Ballet Arkansas: Open Master Class with Peter Zweifel

FBLOGO 2Former Texas Ballet Theater artist, Peter Zweifel, will teach a master class for dancers in the Ballet Arkansas studio at Shuffles & Ballet II, 1521 Merrill Drive, in Little Rock on Sunday, January 13.  The class begins at 3 pm and will conclude at 5 pm.
This class is the third in a series of Master Classes to be taught by Ballet Arkansas’ guest choreographers and guest dancers throughout the 2012-2013 Season.  Mr. Zweifel is choreographing a new work for Ballet Arkansas’ spring concert, Spring into Motion, which premieres at the Arkansas Repertory Theatre April 5-7, 2013.
It will take place at the Ballet Arkansas Studio at Shuffles & Ballet II (1521 Merrill Drive).  Please arrive early to register.  The class fee is $25 and the observer fee is $15.  Both participants and observer numbers are limited; advance reservations are required. Email info@balletarkansas.org to reserve your spot. Female dancers should bring pointe shoes. 

PETEROriginally from Sheboygan, Wisconsin, Peter Zweifel began his ballet training at the Jean Wolfmeyer School of Dance. After continuing his studies at the Virginia School of the Arts and Houston Ballet Academy, Mr. Zweifel joined Texas Ballet Theater where he danced for eight seasons under artistic director Ben Stevenson.

While at Texas Ballet Theater, Mr. Zweifel enjoyed dancing principal roles in Ben Stevenson’s Swan Lake, Romeo and Juliet, Sleeping Beauty, Cinderella, Dracula, Cleopatra, Giselle, Mozart’s Requiem, Endangered Species, and Four Last Songs. He also performed principal roles in Val Caniparoli’s Lamborena and Dominic Walsh’s Flames of Eros, as well as a soloist role in George Balanchine’s Theme and Variations. In 2011, he was awarded the Ben Stevenson Award for Excellence.

Mr. Zweifel first began choreographing as a student at the Virginia School of the Arts and has since choreographed for various national and international ballet schools. He has multiple ballets in Texas Ballet Theater’s repertoire including “Absence,” “Sweet and Tangy,” “Glimpse,” “Love Always Remains,” and “The Finding.”

In December of 2010, he was named by Dallas Modern Luxury Magazine as one of the top ten artists to watch, and in 2006 he received a New York Choreographic Institute Fellowship Initiative Grant. In the summer of 2012, Mr. Zweifel moved to New York City to attend Parsons The New School for Design.

A Double Dozen of Cultural Milestones of 2012

Happy New Year!  Here are a double dozen of the Culture Vulture’s Cultural Milestones from 2012 (in no definitive order but a rough chronilogical order).

Home1 – The year kicked off with the reopening of the Museum of Discovery. In 2011, the museum was gutted and redone from top to bottom. The result is three new galleries with 85 interactive exhibits as well as a high profile streetfront entrance.  A $9.2 million grant from Donald W. Reynolds Foundation provided the primary underwriting for the renovations, which also brought a subtitling of the museum as the Donald W. Reynolds Science Center.

Hupp

2 – Arkansas Rep Producing Artistic Director Robert M. Hupp received two honors in the first quarter of the year.  In February, he was named Arkansas Business Non-Profit Executive of the Year.  The next month Hupp received the Diamond Award from the Arkansas Chapter of the Public Relations Society of America.  Hupp has been at Arkansas Rep since 1999.  He currently serves on the board of the Theatre Communications Group, the national service organization for non-profit theatres.

Landesman

3 – Rocco Landesman, the Chairman of the National Endowment for the Arts, visited Arkansas in March.   While in Little Rock, he participated in a panel discussion with Bob Hupp of the Arkansas Rep, Warwick Sabin of the Oxford American, Joy Pennington of the Arkansas Arts Council and Beth Wiedower of the National Trust for Historic Preservation.  Landesman, a Tony winning Broadway producer, was named the 10th chair of the NEA in 2009.   He announced his plans to retire later in the year.

