Category Archives: History

Rock the Oscars: Marvin Hamlisch

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marvin-hamlisch376x283.ashxComposer-conductor-arranger-pianist Marvin Hamlisch was a multi-hyphenate.  He also was an early EGOT winner (back when it was more difficult to accomplish this feat because there were fewer categories in all four awards).

Hamlisch visited Little Rock numerous times throughout his careers.  In 1996, he performed at Wildwood Park during the first season of the Lucy Lockett Cabe Festival Theatre.  He soloed with the Arkansas Symphony Orchestra in January 2000 performing many of his works for film and a few for stage.

In 2006, he returned to the ASO to perform with Robert Klein and Lucie Arnaz and the latter duo recreated their roles from the Hamlisch-Neil Simon-Carole Bayer Sager musical They’re Playing Our Song.  His final visit to Little Rock was in 2011. He was performing in Conway but shopped in Little Rock for clothes when his luggage stayed in Chicago.

Over his career, Hamlisch was nominated for twelve Oscars.  He won three at the 1974 ceremony. They were Best Song for “The Way We Were” from the film of the same name (shared with Alan and Marilyn Bergman), Best Score for The Way We Were and Best Adaptation Score for The Sting.  The latter heavily featured music by former Little Rock resident Scott Joplin.

 

Rock the Oscars: William Grant Still

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Long known as the Dean of African American composers, Dr. William Grant Still was a legend in his own lifetime.  As a prolific composer and arranger, his work was featured in numerous movies in the 1930s and 1940s including Oscar winning films The Awful Truth and Lost Horizon.

Dr. Still, who wrote more than 150 compositions ranging from operas to arrangements of folk themes, is best known as a pioneer. He was the first African-American in the United States to have a symphonic composition performed by a major orchestra. He was the first to conduct a major symphony orchestra in the US; the first to conduct a major symphony in the south; first to conduct a white radio orchestra in New York City; first to have an opera produced by a major company. Dr. Still was also the first African-American to have an opera televised over a national network

Dr. Still was born May 11, 1895 in Woodville, Mississippi to parents who were teachers and musicians. When Dr. Still was only a few months old, his father died and his mother took him to Little Rock. Inspired by RCA Red Seal operatic recordings, his musical education began with violin lessons.  He graduated from Gibbs High School in Little Rock.

After his studies at Wilberforce University and the Oberlin Conservatory of Music, he played in orchestras and orchestrated for various employers including the great W. C. Handy. For several years he arranged and conducted the “Deep River Hour” over CBS and WOR.  He also played in the orchestra for the 1921 musical Shuffle Along, which was the first Broadway musical to feature an all African-American cast and writing team.

In the 1920’s, Still made his first appearances as a serious composer in New York. Several fellowships and commissions followed. In 1994, his “Festive Overture” captured the Jubilee prize of the Cincinnati Symphony orchestra. In 1953, he won a Freedoms Foundation Award for “To You, America!” which honored West Point’s Sesquicentennial Celebration. In 1961, he received honors for this orchestral work, “The Peaceful Land”. Dr. Still also received numerous honorary degrees from various colleges and universities, as well as various awards and a citation from Arkansas Governor Dale Bumpers in 1972.

In 1939, Dr. Still married journalist and concert pianist Verna Avery, who became his principal collaborator. They remained together until Dr. Still’s death in 1978.  In a proclamation marking the centennial of Dr. Still’s birth, President Bill Clinton praised the composer for creating “works of such beauty and passion that they pierced the artificial barriers of race, nationality and time.”

In 1995, Dr. Still was posthumously inducted into the Arkansas Black Hall of Fame.  In 2016, the ballroom at Robinson Center was named in his honor.

Little Rock Look Back: Opening of the Little Rock Public Library

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On February 2, 1910, the Little Rock Public Library officially opened its doors.  There had been an open house the night before, but this was the first day of acquiring a library card and checking out books.

Various private libraries had existed sporadically in Little Rock throughout the 19th Century.  In November 1900, a Little Rock School District committee made the first inquiry into the the creation of a Carnegie Library in Little Rock.  Over the next several years, numerous entreaties were made, but funding for the City’s portion was an obstacle.  On December 17, 1906, the Little Rock City Council passed an ordinance to move forward with building, furnishing and equipping a library.  Finally, in February 1908, the City approved acceptance of $88,100 from Andrew Carnegie.  The building would be designed by Edward Tilton, who designed Carnegie libraries, working with local architect Charles Thompson.

Mary Maud Pugsley was hired as the first librarian for Little Rock in May 1909. She began her duties on September 15, 1909, in order to get ready for the opening of the library at the southwest corner of 7th and Louisiana Streets.

