Magnificent 7 – The semifinalists for the 2017 Sculpture at the River Market public monument competition

Sculpture at the River Market invited all artists participating in the 2017 Show & Sale to submit a proposal for its $60,000 Public Art Monument Sculpture Commission Competition. This is the seventh such competition in the ten years of the Show & Sale.

Of the 50 artists in the 2017 Show & Sale, 29 artists submitted a proposal.  The proposals of the seven semifinalists will be displayed during the event’s Preview Party on the evening of April 21, and Preview Party guests will vote for their 1st, 2nd and 3rd choice.  All votes will be tallied and the top three finalists will be announced at the end of the evening.

The top three proposals will be juried on April 22 and 23, and the 2017 winner will be announce at 3PM on Sunday, April 23.  The winner will be installed at the Southwest Community Center in 2018.

2017 SEMIFINALISTS

TERRY AND MARITZA BEAN – “Unity”

 

 

 

 

 

 

 

CRAIG CAMPBELL – “On the Bus”

 

 

 

 

JANE DEDECKER- “Threshold”

 

 

 

 

 

 

 

JACK HILL  – “On a Roll”

 

 

 

 

 

 

 

MARK LEICHLITER- “Vital Connections”

 

 

 

 

 

 

 

TED SCHAAL- “Dropsy”

 

 

 

 

 

 

 

STEPHEN SHACHTMAN – “A”

An Easter Parade of Bronze Bunnies

Downtown Little Rock has at least three different sculptures of rabbits.  Since today is Easter Sunday and the Easter Bunny is making his rounds, it seems a good day to highlight these sculptures.

In the Vogel Schwartz Sculpture Garden, Laurel Peterson Gregory’s Bunny Bump has been providing whimsy since 2010.

After she sculpts an animal in wax or oil-based clay, traditional lost-wax casting processes immortalize the design in bronze. One aspect of particular interest to me, and one for which I plan early in the sculpting phase, is the complex and rich patinas that constitute another hallmark of my limited-edition sculptures. Multiple layers of chemicals and oxides are applied to the heated bronze to achieve a range of unique effects, both translucent and opaque, that complement each design.

Two stylized rabbits make for an interesting piece of artwork when they are not only dancing, but also doing the butt bump while dancing. The smooth surface and color of the bronze add to the illusion. This small piece has been placed on a pedestal to elevate more to eye level.

A few yards from the bumping bunnies, James Paulsen’s Lopsided presents a much more laconic rabbit.

Paulsen is a self-taught artist. Alternately studying the wilds of the northern forest, and the open beauty of the American Southwest, he concentrates his work on natural subjects he has grown up with, and is heavily influenced by his family’s artistic background, being raised by an artist-illustrator and an author. In his work, he explores merging the beauty he sees in the natural world with the expressiveness of clay and bronze.

While having most of his work in galleries or private collections across the country, he has recently completed two public commissions

And at the corner of President Clinton Avenue and Sherman Street, Tim Cherry’s Rabbit Reach welcomes visitors to the River Market.

The sculpture is located at the corner of Sherman Street and President Clinton Avenue across from the Museum of Discovery.

The sculpture is a gift from Whitlow Wyatt and the Carey Cox Wyatt Charitable Foundation. It was given in memory of George Wyatt and Frank Kumpuris.  Those two gentlemen were the fathers of Whitlow Wyatt and Dean & Drew Kumpuris.

Cherry’s sculpture was selected for this spot because of its proximity to children at the Museum and in the River Market district.  The design and size of the sculpture encourages children to climb on it and to play around the rabbit.  While some public art is situated so it cannot be touched, this one is situated to be touched as part of the appreciation experience.

There will probably be more bunnies on display this weekend when the 10th Sculpture at the River Market Show and Sale takes place on April 22 & 23.  On April 21, there will be a preview party at 6:30pm.

For more information on the show & sale, visit the the show’s website.

 

#LRSculpture contest in conjunction with 10th Sculpture at the River Market

The Sculpture in the River Market Show will celebrate its 10th year in April. As part of that, they are rolling out a plan that encourages the public to explore, appreciate, and share public art offerings in Little Rock through social media.

The selfie with a sculpture contest will begin Saturday and continue through April 18. The concept is simple: A person finds their favorite sculpture in Little Rock, takes a photo with it, posts it using the hashtag #LRSculpture on either Instagram or Twitter. 

A person must be visible posing with the sculpture in the photo. Photos taken prior to April are eligible as long as they feature a person posing with a Little Rock sculpture and use the hashtag #LRSculpture. Only photos meeting those requirements which are posted between April 1 and April 18, 2017 will be eligible.

