This weekend – Lanterns festival at Wildwood Park

Lanterns_07-1500x630Wildwood’s annual deep-winter festival celebrates the first full moon of the lunar new year. Held over three magical evenings – February 19 – 21, 2016 – guests are transported to far away lands and times as they stroll through the beautifully lit pathways of Wildwood’s gardens.

Cultural vistas feature live entertainment, food, drink, games and more throughout the Park’s Butler Arboretum and inside the Lucy Lockett Cabe Festival Theatre. This year’s featured locations are Australia, Brazil, China, Greece, Hawaii and the UK.

Shuttles run from the Kroger on Chenal Parkway beginning at 6 pm nightly until 30 minutes past the Festival’s closing. Limited parking is also available at Wildwood.

Tickets are $8 for adults online and $10 at the gate. For children ages 6-12 tickets are $4 online and $5 at the gate, and children 5 and under attend FREE!

Tonight on the South on Main stage – Nora Jane Struthers & The Party Line

som nora janeTonight (February 18) at 8:00 PM, the Oxford American magazine is excited to welcome Nora Jane Struthers & The Party Line to the South on Main stage!

This is the third show of their Americana Series. Doors open at 6:00 PM, with dinner and drinks available for purchase at that time. This series is made possible by the presenting sponsor, Ben E. Keith Foods Mid-South Division, and in part by the generosity of The Summer Foundation.

Single tickets are still available. Here is the ticketing and seating information.

 

Born in Fairfax, Virginia, Nora Jane Struthers is a singer-songwriter based in Nashville. Performing with her band, The Party Line, the group has enjoyed critical acclaim since their formation in 2012. American Songwriter is calling the most recent release, Wake, “Nora Jane’s best album to date,” which speaks volumes about what’s happening on Nora Jane Struthers’ latest record. For the thirty-one year old singer-songwriter, it’s “wake” in several senses of the word. There’s the trail of a life and career behind her, the slipstream of lessons learned. There’s the quiet observance and letting go of who she has been up until now as both an artist and a person. And most of all, there’s the stirring of something new, an opening of a door and wide-eyed rush forward into a place of discovery and dizzying possibilities. And it’s all set to a soundtrack that resonates with the warm uplift of the first day of spring.

“The whole album is about strength through vulnerability,” she says. “That’s what I’ve come to as an artist, and a human being, and I think it’s the most powerful force in my life. I feel so much more like my childhood self now than I did over the past five years, than I have in my whole adult life. In my twenties, I had a tendency to compartmentalize pieces of my musical identity. For instance, how could I reconcile my love of both bluegrass and Pearl Jam? I did the same thing in my personal life, where I had this sort of idea of who I wanted to be, and ignored all these other pieces of myself, because I didn’t think they fit into some imagined big picture.”

Isaac Alexander takes the stage tonight at South on Main as part of Sessions series

som isaacNext for the South on Main February Sessions, curated by Amy Garland, Isaac Alexander takes the stage!

The concert begins tonight (February 17) at 8:30 pm.

Amy Garland says, “The first person who comes to mind when I hear the word “artist” is Isaac Alexander. He’s a prolific songwriter, multi-instrumentalist, performer, graphic designer, and illustrator. And he is a great guy! I met what I lovingly refer to as the “White County crew” when I met my husband, Bart, many moons ago. He was playing with some young fellas (Big Silver) from Searcy. Led by Isaac, they were just starting to play in Little Rock, so I asked them to open for me at Juanitas. That was all she wrote.”

Isaac Alexander has been playing, writing, and recording in Little Rock since 1999 and has put out a total of twelve records under various band names—Big Silver, The Easys, Molten Lava, Greers Ferry to name a few. He’s played drums in the legendary Little Rock band, The Boondogs and has played and recorded with a number of local artists, including The Salty Dogs, Brother Andy and His Big Damn Mouth, Cosby, The Big Cats, Jonathan Wilkins, Jesse Aycock, Chris Micheals, and Jim Mize.

The last few years Alexander has been working on solo albums with his friends. He has so far released See Thru Me and Antivenin Suite and is working on a third record presently. See Thru Me was No. 6 on the Arkansas Times Music Poll’s best Arkansas albums list.

Black History Month Spotlight – Joseph Taylor Robinson Auditorium

IMG_7690The new Arkansas Civil Rights History Audio Tour was launched in November 2015. Produced by the City of Little Rock and the University of Arkansas at Little Rock allows the many places and stories of the City’s Civil Rights history to come to life an interactive tour.  This month, during Black History Month, the Culture Vulture looks at some of the stops on this tour which focus on African American history.

In March 1974, Little Rock hosted the second National Black Political Convention at the Joseph T. Robinson Auditorium and Camelot Hotel (now a Doubletree Hotel). The first convention was held in Gary, Indiana, in 1972, and garnered much publicity, producing a National Black Political Agenda that included demands for the election of a proportionate number of black representatives to Congress, community control of schools, and national health insurance. The Little Rock convention was co-convened by Congressman Charles Diggs of Detroit, Michigan; Mayor Richard Hatcher of Gary, Indiana; and poet Amiri Baraka. Plenary speakers included Atlanta Mayor Maynard Jackson and comedian and activist Dick Gregory. Jesse Jackson was also in town for the convention. The convention featured a moving testimonial and tribute to local civil rights leader Daisy Bates at Central High School.

