International Jazz Day – Bryan Massey’s JAZZ PLAYER

Massey JazzApril 30 is International Jazz Day.

In commemoration of that, here is Bryan Massey, Sr.’s Jazz Player.  It is located in the Vogel Schwartz Sculpture Garden in Riverfront Park.

Massey, who is an artist and art professor at the University of Central Arkansas, created this piece in honor of Bill Clinton and his love of jazz.  It was sculpted in 2009 in honor of the fifth anniversary of the opening of the Clinton Presidential Center.

The sculpture is placed next to another piece of Massey’s called Uptown Saturday Night which depicts a couple dancing to music.  Together they present a celebration of music, dance, and having fun.

The Oxford American presents the UCA Dixieland Band tonight at South on Main

SOM UCA jazzTonight (March 1) at 7:00 PM, the Oxford American magazine presents the UCA Dixieland Band at South on Main.

This event is free and open to the public. Call ahead to South on Main to make your reservations and ensure a table: (501) 244-9660.

 

The UCA Dixieland Band was founded in 1976 by Professor Patrick Hasty. The group has a long tradition of performing all styles of Traditional Jazz at venues across campus and in the Central Arkansas area. Merging the instrumentation of Early New Orleans Style and Chicago Style jazz, the group utilizes clarinet, tenor saxophone, trumpet, trombone, piano, banjo/guitar, sousaphone/bass, and drum set. The ensemble studies original and contemporary recordings and prepares their own arrangements with an emphasis on collective and individual improvisation, and is currently coached by Dr. Jackie Lamar.

Bernstein and Brahms this weekend with the Arkansas Symphony Orchestra

ASO B&BThe Arkansas Symphony Orchestra, Philip Mann, Music Director and Conductor, presents the fifth concert of the 2015-2016 Masterworks series: Bernstein & Brahms, 7:30 p.m. Saturday, February 27 and 3:00 p.m. Sunday, February 28 at the Maumelle Performing Arts Center at Maumelle High School. Eight collegiate choruses join the ASO to perform Brahms’s German Requiem and Bernstein’s Chichester Psalms. Bernstein & Brahms is sponsored by CHI St. Vincent. The Masterworks Series is sponsored by the Stella Boyle Smith Trust.

Tickets are $19, $35, $49, and $58; active duty military and student tickets are $10 and can be purchased online at www.ArkansasSymphony.org; at the Maumelle Performing Arts Center box office beginning 90 minutes prior to a concert; or by phone at 501-666-1761, ext. 100. All Arkansas students grades K-12 are admitted to Sunday’s matinee free of charge with the purchase of an adult ticket using the Entergy Kids’ Ticket, downloadable at www.ArkansasSymphony.org/freekids

Choral Ensembles
The ASO will collaborate with choirs from around the state of Arkansas for Bernstein & Brahms. The University of Arkansas at Pine Bluff Vesper Choir is featured on Bernstein’s Chichester Psalms, and Brahms’s German Requiem features choirs from Arkansas State University, Harding University,  Lyon College, Southern Arkansas University at Magnolia, University of Arkansas at Little Rock, University of Central Arkansas, and the Arkansas Chamber Singers.

Concert Conversations
All concert ticket holders are invited to a pre-concert lecture an hour before each Masterworks concert. These talks feature insights from the Maestro and guest artists, and feature musical examples to enrich the concert experience.

Shuttle service is available
The ASO provides shuttle service from Second Presbyterian Church in Pleasant Valley to the Maumelle Performing Arts Center and back after the concert. For more information and to purchase fare at $10 per rider per concert, please visit https://www.arkansassymphony.org/concerts-tickets/shuttle-service

 

Program
Bernstein            Chichester Psalms
with the University of Arkansas at Pine Bluff Vesper Choir

Brahms                 Ein Deutsches Requiem
with mass collegiate choir and the Arkansas Chamber Singers

Program notes
Bernstein composed Chichester Psalms during a sabbatical from conducting in 1965. In his own words, “I wrote a lot of music, twelve-tone music and avant garde music of various kinds, and a lot of it was very good, and I threw it all away. And what I came out with at the end of the year was a piece called Chichester Psalms, which is simple and tonal and tuneful and as pure B-flat as any piece you can think of.” Ein Deutsches Requiem was not composed for the people of Germany, but in the German language and was intended to be addressed to all mankind. Breaking from the historic requiem form, in which there is a strong focus on Judgment and the seeking of forgiveness, Brahms instead concentrates on offering consolation to the living who are mourning their departed loved ones.

