TREASURE ISLAND starts world premiere at Rep

ATreasure-Island world premiere musical adaptation of Treasure Island has dropped anchor at the Arkansas Repertory Theatre.

This new musical offers a fresh take on the famous story by Robert Louis Stevenson. Set to a thrilling musical score and full of action, adventure and excitement, treasure hungry pirates and mutinous crew battle to discover the coveted Isle of Treasure.

Bored by his mundane life at the Admiral Benbow Inn, and entranced by the mysterious Captain Billy Bones and his wild seafaring tales, young Jim Hawkins yearns for a life of adventure. His wish is soon granted as members of the infamous Captain Flint crew pursue Bones and his hidden treasure map.

When Bones dies in a struggle for the map, Jim narrowly escapes with his life and Bones’ prize possession. With a sturdy crew in place led by Long John Silver, and with Jim under the protection of a doctor, a nobleman and a stoic ship’s captain, they set sail in search of their fortunes. As greed escalates, mutiny threatens and loyalties are forever broken.

The production is directed and choreographed by Brett Smock who also co-authored the libretto with Carla Vitale.  The songs are written by Corinne Aquilina who also serves as music director.

The cast is led by Logan Rowland, Richard B. Watson, Kristy Cates and Tony winner Cleavant Derricks.  Others in the cast include Gregory Butler, Mark Campbell, Christopher Carl, Matt Farcher, Eric Gunhus, David Hess, Michael Thomas Holmes, Patrick Richwood and Cross Brandon.

The creative team includes Frederick Alden Terry (orchestrator), Stanley A. Meyer (scenery), Rafael Colon Castanera (costumes), Dan Ozminkowski (lighting), Lynda J. Kwallek (props), Allan Branson (sound) and D. C. Wright (fight choreography).  Robert Hupp is the producing artistic director of the Arkansas Repertory Theatre.

Treasure Island starts previews tonight and opens officially on Friday, March 8.  Performances continue through Sunday, March 31.

Mary Birthday

It is Oscar month, so it is fitting to highlight at Arkansas’ own Academy Award winning actress, Mary Steenburgen on her birthday.  She was born on February 8, 1953 in Newport, Arkansas.  After moving to North Little Rock as a schoolgirl, she attended North Little Rock public schools and had her first starring role as Emily in the 1971 North Little Rock Northeast High School production of Our Town, which was the new school’s first play.

After moving the start of a successful film career, she started returning to the stage in a London production of Holiday in 1987.  In 1993, she made her Broadway debut in the Roundabout Theatre Company’s production of Candida (during Roundabout’s initial season with a Broadway house).  Her costars included Robert Foxworth and Robert Sean Leonard.

The next year, she starred in Marvin’s Room in Los Angeles.  She returned to the New York City stage with 2000′s The Beginning of August at the Atlantic Theatre Company.  Steenburgen has remained an active supporter and is now a member of Atlantic.  In 2007 she and husband Ted Danson were honored by the Atlantic Theatre Company.

Throughout her career, Mary Steenburgen has been a champion of the arts in Central Arkansas.  She has long been a supporter of the Arkansas Repertory Theatre, where she and Danson served as honorary chairs of the Rep’s recent successful capital campaign.  In addition, she has been very involved in two other Central Arkansas arts endeavors.  Steenburgen has spoken at acting workshops and lent her support in many other ways for The THEA Foundation (which encourages arts education in Arkansas).

Steenburgen has also been a supporter of theOxford American magazine as well as the new Argenta Community Theatre in North Little Rock.  She and another Arkansan, President Bill Clinton, headlined the grand opening of this complex in 2011.

GEE’S BEND at Arkansas Rep

Quilts are not just coverings for warmth, they often tell a story.  The quilts and quilters of Gee’s Bend, Alabama are the focus of the play Gee’s Bend, which opened on Friday night at the Arkansas Rep and continues through February 1

Gee’s Bend was written by Elyzabeth Gregory Wilder.  It follows a group of women as they turn to quilting to provide comfort and creative expression to their lives. Pieced together from discarded clothes and seasoned with laughter and tears, the women sew a patchwork of inventive abstract designs in rich, blazing colors.