For many years, the lower Exhibition Hall of Robinson Auditorium hosted many concerts, dances and sporting events, popular with black audiences. However, because the large concert hall upstairs had segregated seating, Duke Ellington declined to play there in 1961. Louis Armstrong played to the first integrated audience in 1966 after the 1964 Civil Rights Act ended segregation in public facilities and accommodations.

The app, funded by a generous grant from the Arkansas Humanities Council, was a collaboration among UALR’s Institute on Race and Ethnicity, the City of Little Rock, the Mayor’s Tourism Commission, and KUAR, UALR’s public radio station, with assistance from the Little Rock Convention and Visitors Bureau.

Little Rock Look Back: Robinson Auditorium opens in 1940

auditoriumduskOn February 16, 1940, after three years of planning and construction including several delays due to lack of funding, the Joseph Taylor Robinson Memorial Auditorium officially opened. It was a cold, rainy night, but those in attendance did not care.

Searchlights painting arcs in the sky greeted attendees. They were borrowed from the Arkansas National Guard. Newspaper accounts noted that only a few of the men who attended were in tuxedos, most were simply in suits. The work to get the building opened had been so harried, that it was discovered there was not an Arkansas Flag to fly in front of the building. Mayor Satterfield found one at the last minute courtesy of the Arkansas Department of the Spanish War Veterans.

The weather delayed arrivals, so the program started fifteen minutes late. Following a performance of Sibelius’ Finlandia by the fledgling Arkansas State Symphony Orchestra, Mayor J. V. Satterfield, Mrs. Joseph T. Robinson, Mrs. Grady Miller (the Senator’s sister-in-law and a member of the Auditorium Commission) and D. Hodson Lewis of the Chamber of Commerce participated in a brief ribbon cutting ceremony. Mrs Robinson cut the ribbon on her second attempt (once again proving that nothing connected with getting the building open was easy).

The ceremony was originally set to be outside of the building but was moved indoors due to the inclement weather. The ribbon cutting took place on the stage with the ribbon stretched out in front of the curtain. The opening remarks were broadcast on radio station KGHI.

Mr. Lewis, Mrs. Miller and Mayor Satterfield look on as Mrs. Robinson cuts the ribbon

Mr. Lewis, Mrs. Miller and Mayor Satterfield look on as Mrs. Robinson cuts the ribbon

Though he had previously discussed how he had voted against the auditorium in 1937 before entering public life, the mayor’s remarks that evening were appropriately gracious, statesmanlike and a testament to the effort he had invested to get it open upon becoming mayor. “We hope you have a very pleasant evening and hope further that it will be the first in a long series which you will enjoy in this, your auditorium.”

Tickets for the event, advertised as being tax exempt, were at four different pricing levels: $2.50, $2.00, $1.50 and $1.00.

The estimated attendance was 1700. Following the ribbon cutting, the main performance took place. The headliner for the grand opening was the San Francisco Opera Ballet accompanied by the new Arkansas State Symphony Orchestra (not related to the current Arkansas Symphony Orchestra). The featured soloist with the ballet was Zoe Dell Lantis who was billed as “The Most Photographed Miss at the San Francisco World’s Fair.”

At the same time that the gala was going on upstairs in the music hall, a high school basketball double-header was taking place in the downstairs convention hall. North Little Rock lost to Beebe in the first game, while the Little Rock High School Tigers upset Pine Bluff in the marquee game.

Broadway Rocks the Arkansas Symphony this weekend

ASO NewThe Arkansas Symphony Orchestra welcomes Christiane Noll, Capathia Jenkins and Rob Evan for a weekend of Broadway music backed by the ASO.

Under the direction of Associate Conductor Geoffrey Robson, this high energy show brings together exciting vocalists from the Broadway stage performing selections from rock and contemporary Broadway hits. Wicked, The Lion King, Mamma Mia, Rent, The Wiz, The Phantom of the Opera – and many more of your favorites from the stage are featured on this exciting show for all ages!

Act I

  • Rocks Overture (arr. Fleischer)
  • Everybody Rejoice (The Wiz/Smalls)
  • This Is The Moment (Jekyll and Hyde/Wildhorn)
  • Good Morning Baltimore (Hairspray/Shaiman)
  • Jersey Boys Medley
  • Total Eclipse Circle of Life (Lion King/John)
  • Proud Mary (Fogerty)
  • Jesus Christ Superstar Overture (Lloyd Webber)
  • Seasons of Love (Rent/Larsen)
  • You Can’t Stop the Beat (Hairspray/Shaiman)

INTERMISSION

Act II

  • Come Sail Away
  • For Good (Wicked/Schwartz)
  • Anthem (Chess/Andersson/Ulvaeus)
  • I Will Survive
  • Defying Gravity (Wicked/Schwartz)
  • Mamma Mia Medley (Andersson/Ulvaeus)
  • And I Am Tellin’ You (Dreamgirls/Krieger)            
  • Phantom of the Opera (Phantom/Lloyd Webber)
  • Music of the Night (Phantom/Lloyd Webber)

All programs, dates and guest artists subject to change.