4 – Polk Stanley Wilcox architectural firm was awarded the American Architecture Award for its design of the Heifer International Murphy Keller Education Center in March.  It is the third American Architecture Award the firm has won in the last five years. The firm also won for designing the Acxiom Data Center and the Heifer International Headquarters, also in Little Rock. Heifer broke ground in the $7.5 million Keller Education Center in 2007. The building provides a place for visitors, staff, volunteers and the international development community to come together to learn about world hunger and poverty and current solutions to these problems.

Kaiser

5 – Michael Kaiser, president of the John F. Kennedy Center for the Performing Arts, presided over the 2012 Arkansas Arts Summit in April at the Clinton Presidential Center.  The programmatic arm of the conference was developed and presented by the John F. Kennedy Center for the Performing Arts and the DeVos Institute of Arts Management at the Kennedy Center, and provided practical training for board members and arts administrators. The event was sponsored by the Arkansas Arts Council.  Little Rock designer and business owner Kaki Hockersmith, who serves on the President’s Advisory Committee on the Arts for the the Kennedy Center, was instrumental in organizing the event.

Rockefeller

6 – May 1 marked the 100th birthday of former Arkansas Governor Winthrop Rockefeller.  In addition to being a political leader, he was a cultural and philanthropic leader.  Perhaps his most obvious impact was helping to transform the provincial Little Rock Museum of Fine Arts into the first rate Arkansas Arts Center.  He and his family were generous donors of money and art to this effort.  Through the effort of the Winthrop Rockefeller Foundation, many cultural institutions have received funds for programming which has reached into every county and every corner of this state.  For instance, one of the Arkansas Symphony Orchestra’s string quartets is the Rockefeller Quartet.

Sabin

7 – Later in May, Oxford American publisher Warwick Sabin won a primary for the Democratic nomination for District 33 of the Arkansas House of Representatives. He was unopposed in the November election and will take office in January 2013.

8 – As May ended, Riverfest turned 35.  Among the headliners were Boyz II Men, Lynard Skynard, Staind, Third Eye Blind, Joe Walsh, Snoop Dogg, Rodney Block, and Trout Fishing in America.  Since beginning, Riverfest has contributed over $1 million to promote and upgrade parks in Central Arkansas.  Approximately 250,000 festival-goers attended the 2012 event, with an estimated economic impact of $33 million on the community.

oxfordamerican9 – In June, the Oxford American received a $290,000 ArtPlace Grant for its “South on Main” Project.  The space will include a restaurant that will celebrate Southern culinary culture. Accompanying the food will be nightly cultural programming that will feature the best of Southern arts and culture across a variety of formats including literature, music, film, art and drama. The Oxford American will focus on community-oriented programming developed through partnerships with local organizations and institutions.  It is slated to open in the first quarter of 2013.

Selz

10 – Also in June, Nan Selz, who has led the Museum of Discovery since 2004 and revitalized the once-struggling museum announced her intention to retire at the end of 2012.  Since joining the Museum in February 2004, Selz used her leadership to ensure that the Museum has become central Arkansas’s premier math, science and technology center. She has nearly 50 years executive, development and teaching experience having worked in corporate, non-profit and education sectors.  In December, Kelley Bass was named to succeed Selz.

11 – Ann Richards’ Texas a documentary about the colorful former Governor of Texas won the WGA Documentary Screenplay Award at the AFI SilverDocs festival in June.  The brainchild of Keith Patterson and Arkansans Jack Lofton, Susan Altrui, Eric Wilson and Dr. Jordan Cooper, the documentary received a screening at the Paley Center in New York City in October.