The play opens in 1939, with the beginning of the era of African-American land ownership. The story then advances to 1965, in the midst of the Civil Rights movement and the historic visit to Gee’s Bend by the Rev. Martin Luther King, Jr. The production concludes in 2002, on the eve of the unveiling of “The Quilts of Gee’s Bend” exhibition organized by the Museum of Fine Arts in Houston, Texas.

Gee’s Bend was commissioned by the Alabama Shakespeare Festival’s Southern Writers Project, where it received a staged reading in 2006 and premiered in January 2007. A graduate of the dramatic writing program at New York University, Wilder received the American Theatre Critics Association’s 2008 Elizabeth Osborn New Play Award for an emerging playwright.

Gee’s Bend is directed by Gilbert McCauley, who has directed several plays previously at the Rep.  The cast features Corey Jones, Nambi E. Kelley, Shannon Lamb and Monica Parks.   The design team includes Mike Nichols (scenery), Yslan Hicks (costumes), John Horner (lighting), Allan Branson (sound) and Lynda J. Kwallek (props). Robert Hupp is the Producing Artistic Director of the Arkansas Rep.

The Rep’s production of Gee’s Bend is supported and sponsored by The Design Group, Philander Smith College, Arora, Delta Airlines and the Little Rock Convention and Visitor’s Bureau.  It is also made possible in part by a grant from the Arkansas Black Hall of Fame Foundation, a component fund of the Arkansas Community Fund.

The Rep’s GEES BEND featured at Clinton School on Thursday January 24


The Arkansas Repertory Theatre works in partnership with the Clinton School of Public Service to participate in the UACS’s Distinguished Speaker Series, hosting educational panel discussions on various Rep productions. The latest in these takes place on Thursday, January 24 at 12 noon at Sturgis Hall in Clinton Presidential Park.

The panel discussions are led by Producing Artistic Director Bob Hupp and include insights from guest directors, actors and Bob himself on bringing compelling stories to The Rep stage.  Join Rep Producing Artistic Director Bob Hupp and Gee’s Bend Director Gilbert McCauley and cast for a panel discussion on this true story.  Call the Clinton School at (501) 683-5239 for reservations.

Gee’s Bend follows Sadie Pettway and her family as they turn to quilting to provide comfort and creative expression to their lives. What begins as a labor of love soon turns into a spiritual and artistic awakening. Pieced together from discarded clothes and seasoned with laughter and tears, the women sew a patchwork of inventive abstract designs in rich, blazing colors.

The play is based on the true story of the women of Gee’s Bend, whose quilts have been on a national exhibition tour including the Museum of Fine Arts in Houston, the Indianapolis Museum of Art, the Philadelphia Museum of Art and the Whitney Museum of American Art, among others.

The production, written by Elyzabeth Gregory Wilder, starts tonight and runs through February 10.  Opening night is Friday, January 25.  Wednesday, Thursday and Sunday evening performances are at 7 p.m., Friday, Saturday evening performances are at 8 p.m. Sunday Matinees performances are at 2 p.m.

 

Reel Classics with Rep: The Quilts of Gee’s Bend

quiltsofgeesbendIn conjunction with the upcoming play Gee’s Bend, the Arkansas Repertory Theatre’s monthly film series tonight will feature The Quilts of Gee’s Bend.  Reel Classics with the Rep starts at 6:00pm.

Set in the quiltmaker’s homes and yard, and told through the women’s voices, this music-filled, documentary takes viewers inside the art and fascinating living history of a uniquely American community and art form.

Prior to the film, members of The Rep’s creative team will discuss Elyzabeth Gregory Wilder’s play Gee’s Bend.  Reel Classics with the Rep takes place at the Laman Library in North Little Rock.

Gee’s Bend runs from Janury 23 through February 10.  Opening night if January 25.