PIGSKIN TURKEY DAY IN THE ROCK, Part 6 – A Variety of Foes

Turkey Day 1921From the first Thanksgiving football game for Little Rock High School in 1914 until 1933, the Tigers played a variety of opponents.  They faced off against other Arkansas high schools, out of state high schools, a college and a team of soldiers.  Their record in these twenty games was 18 wins and 2 losses.  While the opponent may have varied, each year the Tiger eleven lined up against their foes at home in Little Rock. The team had enough of a reputation that they could invite opponents and never had to travel.

Playing games on Thanksgiving had become a tradition by the time Little Rock joined in the fray in 1914. Their first Thanksgiving Day opponent was Texarkana High School.  The Tigers won by a score of 20 to 0. The crowd of 1,500 at West End Park (now the site of Quigley Stadium) not only witnessed the high school game, but also saw Arkansas College (now Lyon College) defeat Little Rock College (no association with UALR) by a score of 40 to 0.  With their win, Little Rock captured the state championship – their fourth since 1907.

By the next Thanksgiving Day, the field at West End Park was known as Kavanaugh Field. It would have that name until it was replaced by Quigley Stadium in 1936.  From 1915 until 1933, Little Rock would defeat three Arkansas high schools Van Buren, Benton and Hot Springs as well as high schools from Oklahoma, Mississippi, Louisiana, Texas, Alabama, Kansas, Illinois and Missouri.  Three of their out of state opponents returned for a second time, so even though these schools were generally overwhelmed by Little Rock High, it was obviously viewed as a positive experience.  Playing out of state teams garnered other benefits. In 1920, they played Tupelo Military Institute, which held the Mississippi-Alabama championship. By defeating them, Little Rock High School claimed the state championship of four states: Arkansas, Alabama, Tennessee and Mississippi.

In 1917, they beat the college team of Arkansas State Normal School (now UCA) by a score of 45 to 0. (The Tigers so overpowered State Normal that the Gazette mused that the extremely muddy field was all that kept LR from scoring more than 45 points.)

The Tigers’ only two defeats came in 1918 and 1924.  The first Thanksgiving Day defeat came in 1918 when Little Rock played a team of soldiers from Camp Pike. The soldiers were an average of 20 pounds heavier than the Tigers. They used that weight to their advantage to defeat the high schoolers by a score of 42 to 0.  This was at the height of the US involvement in The Great War. So this game was certainly part of Little Rock’s war effort as the City worked to extend hospitality to soldiers. The Tigers’ 1924 defeat was at the hands of Atlanta Tech High School by a score of 35 to 7.

While the Thanksgiving games were serious business for the Tigers and their fans, they also provided for moments of entertainment.  In 1923, the Gazette reported that the Tigers had hosted a dance at the Capital Hotel for the visiting Ensley High football team from Birmingham, Alabama.  One wonders if there were a motive to their hospitality considering that the next day the Tigers won by a score of 20-7. Perhaps distracting the opposing players the night before the game was all part of Coach Earl Quigley’s strategy.  On Thanksgiving 1929, Little Rock hosted previously undefeated Soldan High from Saint Louis. At halftime of the game (which would end with LR scoring 26 to their opponent’s 6), there was a performance by the Little Rock High School band as well as a group of girls called Quigley’s Quackers.

Based on their reputation as a powerhouse, Little Rock would continue to play teams from other states. But after 1933, Little Rock would play a close rival: first North Little Rock (1934-1957) and then Hall High (1958-1982).  During the two decades of playing various teams, the Little Rock Tigers achieved ten shutouts and suffered one shut out.  The Tigers scored 492 points and gave up 133 points.

1914 Little Rock 20 Texarkana 12
1915 Little Rock 40 Muskogee Central High 0
1916 Little Rock 46 Van Buren 0
1917 Little Rock 45 Arkansas State Normal 0
1918 Little Rock 0 Camp Pike 42
1919 Little Rock 52 Benton 0
1920 Little Rock 6 Tupelo Military Institute 3
1921 Little Rock 21 New Orleans Warren Easton High 3
1922 Little Rock 7 Bryan (TX) High 0
1923 Little Rock 20 Birmingham Ensley High 7
1924 Little Rock 7 Atlanta Technical High 35
1925 Little Rock 6 New Orleans Warren Easton High 0
1926 Little Rock 18 Birmingham Ensley High 6
1927 Little Rock 37 Wichita Central High 0
1928 Little Rock 18 Chicago Lindblom High 0
1929 Little Rock 26 Saint Louis Soldan High 6
1930 Little Rock 33 Chicago Lindblom High 13
1931 Little Rock 31 Dallas Woodrow Wilson High 0
1932 Little Rock 6 Saint Louis Cleveland High 0
1933 Little Rock 13 Hot Springs 6

