Three years since USS LITTLE ROCK (LCS) was christened

On July 18, 2015, the new U.S.S. Little Rock (LCS9) was christened and officially launched in a ceremony in Marinette, Wisconsin.

Among those in attendance at the ceremony were Little Rock Mayor Mark Stodola and US Senator John Boozman.   Then-Secretary of the Navy Ray Mabus, who served on the original U.S.S. Little Rock during the Vietnam War, was also present at the ceremony.

The U.S.S. Little Rock will be the nation’s ninth littoral combat ship.  It has been built for the U.S. Navy by Lockheed Martin and Marinette Marine Corporation (MMC) at the MMC shipyard in Marinette, Wisconsin.

The  christening ceremony celebrated the ship’s physical transition from land to sea.  The ceremony was a symbolic transition from a hull number to a ship with a name and spirit of its own.

Following Janee Bonner’s shattering of the champagne bottle on the hull, the U.S.S. Little Rock was side launched into the Menominee River.  A side launch is unique, because the ship enters the water broadside. It is mostly used on inland waters, rivers and lakes.  To see the side launch, view the video here.

In December 2017, the ship was commissioned in 2017 in Buffalo, New York.  Situated next to the original USS Little Rock (now docked in Buffalo as a museum), it was the first time a ship was commissioned adjacent to a former ship bearing the same name.

THE BOOK OF MORMON coming to Little Rock!

The National Tour of THE BOOK OF MORMON, winner of nine Tony Awards ® including Best Musical, will play in Little Rock as a special add-on to Celebrity Attractions’ 2018-2019 Broadway Season.  Subscribers receive priority ticket opportunities to all shows, so a season package is the best way to guarantee seats to THE BOOK OF MORMON.

THE BOOK OF MORMON features book, music and lyrics by Trey Parker, Robert Lopez and Matt Stone. Parker and Stone are the four-time Emmy Award-winning creators of the landmark animated series, “South Park.” Tony Award-winner Lopez is co-creator of the long-running hit musical comedy, Avenue Q.  The musical is choreographed by Tony Award-winner Casey Nicholaw (Monty Python’s Spamalot, The Drowsy Chaperone) and is directed by Nicholaw and Parker

THE BOOK OF MORMON is the winner of nine Tony Awards, including Best Musical, Best Score (Trey Parker, Robert Lopez, Matt Stone), Best Book (Trey Parker, Robert Lopez, Matt Stone), Best Direction (Casey Nicholaw, Trey Parker), Best Featured Actress (Nikki M. James), Best Scenic Design (Scott Pask), Best Lighting Design (Brian MacDevitt), Best Sound Design (Brian Ronan) and Best Orchestrations (Larry Hochman, Stephen Oremus); the New York Drama Critics Circle Award for Best Musical; five Drama Desk Awards including Best Musical, the 2011 Grammy Award for Best Musical Theater Album; four Outer Critics Circle Awards, including Best Musical, and the Drama League Award for Best Musical.

THE BOOK OF MORMON features set design by Scott Pask, costume design by Ann Roth, lighting design by Brian MacDevitt and sound design by Brian Ronan.  Orchestrations are by Larry Hochman and Stephen Oremus.  Music direction and vocal arrangements are by Stephen Oremus.  

The Original Broadway Cast Recording for THE BOOK OF MORMON, winner of the 2011 Grammy Award for Best Musical Theater Album, is available on Ghostlight Records.

 

THE BOOK OF MORMON will take the stage at Robinson Performance Hall for 8 performances February 12-17, 2019.  Individual tickets will go on sale in late 2018, but subscribers to Celebrity Attractions’ 2018-2019 Season will have the first opportunity to purchase tickets starting July 18th.  Celebrity Attractions 2018-2019 Broadway Season features JERSEY BOYS, LOVE NEVER DIES, FINDING NEVERLAND, EVITA and THE SOUND OF MUSIC.  For season ticket information, please call 501-244-8800 or visit celebrityattractions.com.

Remembering Sen. Joseph Taylor Robinson

Eighty-one years ago today, on July 14, 1937, U.S. Senator Joseph Taylor Robinson died in his apartment in Washington D.C.

The Senator’s wife, Ewilda, was in Little Rock making preparations for a trip the couple was to take. (She was informed of her husband’s death when her sister-in-law called to express condolences. No one had yet notified her of her husband’s demise.) Following the news, Mrs. Robinson went to Washington to accompany her husband’s body back to Arkansas.

As the Senate Majority Leader, Senator Robinson was usually President Franklin Roosevelt’s point person to shepherd legislation on Capitol Hill.  The Democrat’s 1928 Vice Presidential nominee, Senator Robinson was particularly close to FDR. He had successfully steered numerous pieces of New Deal legislation through Congress.  However, at the time of his death, the Senator was facing an uphill climb trying to build consensus on the President’s unpopular Court Packing scheme.