The story of the women of Gee’s Bend has already touched millions who viewed their stunning work through a national exhibition tour and features on National Public Radio, Newsweek  and O Magazine.  “The Quilts of Gee’s Bend” have been exhibited at the Museum of Fine Arts in Houston, the Indianapolis Museum of Art, the Philadelphia Museum of Art and the Whitney Museum of American Art, among others.

The Arkansas Rep’s production is made possible in part by a grant from the Arkansas Black Hall of Fame Foundation, a component fund of the Arkansas Community Fund.

A Double Dozen of Cultural Milestones of 2012

Happy New Year!  Here are a double dozen of the Culture Vulture’s Cultural Milestones from 2012 (in no definitive order but a rough chronilogical order).

Home1 – The year kicked off with the reopening of the Museum of Discovery. In 2011, the museum was gutted and redone from top to bottom. The result is three new galleries with 85 interactive exhibits as well as a high profile streetfront entrance.  A $9.2 million grant from Donald W. Reynolds Foundation provided the primary underwriting for the renovations, which also brought a subtitling of the museum as the Donald W. Reynolds Science Center.

Hupp

2 – Arkansas Rep Producing Artistic Director Robert M. Hupp received two honors in the first quarter of the year.  In February, he was named Arkansas Business Non-Profit Executive of the Year.  The next month Hupp received the Diamond Award from the Arkansas Chapter of the Public Relations Society of America.  Hupp has been at Arkansas Rep since 1999.  He currently serves on the board of the Theatre Communications Group, the national service organization for non-profit theatres.

Landesman

3 – Rocco Landesman, the Chairman of the National Endowment for the Arts, visited Arkansas in March.   While in Little Rock, he participated in a panel discussion with Bob Hupp of the Arkansas Rep, Warwick Sabin of the Oxford American, Joy Pennington of the Arkansas Arts Council and Beth Wiedower of the National Trust for Historic Preservation.  Landesman, a Tony winning Broadway producer, was named the 10th chair of the NEA in 2009.   He announced his plans to retire later in the year.

4 – Polk Stanley Wilcox architectural firm was awarded the American Architecture Award for its design of the Heifer International Murphy Keller Education Center in March.  It is the third American Architecture Award the firm has won in the last five years. The firm also won for designing the Acxiom Data Center and the Heifer International Headquarters, also in Little Rock. Heifer broke ground in the $7.5 million Keller Education Center in 2007. The building provides a place for visitors, staff, volunteers and the international development community to come together to learn about world hunger and poverty and current solutions to these problems.

Kaiser

5 – Michael Kaiser, president of the John F. Kennedy Center for the Performing Arts, presided over the 2012 Arkansas Arts Summit in April at the Clinton Presidential Center.  The programmatic arm of the conference was developed and presented by the John F. Kennedy Center for the Performing Arts and the DeVos Institute of Arts Management at the Kennedy Center, and provided practical training for board members and arts administrators. The event was sponsored by the Arkansas Arts Council.  Little Rock designer and business owner Kaki Hockersmith, who serves on the President’s Advisory Committee on the Arts for the the Kennedy Center, was instrumental in organizing the event.

Rockefeller

6 – May 1 marked the 100th birthday of former Arkansas Governor Winthrop Rockefeller.  In addition to being a political leader, he was a cultural and philanthropic leader.  Perhaps his most obvious impact was helping to transform the provincial Little Rock Museum of Fine Arts into the first rate Arkansas Arts Center.  He and his family were generous donors of money and art to this effort.  Through the effort of the Winthrop Rockefeller Foundation, many cultural institutions have received funds for programming which has reached into every county and every corner of this state.  For instance, one of the Arkansas Symphony Orchestra’s string quartets is the Rockefeller Quartet.

Sabin

7 – Later in May, Oxford American publisher Warwick Sabin won a primary for the Democratic nomination for District 33 of the Arkansas House of Representatives. He was unopposed in the November election and will take office in January 2013.