12 – The Laura P. Nichols Cheetah Outpost was officially dedicated at the Little Rock Zoo in July. Mayor Mark Stodola and City Manager Bruce Moore were in attendance for the opening remarks and ribbon cutting ceremony. Zoo Director Mike Blakely introduced special guest, Anne Schmidt-Kuentzel, research geneticist and assistant director for animal health and research at the Cheetah Conservation Fund, a world-wide non profit dedicated to saving the wild cheetah and its habitat. She thanked the zoo for supporting the cheetahs.  The cheetahs, Zazi and her daughter Maggie, come from the Smithsonian Conservation Biology Institute in Virginia.

Hodge

13 – Roger D. Hodge, former editor of Harper’s was named as the new editor of the Oxford American magazine.  Mr. Hodge is the author of  The Mendacity of Hope a critique of President Obama published by HarperCollins in 2010, and is currently working on another book focusing on life in the borderlands of West Texas.  A native of Texas, he studied comparative literature at Sewanee in Tennessee, and began his career as a freelance writer in North Carolina.
operainrock14 –  Opera in the Rock launched and hosted its first event – “Opera on the Rocks” out at Wildwood Park for the Arts. Opera in the Rock is focused on returning live opera performances to Little Rock on a regular basis. The company has announced plans for a performance in February at the Clinton Presidential Center.

15 – The Central Arkansas Library System’s Butler Center for Arkansas Studies launched Arkansas Sounds, a music festival, in September.  The festival featured over twenty events (concerts, lectures and other special programs) over an extended weekend.  Focusing on Arkansas music and musicians both past and present, Arkansas Sounds will also work to get musicians and songwriters involved in local schools, create songwriting workshops for kids and adults, and host related performances and events throughout the state. Arkansas Sounds is the second festival sponsored by the Butler Center. They also produce the Arkansas Literary Festival in the spring.

Mann

16 – Philip Mann, music director of the Arkansas Symphony Orchestra, was honored by the Arkansas chapter of the International Association of Business Communicators honored Arkansas communicators in October. He received the IABC/Arkansas 2012 Communicator of the Year, honoring Mann for his innovative communication in creating connections between music and audience. Mann is in his third season as director of the symphony, which has seen audience and artistic growth and financial health under his leadership.

17 – Construction began on the new Arcade Building in Little Rock’s River Market district.  This three story building will be home to the Little Rock Film Festival offices as well as additional space for the Central Arkansas Library System and the Clinton School of Public Service.  One major focus of the building will be the 325-seat theatre auditorium for film and lectures.  A restuarant and office space will also be in the building.  The Arcade Building was designed by architect Rick Redden not long before he died earlier in 2012. A statue of Redden will be placed in front of the building.

Brent, Craig Renaud

18 – Also in October, two of the co-founders of the Little Rock Film Festival – Craig and Brent Renaud received an Edward R. Murrow Award for their work in Haiti for the New York Times.  he Renaud Brothers produced a series of reports for the Times beginning days after the earthquake in Port-au-Prince, and followed the story of survivors for more than a year.

Cole

19 – Sericia Cole, who had been serving as interim director of Mosaic Templars Cultural Center, was named the permanent director in November.  Before joining the museum, Cole served as director of minority affairs for Gov. Mike Beebe’s office for two years. Prior to that, she was director of public relations at Philander Smith College.  She has extensive experience in public relations and non-profit work. Since joining the museum in March, she has introduced several new programs and secured a major grant from the Institute of Museum and Library Services (IMLS) in Washington, D.C.

Worthen

20 – In November, Bill Worthen celebrated 40 years as Director of Historic Arkansas Museum.  When he started at the institution, it was known as the Arkansas Territorial Restoration and took up roughly half a city block.  Under his leadership, the museum has expanded into permanent galleries as well as increased its historic structures and demostrations.  HAM now takes up one whole city block and two partial blocks.  He is the longest serving musem director in Little Rock history.

Matthews

21 – Also in November, Cathie Matthews announced her upcoming retirement from the Department of Arkansas Heritage.  She has led that state agency for fifteen years and is the longest-serving director.  A Little Rock native (and daughter of former LR Mayor Pratt C. Remmel), she has led the department through the opening of two new museums, the renovation of two existing museums and the creation of new programs in the other agencies. Matthews oversees the Arkansas Arts Council, Arkansas Historic Preservation Program, Arkansas Natural Heritage Commission, Delta Cultural Center, Historic Arkansas Museum, Mosaic Templars Cultural Center, and Old State House Museum.

