Category Archives: Museum

LR Cultural Touchstone: Jeane M. Hamilton

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Photo taken for SOIREE

Photo taken for SOIREE

Jeane M. Hamilton is not a native Arkansan. But it was Little Rock and Arkansas’ good fortune that she married a Little Rock native and came here.

Arriving in Little Rock a young wife in 1952, she immediately set about to become involved in her new community as she and her husband James set up a household.  In the mid-1950s, the Junior League of Little Rock tapped her to chair the initiative to create a new art museum for Little Rock.  The two decades old Museum of Fine Arts was threadbare through years of neglect and unfocused programming and collecting.

Hamilton, along with Junior League President Carrie Remmel Dickinson and Vice President Martha McHaney, approached Winthrop Rockefeller (then a relatively new resident) to lead the fundraising effort for the new museum.  He agreed on a few conditions: one was that a base amount had to be raised in Little Rock first, and second that the museum would be for the entire State of Arkansas and not just Little Rock.

Hamilton and her colleagues set about to raise the funds. They raised $645,000 at the same time Little Rock’s business climate was stymied by the aftereffects of the Central High crisis.

Now a lifetime honorary member of the Arkansas Arts Center Board, Hamilton has spent much of her life working on Arkansas Arts Center projects since that visit in 1959.  She has served on the Board, chaired committees, chaired special events, served hot dogs, helped kids paint and danced the night away at countless fundraisers.  She was on the committee which hired Townsend Wolfe as executive director and chief curator.  Jeane has led art tours for the Arts Center to a number of countries over the years.

When she is not at the Arts Center, she is often seen at the Rep, the Symphony or any number of other cultural institutions.  While she enjoys seeing old friends at these events, she also loves to see a room full of strangers – because that means that new people have become engaged in the cultural life of Little Rock.

LR Cultural Touchstone: Charlotte Gadberry

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charlotte-gadberryCharlotte Gadberry has long been a supporter of Little Rock’s various cultural institutions. She has both served on boards and consulted with boards in strategic planning.  She is a Cultural Touchstone, however, because of her vision to found ACANSA Arts Festival.

A trip to Charleston, South Carolina, amid it’s Spoleto USA arts festival inspired her to dream that Little Rock could play host to a similar endeavor.  Using her fundraising prowess and connections, she started to raise funds, friends and awareness for this idea.

In September 2013, the inaugural ACANSA Arts Festival was announced for September 2014.  Under her leadership, ACANSA (a name derived from an early Native American variation of what is now called Arkansas) incorporated both local cultural institutions as well as performers brought in for the event.

It kicked off on a Tuesday with a reception at the Governor’s Mansion and concluded the following Sunday with a reception at Wildwood Park for the Arts.  In between there was theatre, dance, mime, puppetry, instrumental music, choral music, opera, jazz, painting, photography, history, lectures, and gallery tours.

Under her leadership as founder, plans are already underway for the next edition.  ACANSA Arts Festival 2015 is scheduled for September 16-20. Tickets go on sale next spring.

Mount Holly Cemetery Comes Alive Tonight with Tales of the Crypt

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A Parkview student portraying former LR Mayor Woodson.

A Parkview student portraying former LR Mayor Woodson.

The ghosts of Little Rock past will arise tonight at Mt. Holly Cemetery for the 20th Annual Tales from the Crypt.

Held the second Tuesday of October, Tales of the Crypt is an annual Mount Holly event.  Under the direction of Fred Boosey & Tamara Zinck, drama students from Parkview Arts & Science Magnet High School are each given a person buried in the cemetery to research. They then prepare short monologues or dialogues, complete with period costumes, to be performed in front of the researched person’s grave.

Former Little Rock Mayor James Woodson, and Juliet Neill Peay (whose family has been involved in Little Rock politics for 190 years) are two of the featured residents.  Others include Eleanor Counts, Albert DeShon,  David O. Dodd, Senhora Dodd, Sallie and Dr. Isaac Folsom, Katherine Eller Henderson, Mary Eliza Knapp, Eliza Miller, James Robbins, Quatie Ross, Lillian Scott, Albert Stocking, Mollie Stocking, Anne Warren, Edward Payson Washburn, Mary & Edward Wiegel.

Award-winning local costumer Debi Manire will once again provide the wonderful historical characters’ costumes.  Audiences are led through the cemetery from grave to grave by guides with candles. Although it takes place around the same time as the American holiday Halloween, the event is meant to be historic rather than spooky.  Many local teachers award extra credit to students who attend.

The Twentieth Annual “Tales of the Crypt” will be sponsored by Mount Holly Cemetery Association and Parkview Arts-Science Magnet High School.

The event will be held  at Mount Holly Cemetery, 1200 South Broadway, Little Rock, Arkansas on from 5:30 pm until 8:30 pm.  Admission is free to the public, however donations to Mount Holly Cemetery are appreciated and aid in the maintenance of the cemetery.