Photos showing misuse of the sculpture will not be considered.

Winners will be announced April 20. The grand prize includes tickets to the Sculpture Show Preview Party on April 21 at 6:30 p.m. Three additional prizes will be given.

Guests attending the Preview Party will get to view and vote on the seven semi-finalist proposals for the next public monument sculpture winner to help select the top three finalists.  The winner of that competition will be announced Sunday, April 23.

Arkansas Gives today from 8am to 8pm

If you are like me, you’ve been receiving notifications about Arkansas Gives Day for months.  Well, today is the day!  From 8am until 8pm, you can help grow the love for Arkansas’s nonprofit organizations by making a donation to the charity of your choice.  The event is sponsored by the Arkansas Community Foundation.

As a special incentive to give, each gift made through ArkansasGives on April 6, 2017, will be matched with additional bonus dollars; the more you give, the more bonus dollars your favorite charity will receive.

Nonprofit organizations and other tax-exempt charitable organizations may participate if they:

  • Are headquartered in Arkansas or have a base of operations in Arkansas.
  • Have 501(c)(3) tax exempt status under IRS code AND are qualified as a 509(a)(1), (a)(2) or (a)(3) organization or as a private operating foundation.

The minimum amount is $25; there is no maximum amount you may give. You may designate up to 10 charities per transaction.

Accepted Forms of Payment: Visa, MasterCard, Discover and American Express credit cards online.
You will receive an email receipt of your gift; please retain it for tax purposes. Unless you choose to remain anonymous, your donor information will be sent to the nonprofits to which you give.

Here is a list of cultural organizations which offer services within the boundaries of the City of Little Rock.

 

There are MANY MANY MANY other worthy nonprofits which are participating. But since this is a culture blog, only the cultural institutions are listed.  But please consider visiting the website and perusing the entire list.

Congratulations to the Arkansas Arts Center on being re-accredited by the American Alliance of Museums

arkartsThe Arkansas Arts Center (AAC), the state’s leader in international, visual and performing arts, has again achieved accreditation by the American Alliance of Museums, the highest national recognition afforded the nation’s museums.

“Accredited museums are a community of institutions that have chosen to hold themselves publicly accountable to excellence,” said Laura L. Lott, Alliance president and CEO. “Accreditation is clearly a significant achievement, of which both the institutions and the communities they serve can be extremely proud.”

Alliance Accreditation brings national recognition to a museum for its commitment to excellence, accountability, high professional standards and continued institutional improvement. Developed and sustained by museum professionals for over 45 years, the Alliance’s museum accreditation program is the field’s primary vehicle for quality assurance, self-regulation and public accountability. It strengthens the museum profession by promoting practices that enable leaders to make informed decisions, allocate resources wisely, and remain financially and ethically accountable in order to provide the best possible service to the public.

“Earning accreditation is a milestone for any institution,” said Todd Herman, Executive Director at the AAC. “It’s a very detailed and in-depth process. I am proud of our entire staff and teams whose hard work led us to achieving reaccreditation.”

All museums must undergo a reaccreditation review at least every 10 years to maintain accredited status. Of the nation’s estimated 35,000 museums, more than 1000 are currently accredited. The AAC is one of only five accredited museums in Arkansas. Accreditation signifies excellence to the museum community, to governments, funders, outside agencies, and to the museum-going public.

Accreditation is a very rigorous process that examines all aspects of a museum’s operations. To earn accreditation, a museum first must conduct a year of self-study, and then undergo a site visit by a team of peer reviewers. AAM’s Accreditation Commission, an independent and autonomous body of museum professionals, considers the self-study and visiting committee report to determine whether a museum should receive accreditation.

“We commend the Arts Center for expanding its outreach locally and statewide; this has clearly led to widespread community support and acclaim,” said Burt Logan, chair of the AAM Accreditation Commission and Executive Director and CEO of the Ohio History Commission. “Your accomplishments in fundraising, aligning resources and strengthening your relationship with the City of Little Rock demonstrate the Art Center’s leadership and positive impact on those it serves.”

The peer reviewers reported that management and storage of the AAC permanent collection was impeccable, and the significant gift of 290 drawings and watercolors by the American Modernist John Marin clearly demonstrated the institutional strength of the AAC and will serve as a further catalyst for a planned expansion. The gift makes the AAC the second largest holder of Marin works in the world.

