Little Rock Look Back: Site selected for Robinson Auditorium

Potential rendering of new auditorium which appeared in October 30, 1937 ARKANSAS GAZETTE

Potential rendering of new auditorium which appeared in October 30, 1937 ARKANSAS GAZETTE

On October 29, 1937, the Little Rock City Council finally selected the site for the Municipal Auditorium.  It had been approved by voters in January of that year, but no site had been identified during the campaign.

During the early autumn, the City had engaged a consultant to evaluate several downtown locations as potential sites for the municipal auditorium.  One stipulation was that it had to be an entire city block.

The six sites were:

Broadway, Markham, Spring and Garland Streets; Center, Markham, Spring and Second Streets; Center, Eighth, Louisiana and Ninth Streets; Scott, Fourth, Cumberland and Capitol Streets; Scott, Tenth, Cumberland and Ninth Streets; and Third, State, Second and Gaines Streets

 

The top choice was the site bounded by Center, Markham, Spring and Second Streets.  It was felt that location’s proximity to public buildings made it ideal for a civic auditorium.  It was across the street from the former state capitol (then known as the Arkansas War Memorial) which was, at the time, housing state and federal offices.  The site was also adjacent to the county courthouse structures.

Half of the desired property was owned by the federal government.  Because it was being used for federal offices, it was uncertain as to the site’s availability.  Therefore a city committee recommended the site bounded by Center, Eighth, Louisiana and Ninth Streets be utilized as the auditorium location.

The City Council met on October 20 to make a decision. But were at a stalemate. They met again a few days later with still no resolution.

At an October 25 City Council meeting, Arkansas Gazette publisher (and chairman of the Planning Commission) J. N. Heiskell, advocated the site on Markham and Broadway Streets. The Council convened on October 29 to meet again.  The clock was ticking, a site had to be selected because ground had to be broken prior to January 1, 1938.

 

At the October 29th meeting, the discussion from previous meetings among the aldermen picked up where it had left off.  Again J. N. Heiskell spoke about the importance of employing city planning concepts in selecting the site.

“In the past, selection of a site for a public building has been merely a matter of who could sell the city some property.  I had hoped we were starting a new effort in starting selection of an auditorium site with the advice of Mr. Bartholomew.  Starting with the auditorium, we should be guided by competent advice and locate future buildings following a city plan.  Your vote today will determine the future of Little Rock so far as city building goes.”

After having engaged in discussions with various federal government agencies, Mayor Overman reported that the city could not obtain the recommended site.  It would not be possible for the federal government to relocate those agencies currently occupying half of that block within the time allowed.  The mayor also stated that he had been warned that if construction did not start by January 1, 1938, (which was just a few weeks away) then the money could be taken back and allocated to other projects.

Ultimately the City Council voted 16 to 1 with 1 absent to locate it at the corner of Markham and Broadway.  At last, Little Rock had a location for the new municipal auditorium!

Though it had not been anyone’s first choice (except Mr. Heiskell, who did not have a vote), in retrospect, the auditorium site finally chosen offered many advantages which were not identified during the marathon selection discussions.  The grade of the land sloped toward the Arkansas River from Markham Street down to Garland Street which allowed for a street level entrance to both the planned exhibition hall on a lower level and the music hall on an upper level.  Given the topography of the other sites under consideration, this was only possible at the chosen location.  By stacking the two major components the project did not take up an entire block, which had been the forecasted footprint.  Not using the entire block allowed for subsequent expansion of the complex’s footprint in the coming decades.  This would not have been possible at any of the other sites under consideration if the original structure had taken up the entire block.  In addition, both Markham and Broadway Streets are wider than normal city streets which allowed for better traffic flow and for easier access to a loading dock.

Interestingly, the Convention & Visitors Bureau, which oversees Robinson Center Music Hall, now has offices in the Cromwell Building. This building is located on the site which had been the first choice for the auditorium in 1937.

 

Dracula Unearthed at Wildwood Park

Dracula unearthedThursday, Friday and Saturday at Wildwood Park for the Arts, Arkansas Festival Ballet and Praeclara collaborate to tell a new Dracula story in song, dance, and dramatic narrative! Dracula’s servants help him rise from the grave, expecting him to resume his evil works — but instead, he becomes entangled in the life of his daughter, Wilhelmina, who does not realize what her father is. But how long can the count deny his own nature? And what will happen when Wilhelmina comes to truly know her father … and realizes what she herself may be?

This show is appropriate for adults and teens. Its story is told through the interaction of choreography and dramatic masterworks by Bach, Mozart, Rachmaninoff, Shostakovich, Bartok, and more. Coffins, fog, and strobe lights will occasionally be used to set the mood on stage.

The Wildwood gates open at 6:30 p.m. for guests to enjoy a bit of life in the village of Bran before Dracula’s castle (thetheatre) opens for seating at 7:45. Enjoy the “Dead Ringers” handbell concert — take your picture with Dracula and his coffin — sample garlic-based hors d’oeuvres and bat-themed sweets!

Performances begin at 8pm.  Tickets are available at the Wildwood website.

Have a FREE and HOWLing good time at the Big Boo!seum Bash tonight

BooseumLogo_EventSponsored by the Little Rock Convention & Visitors Bureau, the annual Big Boo!-seum Bash will take place at multiple downtown attractions Thursday, October 29, 2015 6:00 PM – 8:30 PM.

Big Boo!-seum Bash is free to the public, and it provides event goers the opportunity to visit many of Little Rock’s museums and cultural attractions for a night of safe trick-or-treating and family fun and games. Visitors are encouraged to dress in Halloween costumes.