On February 2, 1910, formal circulation of books began.  J. N. Heiskell was issued library card number 1.  He was secretary of the Library’s Board of Trustees and had long been an advocate for a public library in Little Rock.  He had often used his bully pulpit as editor of the Arkansas Gazette to advocate for a public library since arriving in Little Rock in 1902.  (Years later — he lived until 1972 — he received a replica of the library card made out of gold.)

That first day of operation, 500 people had applied for library cards. The application process required one to be a Little Rock property owner or to have a property owner sign the application.

Within the first year of operation, 2.5% of Little Rock’s population of 45,951 had applied for a library card.

For more on the history of the transformation of the Little Rock Public Library into the Central Arkansas Library System, read Shirley Schuette and Nathania Sawyer’s From Carnegie to Cyberspace — 100 Years at the Central Arkansas Library System, published by Butler Center Books.

Rock the Oscars: Maureen O’Hara

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Mayor J V Satterfield escorting actress Maureen O’Hara at the Movie Ball (photo from Arkansas Democrat)

Oscar winner Maureen O’Hara lived until she was 95.  In February 1940, a nineteen year old Miss O’Hara turned many heads and set off a frenzy of autograph seekers when she came to Little Rock to attend a series of events.

In conjunction with a meeting of film executives and movie theatre owners sponsored by Robb and Rowley Theaters (which later became the United Artists theatre chain), several Hollywood actors were in Little Rock and headlined a Movie Ball. While in Little Rock, Maureen O’Hara, Phyllis Brooks, Arleen Whelan, Tim Holt and Gene Autry had also made a variety of public appearances.

At the time of the event, Miss O’Hara had recently completed her starring turn as Esmerald opposite Charles Laughton in The Hunchback of Notre Dame.  She had already filmed A Bill of Divorcement (which was the first movie for which she received star billing) but it was not released until May 1940.

On the evening of February 1, 1940, Robb and Rowley hosted the Movie Ball in the lower level of Robinson Auditorium. So many of the attendees crowded around for autographs that the evening’s grand march could not take place (a newspaper headline in the Democrat innocently used the word “orgy” to describe the crowd). After two attempts, Little Rock Mayor J. V. Satterfield (who was escorting Miss O’Hara) and the other members of the Little Rock host delegation led the Hollywood stars to their reserved table. For quite a while that evening, the table was besieged by autograph seekers.

Though it is unknown as to whether he sought an autograph, photos from the evening showed a very satisfied Mayor Satterfield with Miss O’Hara on his arm. Satterfield family lore joked that Mrs. Satterfield (who had stayed home that night to tend to a sick son) was not a fan of Miss O’Hara’s films after that evening.

The Movie Ball showed Little Rock citizens the value of Robinson Auditorium even before it had been officially dedicated. The film industry meetings had taken place at the Albert Pike Hotel which did not feature a ballroom large enough to host the ball. Without the auditorium’s availability for the gala, organizers might not have chosen Little Rock for the meeting.

Rock the Oscars: Carol Channing

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On January 31, 1921, future “Little Girl from Little Rock” and Oscar nominee Carol Channing was born. Alas it was in Seattle.

After gaining the notice of New York critics and audiences in the musical revue, Lend an Ear, Channing achieved Broadway stardom playing fictional Little Rock native Lorelei Lee (the creation of Anita Loos) in Gentlemen Prefer Blondes.  In this show, which opened in December 1949, she introduced the Leo Robin-Jule Styne songs “Little Girl from Little Rock” and “Diamonds Are a Girl’s Best Friend.”   In 1964, she won the Actress in a Musical Tony for her second signature role playing the title character in Hello, Dolly!  Channing also earned a special Tony in 1968 for Dolly when it became the longest-running Broadway musical.

On November 15, 1966, Carol Channing opened a six day stint in HELLO, DOLLY! at Robinson Auditorium.  She would play 8 sold out shows over those six days.  She had just wrapped filming THOROUGHLY MODERN MILLIE (for which she would receive an Oscar nomination). She had specifically requested that Little Rock be added to the tour.

While in Little Rock, Channing was entertained at the Arkansas Governor’s Mansion and feted at parties.  She was made an honorary citizen of Little Rock, as well.  But she was here to perform. And perform she did. She was rarely known to miss a performance and always gave her utmost.  Bill Lewis, in his review in the ARKANSAS GAZETTE, stated “To hear Channing sing ‘Hello, Dolly!’ Is one of the great experiences of all musical theater to date…”

In 1993, she spent her birthday in Washington DC at a White House dinner for the National Governors’ Association.  This was the Clintons’ first official White House dinner after moving in to the residence eleven days prior.  President Bill Clinton led the crowd in singing “Happy Birthday” to her.  She remarked to the President that she was Christian Scientist and didn’t celebrate birthdays, which meant she didn’t get any older.  He replied that it meant the night was her first birthday (it was her 72nd in actuality).