 

  • Muskogee Central High has been known as Muskogee High since the 1970 integration of the formerly all-white school with an African American high school.
  • Tupelo Military Institute existed from 1913 to 1937.
  • Warren Easton High is Louisiana’s oldest high school. After Hurricane Katrina it is now a charter high school.
  • Bryan High School was replaced by Stephen F. Austin High School, which was replaced by a new Bryan High School.
  • Ensley High in Birmingham closed in 2006.
  • Atlanta Technical High closed in 1947. A charter school with the same name operated from 2004 to 2012.
  • Wichita Central High has been known as Wichita East High since 1929. It is the largest high school in Kansas.
  • Chicago Lindblom High now educates under the name Lindblom Math and Science Academy.
  • Saint Louis Soldan High now educates as Soldan International Studies High School
  • Woodrow Wilson High School continues to operate in the Lakewood neighborhood of East Dallas.
  • Saint Louis Cleveland High now educates as Cleveland Junior Naval Academy and is no longer in the longtime Grover Cleveland High School building.

 

Tonight at South on Main – UCA Jazz II Ensemble

ucajazzTonight at Join the Oxford American magazine for a special concert at South on Main, featuring the UCA Jazz II Ensemble! This event is free and open to the public. To guarantee a table/seat, call ahead at (501) 244-9660.

Led by Dr. Gail Robertson, the UCA Jazz Ensemble II consists of students with a variety of jazz backgrounds. Some members are experienced while others may have never been in a jazz band before. This ensemble often provides valuable opportunities for our students to play on secondary instruments. There is a strong focus on learning improvisation that has become known as the weekly “Blues Around the House.” Jazz II performs standards such as works by Duke Ellington, Thad Jones, Neal Hefti, Billy Strayhorn, Herbie Hancock, Sammy Nestico, Les Hooper, Mark Taylor, Josef Zawinul, Woody Herman, as well as over 50 charts from our Dance Band Book!

The University of Central Arkansas is a vibrant and exciting place to study jazz. With generous funding from the College of Fine Arts and Communication, UCA Student Government Association, and a partnership with the Oxford American, UCA is able to host several guest artists and clinicians each semester.

Past featured artists are: Delfayo Marsalis, Gordon Goodwin Big Phat Band, Maynard Ferguson, The Lincoln Center Jazz Orchestra featuring Wynton Marsalis, Poncho Sanchez, Chris Vadala, The Dirty Dozen Brass Band, Jim Cullum Jazz Band, The Bad Plus, Warren Wolf and Wolfpack, Peter Martin and Romero Lubambo, Bennie Wallace Quartet, Anat Cohen, Rhythm and Brass, and many more to come!

Go “Behind the Theme” tonight at Arkansas Rep before next month’s THE LITTLE MERMAID

LittleMermaidTonight, Monday, November 23, join the Arkansas Rep for its new event series, Behind the Theme, for a discussion of  The Origin of Fairy Tales!

The Little Mermaid is based on Hans Christian Andersen’s folktale of the same name.  Before you plunge into the colorful depths of the Rep’s production of Disney’s The Little Mermaid, UCA professor Jay Ruud will lead a discussion on Tolkien’s theory on the nature of myth and ‘fairy-stories.’ Find out where fairy tales originated and how they’ve become the stories we know and love today. 

Monday, November 23, 6 p.m.

Foster’s, located on the first mezzanine

FREE and open to the public

Cash bar available

Please RSVP to Allyson Gattin

501.378.0445 ext. 125 | agattin@therep.org

Creative Class of 2015: Rebekah Scallet

scalletRebekah Scallet is the producing artistic director of the Arkansas Shakespeare Theatre.  A graduate of Parkview High School and Brandeis University, she has an MFA from Illinois State University.  In addition to being active in theatre at Parkview while a student there, she served as stage manager for productions of the former Shakespeare Festival of Arkansas while she was in college.

After working in several Illinois-based theatres, she returned to Arkansas in 2011 and took her position with the Arkansas Shakespeare Theatre.  In addition to overseeing the artistic facets, she directs productions for AST.  In 2012, her first season, she directed Twelfth Night. The work on that garnered her an Arkansas Arts Council Fellowship in 2014.

In subsequent seasons, she has directed The Merchant of Venice, King Lear and Two Gentlemen of Verona for the Arkansas Shakespeare Theatre. She also directed The Caucasian Chalk Circle and A Lovely Sunday for Creve Coeur at UCA, where she also serves as a lecturer in theatre.