Best Song Oscar nomination for Arkansan Glen Campbell

Glen_Campbell_I'll_Be_Me_PosterLost in the shuffle of Oscar nominations was the fact that Arkansan Glen Campbell received his first Oscar nomination. It was for co-writing the song “I’m Not Gonna Miss You” from the documentary Glen Campbell…I’ll Be Me.  Unfortunately, due to the ravages of Alzheimer’s this plaudit comes too late in his career for him to relish it.

In 2014, the documentary was screened at the CALS Ron Robinson Theater with members of Campbell’s family and the filmmakers present. It later opened the 2014 Hot Springs Documentary Film Festival before it was commercially released.

Though not featured in the film footage, Campbell’s last performance in Arkansas was at Robinson Center Music Hall to a sold out, lovingly appreciative and emotional audience.

Campbell’s previous closest brush with Oscar was as a co-star to John Wayne in the original True Grit, for which the Duke took home the trophy.

 

Fund set up to ensure sustained support of July 4th Arkansas Democrat-Gazette Pops on the River featuring ASO

popsonriverAccording to an article in the Arkansas Democrat-Gazette, a fund has been set up to ensure long-term sustained support of the paper’s Pops on the River music and fireworks spectacle.  The Pops on the River Charitable Fund has been established at the Arkansas Community Foundation. The first gift was a donation of $100,000 by the Hussman Foundation.

The state’s largest Fourth of July celebration, Pops on the River is a day-long observance that draws around 30,0000 people to the River Market district and First Security Amphitheater in downtown Little Rock. Fireworks and a free concert by the Arkansas Symphony Orchestra highlight the celebration.  The celebration was started in 1983 by the then-Arkansas Democrat just as Riverfront Park was first developing.

“The idea is to try to set up an endowment fund over the years that will generate enough income so that it could pay for Pops on the River,” Democrat-Gazette Publisher Walter E. Hussman Jr. said in the article.  He envisions that the fund will build year by year toward a goal of $1 million.  The goal amount would generate $50,000 per year to cover the costs of Pops on the River.  Though the Hussman Foundation plans on annual donations of $100,000 as economically feasible, the fund is set up to take donations from other foundations as well as corporations and individuals.

Special advance ticket offer this month from Riverfest

Riverfest2015We are just 4 months and 1 week away from Riverfest 2015!

While no acts have yet been named, there is special news.  Riverfest has just announced that ticket sales are once again, LIVE!

From now until January 31st, while supplies last, Riverfest is offering the Festival 4-Pak for $60 PLUS $20 in bonus RiverMoney! This is a $180 value, four 3 day admissions for only $60. You can purchase them at www.riverfestarkansas.com and click BUY TICKETS on the top banner.

The Bonus $20 RiverMoney will be available for pickup at the event after your print at home tickets are scanned and wristbands received — the Rivermoney is only redeemable by the first ticket that’s called “Festival 4 Pack w/$20 bonus RiverMoney.” Tickets that read “Festival 4 pack attendee” do not have a RiverMoney value associated with them.

Robinson Center Redux- January

WAVW LR Jan65Since Robinson Center Music Hall is closed for renovations and restoration, this year the Culture Vulture will take a monthly look back at some of the featured attractions which have played there.  This month looks at January of years ending in “0” and “5.”

As noted earlier on the blog, even before the February 1940 opening of the music hall, the lover level exhibition hall was playing host to events including basketball games.

By 1945, things were well underway on both levels. Buddy Johnson & his Orchestra were playing a dance for African Americans in the lower level on January 10. Upstairs events ranged from a lecture on Christian Science (January 7), a play Good Night Ladies (January 17), a lecture by Dr. Emil Ludwig on Germany after World War II, and Paul Draper & Larry Adler in concert (January 23).

In 1950, Tallulah Bankhead starred in a revival of Private Lives (January 13), a Passion Play booked it for over a week (January 21 – 28) and a double-header of Shakespeare plays held court on January 30. Margaret Webster’s Shakespeare Company played The Taming of the Shrew in the afternoon and Julius Caesar in the evening. Also that month the Arkansas State Symphony (a forerunner to today’s Arkansas Symphony Orchestra) gave a concert on the 17th.

A highlight of 1955 was a women’s wrestling match on January 4 in the lower level.

In 1960, two theatrical productions were presented. On January 8 & 9, Odd Man In was presented “pre-Broadway” (it didn’t make it). Much more successful was the national tour of My Fair Lady from January 18 through 23.

Though Little Rock native Ben Piazza had helped develop the play, he wasn’t in the cast when the national tour of Who’s Afraid of Virginia Woolf? played Robinson on Januayr 25, 1965.