The Senator was honored with a memorial service in the Senate chambers on Friday, July 17.  President Roosevelt and the cabinet joined members of the senate on the floor in what was described as a state funeral without pomp.  Mrs. Robinson sat with her brothers and two nephews as well as Bernard Baruch and Arkansas Power & Light’s Harvey Couch, who were Senator Robinson’s closest friends.  Eleanor Roosevelt was one of the many crowded in the senate galleries observing the service.  Following the service his body remained in the chambers until it was transferred to a train to make the journey to Little Rock.

A sealed mailer containing bound copy of remarks delivered at Sen. Robinson memorial. It bears the franking signature of Sen. Hattie Caraway.

The funeral train bore his body, his family, 50 senators and over twenty congressmen. It reached Little Rock around 8am on Sunday the 19th.  From there, Senator Robinson’s body was taken to his house on Broadway Street until noon.  It subsequently lay in state at the Arkansas State Capitol until being escorted by military to First Methodist Church.

1,500 people packed the church a half hour before the service began. The sun shone through the windows onto the flag-draped coffin as Rev. H. Bascom Watts led the service. Among the pallbearers was former Vice President Charles G. Dawes. Governor Carl Bailey of Arkansas was joined by Governors Richard Leche of Louisiana and E.W. Marland of Oklahoma.

As the funeral procession reached Roselawn Cemetery, thunder echoed. The skies which had alternated between sun and rain that day, returned to rain. A deluge greeted the end of the service and sent visitors hurrying for shelter at the end.

Five months after her husband’s death, Mrs. Robinson participated in the groundbreaking of the Joseph Taylor Robinson Memorial Auditorium.  The groundbreaking ceremony was the first time it was announced that building would be named in his memory.   On a plaque inside that building today, a quote from President Roosevelt stands as a further testament of the importance of Senator Robinson to the US.  Taken from President Roosevelt’s remarks upon learning of the Senator’s death, the plaque reads, in part, “A pillar of strength is gone.”

A Bastille Day look at Benard de La Harpe

Today is Bastille Day, or as they say in France, la Fête nationale.  It commemorates both the 1789 storming of the Bastille as well as the 1790 Fête de la Fédération.   

At the time both events occurred, the land today known as Little Rock, like the rest of the Louisiana Purchase, was under Spanish control. (A fact overlooked in the operetta The New Moon which is set in New Orleans during the French Revolution.)

However, since this area was “owned” by the French from 1699 to 1762 and again from 1800 to 1804, it seems appropriate to acknowledge the French heritage of the area on this day.

Even though Arkansas was explored by the French in 1722, no official settlement of the area now known as Little Rock took place until 1812.  There was no permanent settlement until 1820 (though by 1818 settlement was eminent as evidenced by the Quapaw Treaty).

Jean-Baptiste Benard de La Harpe was the lead French explorer who first came to Little Rock in 1722.

From 1718 through 1723, he spent time exploring various areas of the southern sections of North America.  His 1722 trip up the Mississippi and Arkansas Rivers was at least his third such expedition along a river in the area.  From 1718 to 1719, he explored part of what is now Oklahoma up from the Red River.  Next, he explored part of what is now the eastern section of Texas.

After a trip back to France in 1720, he came back to the New World in 1721.  After his February to May 1722 trip up the Mississippi and Arkansas Rivers, he then went to transfer Pensacola to the Spanish on behalf of the French. In 1723 he went back to France and remained there until his 1765 death.

2nd Friday (the 13th) Art Night

For those who do not have paraskevidekatriaphobia, tonight is a good night to stop by several downtown museums and galleries for 2nd Friday Art Night.

It runs from 5pm to 8pm (though times at some individual locations may vary slightly).

Among the locations and their offerings are:

CALS Butler Center for Arkansas Studies (401 President Clinton Avenue) –

A Matter of Mind and Heart: Portraits of Japanese American Identity holds up a mirror to Arkansas and U.S. culture and asks what it means to be an American today. Displaying portraits created by Japanese Americans unjustly incarcerated in Arkansas during World War II, this exhibition invites visitors to reflect on American identity and challenge widely held assumptions about living in a diverse society.

A Legacy of Brewers  – Incorporating paintings from both private and public collections, this exhibition of paintings by Nicholas, Adrian, and Edwin Brewer includes portraits and landscapes featuring people and places in Arkansas, Arizona, Minnesota, New Mexico, and Texas going back to the early 1900s.

Historic Arkansas Museum (200 E Third Street) – Justin Bryant: That Survival Apparatus.  The exhibit will contain pieces from Justin Bryant’s most recent body of work, which was made in response to Maya Angelou’s poem “Mask.” His drawings and paintings show the bottom half of black faces, images pulled from documentary and commercial photographs of famous individuals and civil rights leaders. Each mouth and chin is carefully rendered, while the eyes and other features are left blank.