LR Cultural Touchstone: Mimi Dortch

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Mimi DortchMadalyn “Mimi” Breitzke Dortch, was known for getting worthwhile projects off the ground.

She was a founder along with dear friend Cliff Baker, of the Arkansas Repertory Theater; hosted the first Arkansas Opera Theatre outdoor perforomance at her home Marlsgate, was a founder along with Helen Walton of Arkansas Committee of National Museum of Women in the Arts, and was the Director of AIC Choir Camp at Subiaco for 22 years.

When Baker had the idea for the Rep, she made use of her personal connections and helped form the first Board of Directors.  She served as an ambassador for the Rep and theatre in general.   Throughout the rest of her life, she would be a stalwart supporter of the Rep.  Her interest in theatre had been nurtured while she was in college.  Her interest in founding community endeavors had been inherited from her father who founded the North Little Rock Boys Club.

The AIC Choir Camp was originally founded by Trinity Episcopal Cathedral.  She oversaw the transition to it being under the auspices of the Arkansas Interfaith Conference of Churches and Synagogues, which she led.

There were few art forms or art organizations in Little Rock and Arkansas that Mimi Dortch did not attend or support.

 

LR Cultural Touchstone: Anita Davis

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anita davisAnita Davis has founded a museum, a sculpture garden and nurtured an eclectic retail community which has transformed Main Street south of I-630 into a thriving SOMA with its own unique identity.

Starting in 2004, she began to acquire property along Main Street in the teen blocks.  After attending a conference and learning about “placemaking” she started to envision ways to transform South Main through various artforms.

On the site of a burned out fast food restaurant, she devised the plans for the Bernice Garden. This sculpture garden and community gathering spot has become a hotspot for festivals (including the annual Cornbread Festival – another of her projects – this year it will be November 3), community events and a farmer’s market.

More recently, she opened the ESSE Purse Museum.  ESSE grew out of a traveling exhibit selected from Davis’ extensive collection. From 2006 to 2011, “The Purse & the Person: A Century of Women’s Purses” (curated by Curatrix Group and managed by Smith Kramer Fine Art Services) traveled the country. The collection was exhibited in Concord, Mass.: Little Rock, Ark.; Edmund, Okla.; Columbia, S.C.; Pasadena, Calif.; Rockford, Ill.; Logan, Kan.; Fullerton, Calif.; Baton Rouge, La.; Dallas; Sacramento; and Seattle.

Now Davis has brought her handbags back to Little Rock for good and given them a home worthy of the part they have played in women’s lives and history. ESSE is housed in a historic building in SoMa, an up-and-coming, hip neighborhood in downtown Little Rock.  The Huffington Post declared it one of the hot museums for 2014.

Cleveland County native Johnny Cash is focus of UALR exhibit, concert

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cash-image1-1-204x264The Center for Arkansas History and Culture (CAHC) at the University of Arkansas at Little Rock has announced plans to premier a new exhibit on Johnny Cash’s relationship with Arkansas. The exhibit, “Johnny Cash: Arkansas Icon,” will open in the Underground Gallery at the Arkansas Studies Institute on October 10, 2014, and run through January 24, 2015. The physical exhibit will be accompanied by a virtual exhibit with educational materials for teachers.

Opening Night

The exhibit opens Friday, Oct. 10, in the Ron Robinson Theatre.

A free concert will be at 7:30 p.m. featuring the W.S. Holland Band, with special guests Jeff Coleman and the Feedersbeginning at 6:45 p.m. Seating is limited.

Johnny Cash: Arkansas Icon

The exhibit explores the musician’s Arkansas connections over the decades, covering his 1930s childhood in Dyess, Arkansas (though he was born in Kingsland in Cleveland County), through his comeback at the turn of the 21st-century. The exhibit places special emphasis on connections between his Arkansas roots and his music from his first performance in Little Rock in 1955 to a 2002 music video. Though Cash’s career took him far from Arkansas, the exhibit argues, he never quite severed his Arkansas roots. This exhibit tells that story through narrative and archival photographs from CAHC’s own collections, as well as others.

According to Colin Woodward, the CAHC archivist who proposed the exhibit and wrote its narrative, “While writing an article about Johnny Cash’s work with Governor Winthrop Rockefeller on prison reform, I began to see the thread of Arkansas in Cash’s music and life. He was such a dynamic artist, who persevered through many personal and professional challenges. He was a great Arkansan, and I wanted to show that through historical research and archival images.”

The exhibit will cover the walls of the unique Underground Gallery and immerse visitors in an artistic representation of Cash’s life in pictures and text. Designed by Bachelor of Fine Arts student Nick Sosnoski under the direction of Tom Clifton, Department of Art Chair, the exhibit makes use of key design elements like variety, unity, and texture on a large scale. The exhibit uses rare images from family albums and other sources and incorporates Cash’s lyrics into the design. According to Sosnoski, “The design is meant to reflect Johnny Cash as a man who never forgot his roots.”

