Yearly Archives: 2017

Little Rock Look Back: SOUTH PACIFIC opens on Broadway 68 years ago today

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Sixty-eight years ago today, a fictional Little Rock heroine took the stage of a Broadway megahit when South Pacific opened at the Majestic Theatre on April 7, 1949. It settled in for a run of 1925 performances. Based on the James Michener Pulitzer Prize winning novel Tales of the South Pacific, it featured a book by Oscar Hammerstein II and Joshua Logan, songs by Richard Rodgers and Hammerstein and direction by Logan. It was produced by Rodgers, Hammerstein, Logan and Leland Hayward. Set in the titular islands, it concerned the relationships of sailors, nurses, island natives and other island inhabitants.

The musical starred recent Tony winner Mary Martin as Little Rock native Nellie Forbush, opera star Ezio Pinza, stage veterans Myron McCormick and Juanita Hall, and stage newcomers William Tabbert and Betta St. John. Cloris Leachman was Martin’s understudy and would later succeed her in the part of Little Rock native Nellie Forbush.

Like other Rodgers and Hammerstein musicals, this show tackled tough themes – this one being prejudice. That did not set well with some theatergoers. Indeed, some potential investors did not put money into the show because of its stance. But Rodgers, Hammerstein, Logan and Hayward persisted. Their diligence paid off when the musical received the 1950 Pulitzer Prize in Drama, only the second musical to receive this designation. It is also the only Pulitzer Prize for Drama winner to be based on Pulitzer Prize winning source material. This was the first Rodgers & Hammerstein musical to not feature big dance numbers. In fact, there was no choreographer. The dance steps which existed were created by Martin, who had taught dance in her native Texas as a young mother.

Opening late in the season, South Pacific was named the 1949 New York Drama Critics Circle Best Musical, but was not part of the Tony Awards until 1950. (Though Jo Mielziner, who designed the set for South Pacific received a Tony for his set designs of shows during the 1948-49 season and South Pacific was one of the titles listed.) At the 1950 Tonys, it received six Tony Awards (sometimes listed as eight because Book and Score were not broken separate from Best Musical that year—but some sources incorrectly separate them.) It was named Best Musical, Actor in a Musical (Pinza), Actress in a Musical (Martin), Featured Actor in a Musical (McCormick), Featured Actress in a Musical (Hall), and Director (Logan). This is the only time that all four acting awards in the musical category went to performers in the same production. In fact, the other two acting trophies that year were incorrectly engraved as being from South Pacific out of habit.

Logan’s win was also the first time that the Director Tony went for a musical, since at the time that award was not separated out among plays and musicals. Hall was the first African American to win a Tony Award for Acting. Martin would reunite with Hayward, Rodgers & Hammerstein ten years later for The Sound of Music. Pinza and Tabbert reunited in 1954 for Fanny which would be the final Broadway credit for each gentleman. McCormick stayed with the show the entire run, except for vacations.

In 1999 for the 50th anniversary and in 2008 for the opening of the first Broadway revival remaining cast members from the original production had reunions in New York City. At the 50th anniversary ceremony, a proclamation from Little Rock Mayor Jim Dailey was read declaring it South Pacific day in Little Rock and honoring the show. It is interesting to note that in 1949, there were two heroines on the Broadway stage from Little Rock: Nellie Forbush from South Pacificand Lorelei Lee from Gentlemen Prefer Blondes.

In 2008, Lincoln Center Theatre produced the first revival of South Pacific on Broadway. It opened on April 3, just four days shy of the musical’s 59th anniversary.  The cast was led by Paulo Szot, Kelli O’Hara (as Little Rock girl Nellie Forbush), Matthew Morrison (before “Glee”), Danny Burstein and Loretta Ables Sayre.  The production restored a song which had been written for the original Broadway production that had been dropped. “My Girl Back Home” was featured in the movie version and in this Broadway revival. In it O’Hara and Morrison sang of their hometowns of Little Rock and Philadelphia.  The production was nominated for 11 Tony Awards and won 7: Best Musical Revival, Actor in a Musical (Szot), Director of a Musical (Bartlett Sher), Scenic Design (Michael Yeargan), Costume Design (Catherine Zuber), Lighting Design (Donald Holder) and Sound Design (Scott Lehrer).

TARTAN DAY Little Rock Look Back: BRIGADOON comes to Robinson

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April 6 is Tartan Day – a chance to pay tribute to the achievements of Scots in the U.S.  It is also a good chance to wear plaid.