Visitors may pick up game cards at any participating Boo!-seum location. Cards must be stamped at each attended location to be eligible for prize drawings. Stamped cards will include prize entry instructions. Prize entrants must be 18 years of age or younger. Prize structure is as follows:

  • Grand Prize – Electronic Tablet. Visitors must visit all 8 locations to be eligible.
  • Secondary Prize – $100 gift card. Visitors must visit 6 or more locations to be eligible.
  • Social Media Contest, Prize – This year, Boo!-seum goers are encouraged to post photos on Facebook with the hashtag #LRBooseum while at a participating Boo!-seum location. Via a random drawing, one lucky winner will receive a special Little Rock-themed museum prize package.

 

2015 Big Boo!-seum Participants include:

  • Arkansas Arts Center – 501 East 9th Street
  • Historic Arkansas Museum – 200 East 3rd Street
  • Little Rock Visitor Center at Curran Hall – 615 East Capitol Avenue
  • MacArthur Museum of Arkansas Military History – 503 East 9th Street
  • Mosaic Templars Cultural Center – 9th Street and Broadway; Little Rock Central High School National Historic Site will participate on-site
  • Museum of Discovery – 500 President Clinton Avenue
  • Old State House Museum – 300 West Markham Street; Arkansas State Capitol will participate on site
  • Witt Stephens Jr. Central Arkansas Nature Center – 602 President Clinton Avenue; Arkansas Inland Maritime Museum will participate on-site

Creative Class of 2015: Frank Thurmond

thurmond_frankFrank Thurmond is a writer-musician-actor-filmmaker-teacher. He is, in short, a multi-hyphenate!

Thurmond was born in Paragould and grew up in Crossett and Little Rock, where he attended Hall High School.  He studied English and music as a Donaghey Scholar at the University of Arkansas at Little Rock and pursued graduate degrees at Southern Methodist University and Oxford University. Thurmond is a Visiting Assistant Professor of English at the University of Arkansas at Little Rock and has been a visiting writer in residence at Lyon College in Batesville.

 
Most recently, he released Ring of Five: A Novella and Four Stories.  Thurmond’s first book was a memoir entitled Before I Sleep: A Memoir of Travel and Reconciliation, which recounts his adult experience of meeting his previously unknown birth father.  He is a member of the bands ODYSSEY and JET420 and can often be found playing at local stages.
The film The Dealer’s Tale, which he wrote and produced (and is directed by Justin Nickels) will screen as an Official Selection at the Indie Memphis film festival on Friday, November 6th.  When it screened at the El Dorado Film Festival, Thurmond was awarded the Best Screenplay Award at the El Dorado Film Festival.
           
He has been featured at both the Arkansas Literary Festival and the Little Rock Film Festival.  Previously, Thurmond’s writing has appeared in various publications, including the International Herald Tribune; The Best of Tales from the South, Volume 6; Toad Suck Review; and in William Safire’s language book, No Uncertain Terms.

Tonight’s Local Live at South on Main showcases Sounds So Good

llsom ssgTonight at 7:30 PM, the weekly Oxford American Local Live concert series features Sounds So Good!

Local Live showcases the best of local and regional music talent and is always free and open to the public. Call ahead to South on Main to make your reservations and ensure a table: (501) 244-9660.

 

Pianist Curtis JJ Adams began playing in the metro Little Rock area in 1966 with his Latin / Eastern style jazz group, the Jamaica Jive Trio, whose style was heavily influenced by the Rochester, New York jazz scene of that era. Adams started the jazz group Sounds So Good in 2013, and with its east coast flavor, yet decidedly down-home feel, SSG is quickly becoming a local favorite.

The group is rounded out by saxophonist Timothy Woods, a 2011 graduate of the University of Arkansas at Monticello who was awarded the Outstanding Soloist award at the Elmhurst Jazz Festival in Elmhurst, IL in both Big Band and combo divisions, and vocalist Tamisha “Sonnie” Cheatham, who has performed in opera and musical theatre productions and the jazz ensemble at the University of Arkansas at Little Rock.

Dolly Parton’s Imagination Library focus of Clinton School program tonight

uacs dpilimglib2cIn 1995, Dolly Parton launched an exciting new effort to benefit the children of her home county in East Tennessee. Parton’s vision was to foster a love of reading among her country’s preschool children and their families by providing them with the gift of a specially selected book each month.

Since launching 20 years ago, Dolly Parton’s Imagination Library has become the premier early childhood book-gifting program in the world, by mailing over 66 million books in Australia, Canada, the United Kingdom, and the United States.

Currently the program mails over 830,000 specially selected, age appropriate books monthly to registered children from birth to age five. Parton’s vision was to create a lifelong love of reading, prepare children for Kindergarten, and inspire them to dream more, learn more, care more, and be more.

Tonight at 6pm at the Clinton School, Jeff Conyers, the executive director of Dolly Parton’s Imagination Library, will discuss the program.

Creative Class of 2015: Mark Thiedeman

mark thiedemanAfter attending Catholic High and Parkview Arts & Science Magnet High School, Mark Thiedeman studied filmmaking at NYU.  Though he started his film work in New York, he returned to Little Rock a few years ago to continue making films in a more expressive and less expensive environment.

It is a proverbial chicken & egg question as to whether Thiedeman helped usher in the expansion of the Arkansas film industry, or whether he benefitted from it — probably a little of both.

Thiedeman is a true auteur, serving as director, writer, editor and often producer of his works. His feature films are The Scoundrel and Last Summer.  His shorts are “A Christian Boy,” “Cain & Abel” and “Sacred Hearts, Holy Souls.” The latter, which won the Best in Arkansas award at the 2014 Little Rock Film Festival, is being turned into a feature film.

Stephen Farber in The Hollywood Reporter has called him “a director worth watching.” In Filmmaker magazine, Howard Feinstein said of Thiedeman, “a star is born – and I mean a director.”