Capathia Jenkins, created the role of ‘Medda’ in the hit Disney production of Newsies on Broadway. She made her Broadway debut in The Civil War. She then starred in the Off-Broadway 2000 revival of Godspell. She returned to Broadway in The Look of Love and was critically acclaimed for her performances of the Bacharach/David hits. Ms. Jenkins then created the roles of ‘The Washing Machine’ in Caroline, Or Change and ‘Frieda May’ in Martin Short: Fame Becomes Me, where she sang ‘Stop the Show’ and brought the house down every night.

Christiane Noll was nominated for both the 2010 Tony Award and Drama Desk Award and won a Helen Hayes Award for her portrayal of Mother on Broadway in the Kennedy Center Revival of Ragtime. She made her Broadway debut starring in Jekyll & Hyde, creating the role of Emma. Ms. Noll received an Ovation Award for her comedic turn as Hope Cladwell in the National Tour of Urinetown, wowed audiences again as Vanna Vane in the new musical The Mambo Kings, soared as Jane Smart in the American premiere of The Witches of Eastwick, and most recently received another Drama Desk nomination for her work in Chaplin.

Rob Evan has performed in seven leading roles on the New York Stage including the original Broadway cast of Jekyll & Hyde, playing the title roles for three years and over 1,000 performances worldwide. He also appeared on Broadway as Jean Valjean in Les Miserables, Kerchak in Disney’s Tarzan, “The Dentist” in Little Shop of Horrors, and Count von Krolock in Jim Steinman’s Dance of the Vampires. Off-Broadway, Rob created the roles of The Dancin’ Kid in Johnny Guitar and the hero Miles Hendon in Neil Berg’s m.

Your Heart will be filled with ART at tonight’s 2nd Friday Art Night

2FAN logo Font sm2It is 2nd Friday Art Night again. From 5pm to 8pm (times may vary at individual locations), a variety of museums and galleries downtown are open with free events to enjoy art, music and exhibits.

Highlights include:

Mosaic Templars Cultural Center – Opening reception for “I WALKED ON WATER TO MY HOMELAND” FEATURING WORKS BY DELITA MARTIN (6pm to 8pm)

“I Walked on Water to My Homeland” is a series of mixed media works that explore the power of the narrative impulse. These works capture oral traditions that are firmly based in factual events and bring them to life using layers of various printmaking, drawing, sewing, collage and printing techniques.

The opening will feature an artist talk, refreshments and live entertainment by Acoustix with Rod P. featuring Bijoux.

Matt McLeod Fine Art – (5pm to 8pm)

A chance to see the art at the gallery and perhaps pick up a Valentine’s gift.

Historic Arkansas Museum – Opening reception for ARKANSAS CONTEMPORARIES: THEN, NOW, NEXT (5pm to 8pm)

Check out the new exhibit and enjoy a free evening of art, history, Museum Store shopping and live music by Shannon Wurst!
Enjoy a craft cocktail by Pink House Alchemy(They will also have Pink Lemonade)
Enter to win a box of chocolates from Cocoa Rouge-The winner will be announced at 6:30 pm (must be present to win)

“Arkansas Contemporaries: Then, Now, Next” – The museum’s Trinity Gallery for Arkansas Artists and Second Floor Gallery for Emerging Artists focus on exhibitions by contemporary Arkansas artists. This exhibit features exemplary selections from the museum’s permanent collection and reflects upon the work of the talented Arkansans who have been represented in these galleries over the past ten years and a glimpse to future exhibitions.  Featured artworks in this exhibit represent important points in the careers of contemporary Arkansas artists like Bryan Massey, Warren Criswell, Katherine Strause, John Harlan Norris, Katherine Rutter, Grace Mikell Ramsey and others.  Exhibit continues through May 8, 2016.

Old State House Museum – Felice Farrell, cello (5pm to 8pm)

Join the Old State House as Arkansas Symphony Orchestra cellist Felice Farrell performs solo works for cello by the well-known 18th century German composer Johann Sebastian Bach and 20th century Spanish cellist and composer Gaspar Cassado. The Old State House Museum is one of several downtown locations that hosts this evening of entertainment and exhibits. While here, shop the Museum Store. Visitors can ride the trolley to visit other Second Friday venues, including the Historic Arkansas Museum.

Butler Center for Arkansas Studies – Opening reception for PAINTING 360: A LOOK AT CONTEMPORARY PANORAMIC PAINTING (5pm to 8pm)

On view through Saturday, April 30, artists whose work is featured in Painting 360° include Marcia Clark, Nicholas Evans-Cato, Christopher Evans, Amer Kobaslija, Jackie Lima, Matthew Lopas, Carrie O’Coyle, Dick Termes, and Melissa Cowper Smith.
Featured artist: Julie Holt, an artist who handbuilds clay objects and vessels.
Featured musician: The Rolling Blackouts