Belew

22 – Late in November, Arkansan Cody Belew was eliminated from the TV show “The Voice.”  Born and raised on back country roads, Cody Belew grew up singing in rodeo arenas and gospel church houses. Pulling influence from his southern roots, Cody’s voice is a mix of southern rock, R&B, gospel, soul, and a little mountain twang. He’s been on enough stages, and in front of enough county fair crowds to understand what it takes to entertain an audience.  Before moving to Nashville in 2011, he was a fixture on the Little Rock music scene; he still comes back to perform from time to time. His most recent appearance was at Robinson Center Music Hall last weekend.

Stodola

23 – In December, Little Rock Mayor Mark Stodola together with the Downtown Little Rock Partnership hosted a meeting to discuss plans for “The Creative Corridor – A Main Stree Revitalization.”  The plan was developed by the University of Arkansas Community Design Center working with Marlon Blackwell Architect for Little Rock.  It was a fulfillment of a National Endowment for the Arts Our Town grant.

photo (7)24 – Plans for upgrading and renovating Robinson Center Music Hall are moving forward.  Following presentations by four firms in November, the Advertising and Promotion Commission narrowed it down to Ennead Architects of New York, partnered with Polk Stanley Wilcox of Little Rock and Witsell Evans Rasco of Little Rock, partnered with LMN of Seattle.  The concept, which was first unveiled in June, could cost around $65 million.  Presentations by the final two firms will be made in January.  Once completed, the renovated Robinson Center will benefit numerous organizations including the Arkansas Symphony Orchestra, Ballet Arkansas, Little Rock Convention and Visitors Bureau and Celebrity Attractions.  In related performance space news, First Security Bank made a contribution toward the renovation and reconstruction of the amphitheatre in Riverfront Park.

ASO Happy Holidays Concerts

The Arkansas Symphony Orchestra performs their annual, audience favorite holiday concert this weekend.  The first concert was last night but it repeats tonight, Saturday, December 15 at 8pm and Sunday, December 16 at 3pm. at Robinson Center Music Hall. This is the second concert of the Acxiom Pops Live! Series. This concert is sponsored in part by Arkansas BlueCross BlueShield and Arkansas Democrat-Gazette.

The audience will enjoy traditional Christmas carols, Arkansas stars, and special surprises that are sure to entertain the whole family. Everyone is invited to get cozy with the ASO as we celebrate the most wonderful time of year.

Bring the kids to the Holiday Children’s Fair at 2 p.m. on Sunday in the Robinson Center Music Hall main lobby. Touch and play string, woodwind and brass instruments at the Instrument Petting Zoo, visit with Santa and join in on arts and crafts.

Tickets range from $14-$52 and can be purchased online at http://www.ArkansasSymphony.org or over the phone at (501) 666-1761. Thanks to the Entergy Kids Ticket, all kids through 12th grade are free on Sundays with the purchase of an adult ticket. For more information, visit http://www.ArkansasSymphony.org.

Under the direction of Maestro Philip Mann, the concert will featured the Arkansas Symphony Orchestra joined by Ballet Arkansas, the University of Arkansas at Pine Bluff Vesper Choir (under the direction of Dr. Michael Bates), the Ted Ludwig Trio, mezzo-soprano Diane Kesling, the Central Arkansas Children’s Choir (under the direction of Dr. Ryan Fisher), Arkansas Symphony Youth Orchestra musicians and the Two Jewish Guys (the redoubtable Phil Kaplan and Leslie Singer).

Ballet Arkansas presents THE NUTCRACKER

One of the sure signs of the Christmas season is the return of The Nutcracker to ballet companies across America.  Ballet Arkansas presents the annual production this weekend on December 7, 8 and 9 at Robinson Center Music Hall.  (School performances are going on throughout the week.)