8 – As May ended, Riverfest turned 35.  Among the headliners were Boyz II Men, Lynard Skynard, Staind, Third Eye Blind, Joe Walsh, Snoop Dogg, Rodney Block, and Trout Fishing in America.  Since beginning, Riverfest has contributed over $1 million to promote and upgrade parks in Central Arkansas.  Approximately 250,000 festival-goers attended the 2012 event, with an estimated economic impact of $33 million on the community.

oxfordamerican9 – In June, the Oxford American received a $290,000 ArtPlace Grant for its “South on Main” Project.  The space will include a restaurant that will celebrate Southern culinary culture. Accompanying the food will be nightly cultural programming that will feature the best of Southern arts and culture across a variety of formats including literature, music, film, art and drama. The Oxford American will focus on community-oriented programming developed through partnerships with local organizations and institutions.  It is slated to open in the first quarter of 2013.

Selz

10 – Also in June, Nan Selz, who has led the Museum of Discovery since 2004 and revitalized the once-struggling museum announced her intention to retire at the end of 2012.  Since joining the Museum in February 2004, Selz used her leadership to ensure that the Museum has become central Arkansas’s premier math, science and technology center. She has nearly 50 years executive, development and teaching experience having worked in corporate, non-profit and education sectors.  In December, Kelley Bass was named to succeed Selz.

11 – Ann Richards’ Texas a documentary about the colorful former Governor of Texas won the WGA Documentary Screenplay Award at the AFI SilverDocs festival in June.  The brainchild of Keith Patterson and Arkansans Jack Lofton, Susan Altrui, Eric Wilson and Dr. Jordan Cooper, the documentary received a screening at the Paley Center in New York City in October.

12 – The Laura P. Nichols Cheetah Outpost was officially dedicated at the Little Rock Zoo in July. Mayor Mark Stodola and City Manager Bruce Moore were in attendance for the opening remarks and ribbon cutting ceremony. Zoo Director Mike Blakely introduced special guest, Anne Schmidt-Kuentzel, research geneticist and assistant director for animal health and research at the Cheetah Conservation Fund, a world-wide non profit dedicated to saving the wild cheetah and its habitat. She thanked the zoo for supporting the cheetahs.  The cheetahs, Zazi and her daughter Maggie, come from the Smithsonian Conservation Biology Institute in Virginia.

Hodge

13 – Roger D. Hodge, former editor of Harper’s was named as the new editor of the Oxford American magazine.  Mr. Hodge is the author of  The Mendacity of Hope a critique of President Obama published by HarperCollins in 2010, and is currently working on another book focusing on life in the borderlands of West Texas.  A native of Texas, he studied comparative literature at Sewanee in Tennessee, and began his career as a freelance writer in North Carolina.
operainrock14 –  Opera in the Rock launched and hosted its first event – “Opera on the Rocks” out at Wildwood Park for the Arts. Opera in the Rock is focused on returning live opera performances to Little Rock on a regular basis. The company has announced plans for a performance in February at the Clinton Presidential Center.

15 – The Central Arkansas Library System’s Butler Center for Arkansas Studies launched Arkansas Sounds, a music festival, in September.  The festival featured over twenty events (concerts, lectures and other special programs) over an extended weekend.  Focusing on Arkansas music and musicians both past and present, Arkansas Sounds will also work to get musicians and songwriters involved in local schools, create songwriting workshops for kids and adults, and host related performances and events throughout the state. Arkansas Sounds is the second festival sponsored by the Butler Center. They also produce the Arkansas Literary Festival in the spring.

Mann

16 – Philip Mann, music director of the Arkansas Symphony Orchestra, was honored by the Arkansas chapter of the International Association of Business Communicators honored Arkansas communicators in October. He received the IABC/Arkansas 2012 Communicator of the Year, honoring Mann for his innovative communication in creating connections between music and audience. Mann is in his third season as director of the symphony, which has seen audience and artistic growth and financial health under his leadership.

17 – Construction began on the new Arcade Building in Little Rock’s River Market district.  This three story building will be home to the Little Rock Film Festival offices as well as additional space for the Central Arkansas Library System and the Clinton School of Public Service.  One major focus of the building will be the 325-seat theatre auditorium for film and lectures.  A restuarant and office space will also be in the building.  The Arcade Building was designed by architect Rick Redden not long before he died earlier in 2012. A statue of Redden will be placed in front of the building.

