arkansas with a BA in Philosophy and an MA in English Literature, he was an Adjunct Instructor at UCA in the English Department before beginning his stint at eStem.  While at UCA, he also worked with the Arkansas Shakespeare Theatre.

For several years, he and friends and roommates would host regular Garland House Shows, named for the street on which their house was located. These combined visual art exhibits with live music in celebrations of the art they created and the friends who created and appreciated it.

Creative Class 2016: Yslan Hicks

cc16-hicksYslan Hicks has dressed hundreds of people in all sorts of clothing.  As a theatrical costume designer and educator, she has worked throughout the United States.  She is currently an Associate Professor and Interim Department Chair for the UALR Theatre and Dance Department.

Yslan has design credits that include productions at UALR, Arkansas Repertory Theatre, Lincoln Center Institute in New York City, the Goodman Theatre in Chicago, Portland Center Stage in Oregon, the Old Globe in San Diego and Williamstown Theatre Festival in Williamstown, Mass. As an artistic associate at Lifeline Theatre in Chicago, she has designed a number of literary adaptations including Dracula, Pride and Prejudice and Jane Eyre.

Her work with the Arkansas Rep spans over two decades.  Among her recent productions are The Whipping Man, Clybourne Park, and Gee’s Bend.  In addition to UALR, she has served on the faculties of the University of Tulsa and Tulane University. Yslan is a member of United Scenic Artists, Local 829.

Yslan is also an in-demand speaker.  Most recently, she has given a series of talks for the Central Arkansas Library System on the history of fashion. Among her topics have been Downton Abbey and bridal dresses.

Creative Class 2016: Ryan Harris

cc16-harrisRyan Harris serves as the Executive Director for the Oxford American Literary Project, having been named to that new position in January of 2016.

He joined the Oxford American Literary Project in February 2013 as Program Director, and has helped establish regular programs at South on Main (the restaurant and cultural venue owned and operated by Matthew and Amy Bell ) and in the Oxford American’s annex space. Along with free outreach programming to support local and regional musicians, writers, and visual artists, Harris has brought both renowned and emerging artists to Little Rock through the ticketed Oxford American Concert Series. The experiences created through this series have helped enhance the cultural offerings in the region and established South on Main as a desirable stop for touring artists.

In addition to continuing to bring outstanding programming to Little Rock, Ryan is currently focusing on plans for the 25th anniversary of the OA in 2017.  He is also leading efforts for the OA to partner with additional cultural and educational institutions in Central Arkansas.

Prior to joining the Oxford American Literary Project, Ryan served as Director of Facilities and Event Operations at The Sheldon Concert Hall and Art Galleries, a nonprofit arts presenter in St. Louis, Missouri. He holds a BSBA from the Olin School of Business at Washington University in St. Louis.

Creative Class 2016: Gretchen Hall

cc16-hallA hardhat and reflective vest have been part of Gretchen Hall‘s work wardrobe almost every day for the past 30 months.  As the President and CEO of the Little Rock Convention and Visitor’s Bureau, she has been actively overseeing the deconstruction and reconstruction of Robinson Center Music Hall. Taking a New Deal era assembly hall and making it into a state-of-the-art performance facility is not an easy task. Gretchen and her team have worked with the architects, engineers, designers and consultants to make it happen.

Gretchen joined LRCVB in 2001 and has worked her way up through the organization.  In May 2011, she was named to her current position.  Since that time, the LRCVB has undertaken numerous efforts to enhance Little Rock’s cultural life including a new amphitheatre in Riverfront Park, enhanced programming at the River Market, and increased financial support of cultural organizations.  In addition, she helped lead the effort to see the additional penny of the hotel tax be dedicated to support the Arkansas Arts Center and MacArthur Museum of Arkansas Military History. That tax was approved by voters earlier in 2016.

The new Robinson Center will feature seats that are closer to the stage and acoustics that can be adjusted to maximize the different needs of a symphony performance and a Broadway musical.  The changes in the facility have already attracted bookings by the national tours of The Phantom of the Opera (in 2017) and The Lion King (in 2018).  In addition, there will be new special event space including a ballroom and meeting rooms.  The historic lobby at the top of the iconic front steps is being restored to its original appearance — much of which was stripped away or covered up in the early 1970s.

After the November 10 ribbon cutting, Robinson Center will be re-opened.  As Hall points out, almost all residents of Central Arkansas have a connection to Robinson Center. She notes in her family alone, her mother played basketball there, her own high school graduation was there, and her niece has appeared in Ballet Arkansas’ The Nutcracker there.

Creative Class 2016: Danny Fletcher

cc16-fletcherBy day, Dr. Danny Fletcher is the Director of Fine Arts for the Little Rock School District.  By night, he is an in-demand musician.  In his surprisingly existent spare time, he mentors youth as the director of the Art Porter Music Education’s Minors in Music Program.

A student of Art Porter, Fletcher has made his career as an arts educator and musician.  After years of being a band director, he made the transition to being an administrator about a decade ago when the district restored the Director of Fine Arts position.  In this capacity, he works with students at every school, instead of just one.  Through his leadership, the Little Rock School District sponsors a multi-day Artistry in the Rock arts festival each spring.

Danny is also involved in the THEA Foundation (where he serves as President of the Board).  Last year, he retired after 42 years with the Army National Guard.  In 2015, in conjunction with his retirement from the Guard, Brian Rhodes composed a new jazz composition in honor of Danny which is called “Back This Thang Up.”