Celebrate the season with your professional ballet company as we continue a favorite Christmas tradition performing The Nutcracker accompanied by the Arkansas Symphony Orchestra, conducted by Maestro Geoffrey Robson. Every year this fun field production creates lifelong memories for hundreds of Arkansas families. With gorgeous scenery, enchanting costumes and original choreography, Ballet Arkansas will present The Nutcracker at Robinson Center Music Hall on December 7th – 9th.

The Nutcracker tells the story of Clara and her magical nutcracker doll and their wondrous journey to the Land of Snow and Kingdom of Sweets. This year’s production boasts new choreography from Ballet Mistress, Marla Edwards, new to the company this season, as well as co-director Allison Stodola Wilson. These directors along with choreographers Traci Presley and Jana Beard have taken this much loved holiday favorite to new heights creating an enchanting production that will delight audience members of all ages.

This year’s production will feature the nine professional company members of Ballet Arkansas, comprised of Anna Maris (Arabian/Dew Drop), Sean Porter (Arabian/Russian/Rat King), Lauren McCarty Horak (Spanish/Marzipan), Paul Tillman (Snow King/Russian), Katchiri Tillman (Snow Queen/Marzipan), Amanda Sewell (Doll/Marzipan), Laurel Dix (Chinese), Toby Lewellen (Nutcracker Prince/Russian/Spanish) and Leslie Dodge (Sugar Plum Fairy). In addition to these nine company members, Ballet West Principal Artist and Ballet Arkansas Artistic Advisor, Michael Bearden, will grace the stage, dancing the roll of the Cavalier. Other corps rolls will be danced by Ballet Arkansas II company members Akiko Kyong-McClain, Mysti Kirkpatrick, Rachael Schwartz, Haley Jones, Laura Russell and Elizabeth Wing in addition to 175 other Arkansas students and performers.

The Nutcracker is the perfect yuletide gift, the ideal means of introducing children to the power and beauty of classical dance, and a delightful way for the entire family to ring in the holiday season. Make Ballet Arkansas’ Nutcracker part of your holiday celebration this December! To purchase tickets for the December 7th, 8th or 9th public shows to The Nutcracker, visit www.balletarkansas.org or call 501-666-1761. Tickets range from $20-$45.

Ballet Arkansas performances of The Nutcracker are generously sponsored by: Orthodontic Associates, Little Rock Convention & Visitors Bureau, Arkansas Democrat Gazette, Pleasant Ridge Towne Center, The Dance & More Store, Arkansas Times along with support from the Arkansas Arts Council.

A Capital Christmas: Capital Hotel Tree Lighting Tonight


The Capital Hotel is wrapped up in the Christmas spirit. The 2012 edition of A Capital Christmas actually kicked off yesterday with Ballet Arkansas’ Nutcracker Tea. But at the Capital this evening, the hotel lobby’s famous Christmas tree will be lit in a Christmas celebration.

Tonight’s festivities kick off at 5pm. In addition to the tree lighting, Chef Tandra’s gingerbread village will be unveiled. The front windows of the hotel have been wrapped for over a week as the village has been built in an enclosed section of the lobby.

Throughout December there will be many other events at the Capital Hotel. This Saturday (December 8) Ashley’s will host a Teddy Bear Tea. Pre-paid reservations are required for this event which is sure to sell out. Contact 501.370.7015 or lingold@capitalhotel.com.

Saturday the 8th, Sunday the 9th and Sunday the 16th, there will be Gingerbread House Workshops for children 5 and up. A special Adults only workshop will take place on Saturday the 15th. For pre-paid reservations, contact 501.370.7015 or lingold@capitalhotel.com.

There will be other events and special activities throughout the season.  For more updates, visit the Capital Hotel website.

Ballet Arkansas premieres AMERICAN IMAGES

Just a few short years ago, Ballet Arkansas pretty much existed to produce the annual production of The Nutcracker.  Now, they are in the position to present an evening of six newly commissioned dance pieces!  Congratulations to all who have made this possible.