Brent, Craig Renaud

18 – Also in October, two of the co-founders of the Little Rock Film Festival – Craig and Brent Renaud received an Edward R. Murrow Award for their work in Haiti for the New York Times.  he Renaud Brothers produced a series of reports for the Times beginning days after the earthquake in Port-au-Prince, and followed the story of survivors for more than a year.

Cole

19 – Sericia Cole, who had been serving as interim director of Mosaic Templars Cultural Center, was named the permanent director in November.  Before joining the museum, Cole served as director of minority affairs for Gov. Mike Beebe’s office for two years. Prior to that, she was director of public relations at Philander Smith College.  She has extensive experience in public relations and non-profit work. Since joining the museum in March, she has introduced several new programs and secured a major grant from the Institute of Museum and Library Services (IMLS) in Washington, D.C.

Worthen

20 – In November, Bill Worthen celebrated 40 years as Director of Historic Arkansas Museum.  When he started at the institution, it was known as the Arkansas Territorial Restoration and took up roughly half a city block.  Under his leadership, the museum has expanded into permanent galleries as well as increased its historic structures and demostrations.  HAM now takes up one whole city block and two partial blocks.  He is the longest serving musem director in Little Rock history.

Matthews

21 – Also in November, Cathie Matthews announced her upcoming retirement from the Department of Arkansas Heritage.  She has led that state agency for fifteen years and is the longest-serving director.  A Little Rock native (and daughter of former LR Mayor Pratt C. Remmel), she has led the department through the opening of two new museums, the renovation of two existing museums and the creation of new programs in the other agencies. Matthews oversees the Arkansas Arts Council, Arkansas Historic Preservation Program, Arkansas Natural Heritage Commission, Delta Cultural Center, Historic Arkansas Museum, Mosaic Templars Cultural Center, and Old State House Museum.

Belew

22 – Late in November, Arkansan Cody Belew was eliminated from the TV show “The Voice.”  Born and raised on back country roads, Cody Belew grew up singing in rodeo arenas and gospel church houses. Pulling influence from his southern roots, Cody’s voice is a mix of southern rock, R&B, gospel, soul, and a little mountain twang. He’s been on enough stages, and in front of enough county fair crowds to understand what it takes to entertain an audience.  Before moving to Nashville in 2011, he was a fixture on the Little Rock music scene; he still comes back to perform from time to time. His most recent appearance was at Robinson Center Music Hall last weekend.

Stodola

23 – In December, Little Rock Mayor Mark Stodola together with the Downtown Little Rock Partnership hosted a meeting to discuss plans for “The Creative Corridor – A Main Stree Revitalization.”  The plan was developed by the University of Arkansas Community Design Center working with Marlon Blackwell Architect for Little Rock.  It was a fulfillment of a National Endowment for the Arts Our Town grant.

photo (7)24 – Plans for upgrading and renovating Robinson Center Music Hall are moving forward.  Following presentations by four firms in November, the Advertising and Promotion Commission narrowed it down to Ennead Architects of New York, partnered with Polk Stanley Wilcox of Little Rock and Witsell Evans Rasco of Little Rock, partnered with LMN of Seattle.  The concept, which was first unveiled in June, could cost around $65 million.  Presentations by the final two firms will be made in January.  Once completed, the renovated Robinson Center will benefit numerous organizations including the Arkansas Symphony Orchestra, Ballet Arkansas, Little Rock Convention and Visitors Bureau and Celebrity Attractions.  In related performance space news, First Security Bank made a contribution toward the renovation and reconstruction of the amphitheatre in Riverfront Park.

The Thaw Must Go On

Several cultural institutions are opening up today as the thaw out continues.  Among those open are the William J. Clinton Presidential Center, Museum of Discovery and Arkansas Arts Center.  The Central Arkansas Library System is expecting many, if not all, of its branches to reopen today as well.

The Arkansas Repertory Theatre’s production of White Christmas reopened last night and continues through December 30.

As always, best advice is to call ahead to ensure other cultural institutions, movie theatres, and other entertainment venues are open.