Old State House Museum (300 W Markham Street) – Erin Enderlin in Concert.  Beginning at 5:30 p.m., Enderlin will perform on the second floor of the museum. Recently named to the CMT Next Women of Country Class of 2018, Enderlin is an Arkansas native and award-winning singer/songwriter currently based in Nashville, Tenn.

Christ Episcopal Church (500 Scott Street) – a selection of small works including paintings and mixed media by a variety of artists from the Little Rock area.

Matt McLeod Fine Art (108 E Sixth Street) – Arkansas League of Artists 2018 Members Show and Sale.

Other participating sites include Nexus Coffee and Creative (301 President Clinton Avenue); The Art Group Gallery in the Marriott Little Rock (3 Statehouse Plaza), Bella Vita (523 S Louisiana), and Gallery 221 (221 W Second Street).

 

The late Bob Dorough, Arkansan and musical genius, named a 2019 NEA Jazz Master

Earlier this week, the National Endowment for the Arts announced the 2019 Jazz Masters.  Among them was the late Bob Dorough, who died on April 23 of this year.  The other three recipients are big band leader Maria Schneider, pianist Abdullah Ibrahim, and writer Stanley Crouch.

Dorough’s career spanned more than 70 years in jazz as a singer, pianist, composer, and arranger. His distinctive vocals, clever lyrics, and strong melodies were well-known in the jazz world even before his compositions and vocals for the animation series “Schoolhouse Rock!.”

Born in Arkansas and raised in Texas, hepivoted toward jazz after hearing Benny Goodman and Harry James recordings. During a three-year-stint in the U.S. Army from 1943-45, he worked as an arranger and musician in a Special Services band, then earned a bachelor’s degree in composition at North Texas State Teachers College (now known as the University of North Texas) in 1949.

Dorough relocated to New York City to continue his studies at Columbia University and immersed himself in the vibrant local jazz scene.  After spending six months working at the famed Mars Club in Paris, France, he returned to the U.S. and settled in Los Angeles, performing as pianist-vocalist in clubs and as supporting act between sets for comedian Lenny Bruce. Dorough’s first album, Devil May Care, was released in 1956.

In 1962, Dorough was working on the East Coast when he received a call from Miles Davis who he had met several years before in Los Angeles, asking him to write a Christmas song for him to record. Dorough composed “Blue Xmas (To Whom It May Concern)” and sang it with Davis as well as another track, “Nothing Like You,” used as the closing track of Davis’ album Sorcerer in 1967.

In 1972, Dorough was hired by a New York advertising firm to set the multiplication tables to music to make them easier to learn. It was decided that the songs would make good animation, and Tom Yohe put artwork with the music to create Schoolhouse Rock! Dorough became the musical director of the television series, enlisting other well-known jazz musicians to help write and perform the songs. The animated educational series became a staple of the ABC network’s children’s programming for more than two decades.

In 1998, he was inducted into the Arkansas Jazz Hall of Fame.  The Arkansas Arts Center Children’s Theatre has performed the stage adaptation of “School House Rock Live!” (which was created by Arkansan and AAC alum Scott Ferguson and performed all over the country).

On April 15, 2019, the NEA will host a free concert celebrating the Jazz Masters at the John F. Kennedy Center for the Performing Arts in Washington, D.C.

Beginning in 1982, NEA has bestowed the Jazz Master honor on more than 150 people connected to the jazz genre, including Ella Fitzgerald, Miles Davis, Dianne Reeves and George Wein. Individuals first are nominated by the public, with an NEA-convened panel assessing the nominations before the National Council on the Arts reviews the recommendations and forwards them along to the NEA chairman, who makes the final decision.

Todd Herman departs Arkansas Arts Center

On Wednesday, July 11, 2018, Dr. Todd Herman, announced to Arkansas Arts Center staff that he will be leaving to take a position in North Carolina.  His last day at Little Rock’s art museum will be August 10.

Formal announcement of the new position is expected to be made on Thursday, but local media broke the story on Wednesday evening.

Herman, who joined the AAC in 2011, succeeded Nan Plummer as director, who served from 2002 to 2010. She was preceded by longtime director Townsend Wolfe, who led the AAC from 1968 to 2002. Between 1961 and 1968, the Arts Center had a revolving door of directors and acting directors including Muriel Christison (1961), Alan Symonds (1962-1964), William H. Turner (1964-1965), and Louis Ismay (1966-1968).  William Steadman (1958) and George Ware (1959-1960) lead the museum as it transitioned from the Museum of Fine Arts to the Arkansas Arts Center.  Nettie L. Robinson was the director of the original Museum of Fine Arts from its opening in 1937 until her retirement in 1957.

T. Laine Harber, the Arts Center’s Chief Operations Officer/Chief Financial Officer will be Interim Director while a search is conducted for Herman’s replacement.

Work continues on the planning for the expansion and enhancement of the Arts Center which is currently slated to be completed in 2022.