The accompanying virtual exhibit will offer deeper exploration of the topics covered in the physical exhibit. The website will include a media gallery and behind-the-scenes information on the exhibit development. Educational materials, including full lesson plans and PowerPoint presentations, will be available for Arkansas teachers to use with students before and after visiting the exhibit. Stan James, an undergraduate Social Studies Education major, worked on the project and says, “It was really exciting to be able to prepare materials that will teach students important world concepts, and at the same time, expose them to one of Arkansas’ true treasures, Johnny Cash.  These materials, along with the exhibit and related events, will guide the students through an exciting journey towards learning about key issues in our state and nation, as well as how celebrities use their influence and talent to further issues that are important to them.”

On opening night, the W. S. Holland Band will perform a free concert in the Ron Robinson Auditorium. Holland spent 40 years performing with Cash’s band, Tennessee 3, and is the only band member to stay with the group until Cash’s retirement in 1997. In his long career, Holland has toured with Elvis, Jerry Lee Lewis, Roy Orbison, and Carl Perkins. The Holland Band performance will start at 7:30, following an opening performance by Jeff Coleman and the Feeders at 6:45. Seating is limited. Also on opening night, Shape Note Singers from Mountain Home, Arkansas, will perform for Second Friday Art Night visitors to the Arkansas Studies Institute.

This project is supported in part by a grant from the Arkansas Humanities Council and the National Endowment for the Humanities.

Additional funding provided by the Arkansas Community Foundation. The Arkansas Community Foundation is a nonprofit organization that fosters smart giving to improve communities. The Community Foundation offers tools to help Arkansans protect, grow and direct their charitable dollars as they learn more about community needs. By making grants and sharing knowledge, the Community Foundation supports charitable programs that work for Arkansas and partners to create new initiatives that address the gaps. Contributions to the Community Foundation, its funds and any of its 27 affiliates are fully tax deductible.

The UALR Center for Arkansas History and Culture collects, preserves, and enables access to Arkansas records of enduring value; prepares students and the region for the 21st century through academic leadership and education on archival practices and technologies; and engages the community through outreach, programming, and exhibitions.

For more information on the exhibit or CAHC, contact us atcahc@ualr.edu or 501.320.5780.

LR Cultural Touchstone: Ellen Turner Carpenter

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Mrs CarpenterEllen Turner Carpenter was born on July 30, 1916 on West Ninth Street.  At the time of her death at the age of 93, her life had come full circle.

As a young girl, she was an active participant in the thriving African American life along west Ninth Street in downtown Little Rock. She attended many events at the Mosaic Templars Hall which sat at Ninth and Broadway.

A longtime Little Rock educator, she became the moving force behind preserving the Mosaic Templars building in the 1980s.   In 1992, she became president of the Mosaic Templars Building Preservation Society, which worked to preserve the Mosaic Templars building in Little Rock to create a museum for black history in Arkansas. Mrs. Carpenter served as president of the society until her death.

In the 1990s, the City of Little Rock purchased the building to keep it stable while the Preservation Society sought to raise the funds.  Due to lobbying efforts led by Mrs. Carpenter, the State of Arkansas purchased the building from the City with the intention of turning it into a museum under the auspices of the Department of Arkansas Heritage.  At a ceremony in 2003, Vice Mayor Willie Hinton handed the keys of the building to Governor Mike Huckabee with Mrs. Carpenter nearby beaming.  Governor Huckabee appointed her to the state advisory committee for this new museum.  She would serve as chair of that committee.

On March 16, 2005, tragedy struck.  The building burned to the ground.  That afternoon at a press conference at the State Capitol, leaders expressed their resolve that the project would move forward with a new building following the original design.  One of the speakers that afternoon was Mrs. Carpenter. She started out in her usual quiet voice. But as she recalled her youth spent at the Mosaic Templar’s building, the years melted away. She demonstrated some of the step dancing she had done as a teenager.

On September 20, 2008, she presided over the grand opening of the new Mosaic Templars Cultural Center. It was the culmination of 15 years of official work and many more years of dreaming.  At the ceremonies, she declared “We made it!” “We made it! We made it!”

Mrs. Carpenter remained an active supporter of the MTCC until her death on July 27, 2010, just three days shy of her 94th birthday.

Throughout her life she wore many hats (including numerous ones to church on Sunday). She was an educator, neighborhood organizer, and public servant. Everyone who met her was positively impacted by her.  Due to her vision and endurance, thousands each year are still positively impacted by her when they visit the Mosaic Templars Cultural Center.  Fittingly, the conference room at MTCC is named in her memory.