By the late 1960s and early 1970s, Robinson was at a crossroads.  Many performers wanted to play at larger spaces (such as Barton Coliseum) or smaller venues (such as churches or the UALR recital hall).  In 1970, the Happy Goodman Family gave a concert on January 21.  Five years later they returned on January 10, 1975 in a concert with Vestel Goodman. The next night, Johnny Paycheck was in concert.  On January 21, 1975, Robert Alda headlined a tour of The Sunshine Boys.

Orchestra concerts dominated most January offerings from 1980 onward.  On January 27, 1980, the Pittsburgh Symphony Orchestra gave a concert at Robinson. In 1985, the Arkansas Symphony Orchestra presented concerts (January 19 & 20) with Misha Dichter, pianist.  January 1990 saw the ASO with Stephen Burns, trumpet on January 20 & 21.

In 1995, the ASO performed Rimsky-Korskaov’s Scheherazade on January 13 & 14.  Composer, pianist and conductor Marvin Hamlisch highlighted a concert with the ASO on January 22 in 2000. Earlier in the month the ASO performed Der Freischatz on the 15 & 16th.  The day before Hamlisch, the Martins were in concert.

2005 highlights included the ASO with Elmer Oliveira, violinist (Jan 15 & 16), the ASO Side by Side concert (where Arkansas Symphony Youth Orchestra musicians and ASO musicians perform together) on January 29 and the ASO Family Series: Secrets of the Orchestra on January 30.  The Irish dance spectacular Riverdance played Robinson from January 17 through 19.

Five years ago, Ron “Tater Salad” White performed his stand-up at Robinson on January 8, 2010. Later that month the ASO offered Edvard Grieg’s Piano Concerto on January 16 & 17. The 2010 ASO Side by Side concert was on January 30.  On January 20 the Shen Yun Chinese cultural performance took place in Robinson.

Tonight’s Local Live at South on Main is duo A Rowdy Faith

a_rowdy_faith_photo_by_katimallory-ar25.jpg.190x140_q60_cropTonight at 7:30 p.m. Join the Oxford American magazine for this week’s Local Live free concert at South on Main! Folk/Americana duo A Rowdy Faith is our featured act this week. Call ahead at (501) 244-9660 to guarantee your seat for this popular series!

Alisyn Reid and Cate Davison first sang together ten years ago on a beach in South Carolina. They went their separate ways, wrote their separate songs, but have brought their voices together again as A Rowdy Faith. They consider their music folk/Americana, but each have distinct influences—Reid’s music has elements of country and rock and roll, while Davison’s has evidence of jazz and blues.

Tonight at 7:30, Arkansas Sounds presents the Velvet Kente Arkestra

velvet_kente2Arkansas Sounds presents the Velvet Kente Arkestra, an expanded version of the band Velvet Kente, on Friday, January 9, at 7:30 p.m. in the CALS Ron Robinson Theater, 100 River Market Ave. Theater doors open at 6:30 p.m.

General admission tickets are $10, and are available online and at the Butler Center Galleries, 401 Pres. Clinton Ave., Mon.-Sat. 9am-6pm. Tickets purchased online will not be mailed; they may be picked up in the theater’s lobby one hour before the show.

Velvet Kente Arkestra is a genre-dodging collective seeking to consistently make an aural connection with all that will listen with an open mind. Their most obvious influences include Afro-Caribbean music, indie rock, punk, blues mythos, and gospel. But otherwise there’s no transparent consistency in the sound outside of Joshua’s heart-wrenched vocals, which lie somewhere between a coarse scream and a sweat-stained Pentecostal baritone.
Natalie Elliot, Oxford American

For 2nd Friday Art Night, Historic Arkansas Museum welcomes Kevin Kerby

Kick off the next year of 2nd Friday Art Nights at Historic Arkansas Museum with a free performance by local favorite Kevin Kerby!
“His music is best described as muscle in a series of loosely-wound audio snapshots of Little Rock, wedged somewhere between Paul Westerberg’s know-it-all scowl and Jeff Tweedy’s ear for pop poeticism.”
In other words, you don’t want to miss this free performance by a treasured Arkansas songsmith.
While there, explore our galleries and two contemporary art exhibits featuring Arkansas artists.
UNDER PRESSURE: The Arkansas Society of Printmakers Exhibition
The Arkansas Society of Printmakers mark their third year with an impressive exhibition  showcasing both traditional printmaking and contemporary works that utilize new technologies and innovative methods. The exhibition continues in the Trinity Gallery for Arkansas Artists through February 8, 2015.
“this is the garden: colors come and go” Works by Rachel Trusty
Rachel Trusty’s solo exhibition takes its name from the classic poem by e.e. cummings. The exhibition includes paintings, sculpture and mixed media works which center around floral motifs.
Works by Rachel Trusty have appeared in galleries, shows and competitions across Arkansas as well as in Massachusetts and New York. Trusty was named one of “Five Arkansas Artists You Should Know” by Arkansas Times in 2014.
The exhibition continues in the 2nd Floor Gallery through February 9, 2015.