Rock the Oscars: THE STORY OF DR. WASSELL

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Dr WassellFrom April 24 to 26, 1944, future Oscar winner Cecil B. DeMille was in Little Rock for the world premiere screening of The Story of Dr. Wassell.  This 1944 Paramount Pictures Technicolor release told the story of wartime hero Dr. Corydon Wassell.  It would be nominated for the Oscar for Best Special Effects.

Why was Little Rock chosen?  It was the hometown of Dr. Wassell.  His paternal grandfather, John Wassell, was Little Rock’s 27th mayor.  His first cousin, Sam Wassell, was serving on the City Council at the time of the film’s release and would become Little Rock’s 51st mayor.

Based on a book by James Hilton, it was inspired by the heroic efforts of Dr. Wassell, a naval officer, as he led the evacuation of several sailors (and treated their wounds) in Java in February 1942.  President Roosevelt highlighted Dr. Wassell in his May 26, 1942, fireside chat.

Little Rock rolled out the red carpet (literally and figuratively) for DeMille and a contingency from Hollywood.  Dr. and Mrs. Wassell also returned to Little Rock for the festivities.  Unfortunately, Gary Cooper (who played Wassell in the film) was unable to attend due to illness.  His costar, Laraine Day, was making another film and could not attend either.    Those in attendance with DeMille (and Mrs. DeMille) included actresses Signe Hasso and Carol Thurston, and actor Melvin Francis.  The latter played himself; he had actually been one of the sailors saved by Dr. Wassell.

On April 24, 1944, DeMille and Dr. Wassell appeared on a radio program broadcast live from the music hall of Robinson Auditorium.  The next day, the troupe toured Camp Robinson and spoke to the soldiers there.  Later that day, Miss Hasso and Miss Thurston sold war bonds at Pfeiffers and M.M. Cohn’s.

April 26, 1944, was a full day for the DeMilles, the Wassells, and the others.  It started with a luncheon at the Hotel Marion, hosted by the Lions Club and Little Rock Chamber of Commerce.  Governor Homer Adkins presented DeMille with an Arkansas Traveler certificate.  DeMille, in return, presented Governor Adkins with a copy of the script.

When it was Dr. Wassell’s time to speak, he praised Little Rock’s efforts on the home front.  He also asked for a standing tribute to longtime Little Rock school superintendent R.C. Hall, who had died the day before.  Dr. Wassell had taught with Mr. Hall decades earlier.

Following the lunch, there was a parade on Main Street.  It started at 10th and Main and proceeded to Markham before ending at the War Memorial Building (now the Old State House Museum).  Newspaper accounts said that it was four miles long and featured many military units and marching bands.

Dinner that evening was at the Lafayette Hotel before screenings of the movie at the Capitol and Arkansas Theatres. Both screenings were sold out.  On April 27, 1944, a regular run of the movie started at the Capitol Theatre.  It would be released nationally on July 4, 1944, which also happened to be Dr. Wassell’s birthday.

Rock the Oscars: THE WAR ROOM showcases Little Rock’s role in national political scene

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This Oscar-nominated 1993 American documentary film follows Bill Clinton’s campaign for President of the United States, during the 1992 presidential election.  At the start of the 1992 Democratic primaries, husband and wife filmmakers D.A. Pennebaker and Chris Hegedus requested permission from the Campaign to film its progression. The Clinton Campaign agreed, and Pennebaker and Hegedus were allowed to film Communications Director George Stephanopoulos as well as Lead Strategist James Carville; they were given limited access to Bill Clinton.

At the start of filming, the film team was embedded with the Clinton Campaign in New Hampshire for that state’s Democratic primary. During the onset of the campaign, the film crew traveled around the state with the Clinton campaign.

After the surprise Clinton second place finish in the New Hampshire primary, the crew filmed mostly in Little Rock, home to the Clinton campaign’s national headquarters. As the film focused in on Carville and Stephanopoulos, the film crew saw no need to travel outside of Little Rock as both were present in the city for much if not all of the primary and general election campaigns.

Because of the time spent in Little Rock, numerous buildings and backgrounds familiar to the capital city residents appear throughout the film. Jason D. Williams’ song “Get Back to Little Rock” is featured in the film’s soundtrack.

Though Stephanopoulos and Carville were the film’s main figures, many other prominent figures in the campaign were featured, including Paul Begala, Dee Dee Myers, Mandy Grunwald, Bob Boorstin, Stan Greenberg, Mickey Kantor, Harold Ickes, and Bush deputy campaign manager Mary Matalin, who later married Carville.  Also featured in footage are rivals George H. W. Bush, Ross Perot and Jerry Brown.

Though the film did not win the Oscar for Feature Documentary, Pennebaker would receive an Honorary Oscar in 2013. (Another winner that night was Arkansan Hal Needham.)