On January 17 and 18, 1951, the Broadway musical Brigadoon materialized at Robinson Memorial Auditorium for its first visit to Little Rock.  This musical by Alan Jay Lerner and Frederick Loewe is a Scottish fantasy about a town that materializes for one day every 100 years.

First performed on Broadway in 1947, it was revived at New York City Center in 1950. It was that production that toured in 1951 to Little Rock.  The production was produced by John Yorke (who had worked on the original Broadway production) and brought to Little Rock by Metropolitan Attractions.

The cast was led by future Tony nominee Susan Johnson.  Others in the cast were Elizabeth Early, Robert Busch, Betty Logue and Thaddeus Clancy. All had appeared at City Center, though some in different roles than on the tour.  This touring production featured the original Broadway creative team from 1947 with direction by Robert Lewis, choreography by Agnes de Mille (who won a Tony for it, at the first ceremony), scenery by future Tony winner Oliver Smith, costumes by Tony winner David Ffolkes, lighting by Peggy Clark, and orchestrations by Ted Royal.

Over the years, Brigadoon has resurfaced in Little Rock in community theatre and school productions.  But this was the first time that tartans of the MacLaren, Dalrymple, Brockie and Anderson clans first appeared in Little Rock.

Arkansas Gives today from 8am to 8pm

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If you are like me, you’ve been receiving notifications about Arkansas Gives Day for months.  Well, today is the day!  From 8am until 8pm, you can help grow the love for Arkansas’s nonprofit organizations by making a donation to the charity of your choice.  The event is sponsored by the Arkansas Community Foundation.

As a special incentive to give, each gift made through ArkansasGives on April 6, 2017, will be matched with additional bonus dollars; the more you give, the more bonus dollars your favorite charity will receive.

Nonprofit organizations and other tax-exempt charitable organizations may participate if they:

  • Are headquartered in Arkansas or have a base of operations in Arkansas.
  • Have 501(c)(3) tax exempt status under IRS code AND are qualified as a 509(a)(1), (a)(2) or (a)(3) organization or as a private operating foundation.

The minimum amount is $25; there is no maximum amount you may give. You may designate up to 10 charities per transaction.

Accepted Forms of Payment: Visa, MasterCard, Discover and American Express credit cards online.
You will receive an email receipt of your gift; please retain it for tax purposes. Unless you choose to remain anonymous, your donor information will be sent to the nonprofits to which you give.

Here is a list of cultural organizations which offer services within the boundaries of the City of Little Rock.

 

There are MANY MANY MANY other worthy nonprofits which are participating. But since this is a culture blog, only the cultural institutions are listed.  But please consider visiting the website and perusing the entire list.

Little Rock Look Back: Little Rock reacts to death of Martin Luther King, Jr.

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On April 4, 1968, Dr. Martin Luther King, Jr., was assassinated in Memphis.  Thankfully Little Rock did not see the unrest that many cities did.

Part of that was probably due to quick action by Governor Winthrop Rockefeller. The Governor released a statement fairly quickly expressing his sorrow at the tragedy and calling for a day of mourning. He also made the State Capitol available for the NAACP to have a public memorial, as well as worked with a group of ministers to host an interdenominational service.

Little Rock Mayor Martin Borchert issued a statement as well:

We in Little Rock are disturbed about the incident in Memphis. We are disturbed regardless of where it had happened.  Killing is not the Christian solution to any of our problems today.

In Little Rock, we feel we have come a long way in 10 years toward solving some of our problems of living and working together regardless of race, creed or color.

The city Board of Directors in Little Rock has pledged itself toward continuing efforts to make Little Rock a better place in which to live and work for all our citizens.

We feel the efforts of all thus far have proved we can live in harmony in Little Rock and are confident such an incident as has happened will not occur in Little Rock.  We will continue our most earnest efforts toward the full needs of our citizens.

The day after Dr. King was assassinated, a group of Philander Smith College students undertook a spontaneous walk to the nearby State Capitol, sang “We Shall Overcome” and then walked back to the campus.  President Ernest T. Dixon, Jr., of the college then hosted a 90 minute prayer service in the Wesley Chapel on the campus.