Tonight, Ballet Arkansas kicks off the 2012-2013 season with American Images, an evening of six commissioned works each built around the American cultural landscape.  The works are:

Times Torn
A Civil War ballet by Marla Edwards, the ballet’s new Ballet Mistress, herself a former soloist with Ballet Arkansas and a veteran of the Houston Ballet School.
American Dream
Choreography by Stephanie Thibeault, Associate Professor of Dance at UALR.
Pop
Choreography by Michelle Alexander, based on the art and writings of pop culture icon Andy Warhol.
Delta…Push Up Open
Choreography by Little Rock native Leslie Schickel, which premiered in March, 2012.
Spectre
A silent-film era pas de deux choreographed by former Ballet Arkansas guest dancer Edmond Cooper
Nowhere/Now Here 
Choreography by Tong Wang, currently assistant professor at University of California – Irvine Department of Dance. Wang is a former principal dancer at Ballet West in Salt Lake City and has worked with Shanghai Ballet, Tulsa Ballet Theatre, Dayton Ballet,
and Colorado Ballet, among many others.

 

The works premiered last night and will continue today at 4:00pm and tomorrow at 2:00pm at Wildwood Park for the Arts.  Also, while at Wildwood, enjoy this weekend’s Harvest Festival.

Ballet Arkansas Master Class by Christopher Ruud

FBLOGO 2Ballet West Principal Artist Christopher Ruud will teach an open master class for intermediate and advanced dancers this evening, September 12th. The class begins at 7:00pm and will conclude at 9:00pm. This is the second class in Ballet Arkansas’ Master Class series. Son of respected dancer and choreographer Tomm Ruud, Christopher is proud to be responsible for his father’s works. Christopher has set and performed his fathers ballet’s, such as Mobile, for companies including Stuttgart Ballet, Ballet West, Joffrey Ballet Co. and now Ballet Arkansas.

During his time in Arkansas, Mr. Ruud will be setting Mobile on the company to be performed in Ballet Arkansas’ spring concert, Spring into Motion, at the Arkansas Repertory Theatre in April 2013.

The master class will be offered at the Ballet Arkansas Studio at Shuffles and Ballet II.  There is a $25 class fee or a $15 observer fee. Space is limited, please email us at info@balletarkansas.org to reserve your spot.

A native of San Francisco, Christopher began his training at the San Francisco Ballet School. There he studied for seven years before training at the University of Utah Ballet Department. Christopher joined Ballet West in 1998, was promoted to Soloist in 2001 and Principal in 2004. Since joining the company Christopher has toured throughout the United States and abroad including multi-city tours in China and in Scotland at the Edinburgh International Festival.

Some of his notable roles include Petruchio in John Cranko’s The Taming of the Shrew, the Second Pas de Deux in Antony Tudor’s The Leaves Are Fading, Prince Seigfried in Swan Lake, Christopher Bruce’s Ghost Dances, William Forsythe’s In the Middle, Somewhat Elevated and Romeo in Romeo and Juliet .  Christopher has performed the principal roles in multiple versions of such classics as Swan LakeThe Sleeping BeautyGiselle, Cinderella , Don Quixote and Le Corsaire Pas de Deux.  He has also danced leading roles in works by Jerome Robbins, Twyla Tharp, Jiri Kylian, Antony Tudor, Val Caniparoli, Hans van Manen and Nicolo Fonte.

Christopher’s favorite Balanchine credits include Liza in Who Cares?, Puck in A Midsummer Night’s Dream,  Serenade, Melancholic and Sanguinic in The Four TemperamentsTchaikovsky Pas de Deux, El Capitan in Stars and Stripesand the principal in Theme and Variations. Recently he has had works created on him by Nicolo Fonte in The Immeasurable Cadences WithinHelen Picket in But Never Doubt I Love and Charlotte Boye-Christensen in Row.