The peer reviewers also found the AAC’s educational outreach programs to be impressive, with many constituents’ initial contact with the AAC through its award-winning Children’s Theatre, the Museum School or statewide travelling education programs, including traveling theatre and the Artmobile. These outreach programs see more than 300,000 visitors per year on average. Combined with the AAC’s more than 300,000 onsite visitors, and the result is an impressive annual attendance of more than 600,000. The peer reviewers stated that for an institution of this size, staffing and level of funding, these statistics were exemplary.

The AAM Accreditation Commission found that with the AAC Foundation’s impressive support, the consistent giving of the AAC Board of Trustees, the growing generosity of the City of Little Rock, and the expression of support recently made by the voters of Little Rock, the AAC appears poised to take the next important step in its institutional life.

“They also have put the museum back on solid footing with its peer institutions, and turned the AAC into a catalyst for community pride and economic redevelopment in downtown Little Rock. It is an impressive turnaround.”

Polk Stanley Wilcox joins Studio Gang Architects in planning for reimagined Arkansas Arts Center

arkartsThe Arkansas Arts Center announced the selection of Polk Stanley Wilcox Architects as associate architect for its upcoming building project. Polk Stanley Wilcox will work in partnership with Studio Gang Architects on a reimagined Arkansas Arts Center. Studio Gang was selected as design architect for the expansion and renovation in December.

Polk Stanley Wilcox Architects is a programming, architectural, planning and interior design firm with offices in Little Rock and Fayetteville. The firm has experience working with clients in a variety of industries, including healthcare, nonprofit, cultural, education, corporate and worship. Polk Stanley Wilcox also focuses on sustainability and creating buildings that operate on minimal energy usage.

“We are thrilled to partner with the Arkansas Arts Center and Studio Gang on this transformative project,” Polk Stanley Wilcox Principal David Porter said. “AAC has cast an exciting vision to rethink not only how the Center upgrades the interior and exterior spaces, but how the AAC connects to and enriches the broad arts and cultural tapestry of Little Rock. Studio Gang is a uniquely talented firm to lead the design effort. PSW is honored to bring our extensive experience from years of important projects in downtown Little Rock to come alongside them and the AAC to help create this next critical milestone for the city, state and region.”

Polk Stanley Wilcox has previously worked on a number of local projects, including the William J. Clinton Presidential Library, Heifer International Headquarters, the Arkansas Studies Institute and the recently opened Robinson Center expansion and renovation.

“We look forward to working with the team at Polk Stanley Wilcox,” said Studio Gang Founding Principal Jeanne Gang. “We hope to build on their strong history of collaborations in the area and believe that their knowledge of Little Rock will be a huge asset as we expand the impact of the Arkansas Arts Center in Little Rock, and in the region.”

Polk Stanley Wilcox Architects was selected from among three finalists to work in partnership with Studio Gang. Ten local firms responded to the RFQ issued last month. Allison and Partners and Cromwell Architects were also finalists.

The three finalist firms presented to the selection committee on February 16. The selection committee for the associate architect included AAC Executive Director Todd Herman, three representatives from Studio Gang, and international museum consultant Deborah Frieden, and AAC Board member Sara Hendricks Batcheller.

“Each of the finalists are strong, well-respected firms,” Arts Center Executive Director Todd Herman said. “Ultimately, Polk, Stanley, Wilcox was the best complement to Studio Gang in terms of experience and strengths. Their work at Robinson auditorium – similar in both scope and complexity – will be an asset as we move through the project. We are very pleased to have PSW on board for this important project that will create wonderful new spaces for the people of Little Rock and Arkansas to enjoy the arts. Having our architectural team in place is a major milestone. We are very excited to move the project forward.”

Little Rock Look Back: Groundbreaking for Museum of Fine Arts (forerunner to Arkansas Arts Center)

MFA postcardOn January 3, 1936, the ground was broken for the Museum of Fine Arts building in City Park.  The facility would face Ninth Street and be to the west of the Arsenal Tower Building.   That building was the one remaining structure of more than 30 which had populated the grounds when it was a federal military establishment.

Excavation for the building uncovered the foundation for another structure.  New footings for the Museum would be poured into the old footings.

The cornerstone would be laid in October 1936, and the building would open in October 1937.  The building would serve as the museum’s home until the new construction for the new Arkansas Arts Center began in 1961. That construction would enclose the original Museum of Fine Arts.  By that time, the City had long renamed the park in honor of General Douglas MacArthur, who was born there when it had been a military installation.

Subsequent additions to the Arkansas Arts Center over the decades have further expanded the museum’s footprint.  After the 2000 expansion, the original 1937 facade was featured more prominently than it had been since 1963. With the Arkansas Arts Center again slated for renovation and expansion, the original 1937 facade will be maintained and possibly even further highlighted.

But it all began on January 3, 1936.