On the Sunday following Dr. King’s assassination, some churches featured messages about Dr. King.  As it was part of Holy Week, the Catholic Bishop for the Diocese of Little Rock had instructed all priests to include messages about Dr. King in their homilies. Some protestant ministers did as well. The Arkansas Gazette noted that Dr. Dale Cowling of Second Baptist Church downtown (who had received many threats because of his pro-integration stance in 1957) had preached about Dr. King and his legacy that morning.

Later that day, Governor Rockefeller participated in a public memorial service on the front steps of the State Capitol. The crowd, which started at 1,000 and grew to 3,000 before it was over, was racially mixed. At the conclusion of the ceremony, Governor and Mrs. Rockefeller joined hands with African American ministers and sang “We Shall Overcome.”

That evening, Trinity Episcopal Cathedral was the site of an interdenominational service which featured Methodist Bishop Rev. Paul V. Galloway, Catholic Bishop Most Rev. Albert L. Fletcher, Episcopal Bishop Rt. Rev. Robert R. Brown, Rabbi E. E. Palnick of Temple B’Nai Israel, Gov. Rockefeller, Philander Smith President Dixon, and Rufus King Young of Bethel AME Church.

Earlier in the day, Mayor Borchert stated:

We are gathered this afternoon to memorialize and pay tribute to a great American….To achieve equality of opportunity for all will require men of compassion and understanding on the one hand and men of reason and desire on the other.

Little Rock Look Back: First play at Robinson Center in 1940

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On April 1, 1940, stage and screen star Edward Everett Horton appeared in the comedy Springtime for Henry in the music hall of Robinson Auditorium. This was the first play to be featured on the stage of the Music Hall which had opened six weeks earlier.

Springtime for Henry was a long-running vehicle for Horton.  He first played its title role in California in 1932 (shortly after its Broadway debut in 1931) and continued to play it across the country for more than 25 years, including in the 1951 Broadway revival.

As it was now springtime for Little Rock, the air conditioning was being used.  The system’s fans made so much noise that echoed through the air ducts it was hard for the audience members to hear the actors.  Once the source of this distraction was discovered, the fans were turned off; the next day plans were made to add acoustical buffering to the ducts to avoid a repeat of the situation.

Women’s History Month – Janis Kearney, first presidential diarist

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Janis Kearney is the only person to have held the title of U.S. Presidential Diarist. In 1995 she was appointed to that position by President Bill Clinton.

After graduating from the University of Arkansas, she was hired by the State of Arkansas as a program manager.  Nine years later, she became managing editor for the Arkansas State Press. She later purchased it from owner Daisy Bates.

In 1992, she took a leave from the paper to work on the Clinton presidential campaign.  Following the election, she worked in the transition office, the White House, and the U.S. Small Business Administration until her appointment as Presidential Diarist.

In 2001, she moved to Chicago and started working on a book, while also having fellowships at Harvard and DePaul.  In 2004, she founded Writing Our World Press and published her first book, Cotton Field of Dreams.  Her Clinton biography, Conversations: William Jefferson Clinton-From Hope to Harlem was published in 2006.  Since then she has also published a novel, a biography of Daisy Bates, and the second part of her memoirs.

 

Little Rock Look Back: Robinson Auditorium’s first Open House

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On March 31, 1940, the City of Little Rock and the Auditorium Commission threw open the doors of Joseph Taylor Robinson Memorial Auditorium to the public for an open house.

The building had officially opened in February 1940, and events had been taking place in the lower level since October 1939. But this was the first time that the public could tour the entire facility from top to bottom.

The event took place on a Sunday from 1pm to 9pm.  Curiously, it took place two days before a special election to approve the bonds to finish the auditorium. Though no one at the time was cynical enough to comment on the connection.

Members of various Little Rock Boy Scout troops led 4,000 visitors on tours of the auditorium.  Visitors were shown all over the building; one scout calculated that the walking tour equated to two miles.  Though most people were from Little Rock, the guest registry indicated visitors from California and Pennsylvania.  Among the last guests to sign the register were Mayor J. V. Satterfield and his family.

The idea for the open house had first been floated in December by Alderman E. W. Gibb after taking a tour of the construction site. He had enthusiastically professed that everyone should be able to tour and see what a magnificent structure it was going to be.  Mayor Satterfield had to tamper the alderman’s enthusiasm. He agreed with Mr. Gibb that it was a fine building but stated that a public open house could not be scheduled for a few weeks because there was still much work to be done.  Mayor Satterfield noted that the seats in the music hall were going to have to be removed and then reinstalled because they needed to be anchored better.