Little Rock Look Back: Mayoral Election of 1871

For the two years leading up to the November 1871 election for Little Rock mayor, the political scene had been chaotic. A. K. Hartman, who represented one faction of the Republican Party, was so disliked by the LR City Council that they repeatedly tried to have him removed from office.

After being rebuffed by the courts, the aldermen proceeded to simply appoint another mayor of Little Rock.  Thus from January 1871 to November 1871, Little Rock had two mayors: A. K. Hartman, and J. G. Botsford.

After having been elected first in January 1869 and re-elected, Hartman (whom the Gazette disliked and derogatorily nicknamed “Count Von Bismark” on account of his Germanic heritage and his corpulence) was seeking another term in November 1871. Thomas C Scott announced, in October 1871, that he would seek the office as an independent, but withdrew a few weeks later.  The only person who stood between Hartman and re-election was Dr. Robert Francis Catterson.

Dr. Catterson as a physician from Indiana who had served in the Union Army during the Civil War. He moved to Arkansas in 1866 first to work in cotton commodities, and then to serve in the militia fighting the Ku Klux Klan. He became affiliated with Joseph Brooks and his Brindletail faction of the Republican Party, which stood in opposition to the Minstrels faction, with which Hartman was associated. (This rivalry would play out in 1873 with the Brooks-Baxter War, in which Catterson was Brook’s chief lieutenant.)

A few nights before the election, approximately 500 of Catterson’s supporters paraded through Little Rock with signs bearing anti-Hartman slogans and caricatures.  They stopped off to hear an address by Mr. Brooks.

On election day, Catterson and his allies swept most of the City offices.  He bested Hartman by a vote of 710 to 374 and carried three of the city’s four wards.  He served in office until November 1873.

 

31 Days of Arkansas Rep: 1986’s ‘NIGHT, MOTHER

An Oscar winner performing on the Arkansas Rep stage is a rarity. To have one playing the same role she played in a national tour — well, that has only happened once.

From April 17 to May 4, 1986, Mercedes McCambridge starred in the Rep’s production of Marsha Norman’s two-hander ‘night, Mother. In 1984, she headlined the national tour of this same production.

McCambridge and Rep founder/Artistic Director Cliff Fannin Baker had been discussing potential project ideas for a few years.  In the mid-1980s, she lived in Little Rock. Though by 1986 she had moved away, she was glad to return for this project.

The show was directed by Baker and co-starred Cathey Crowell Sawyer.  In his Gazette review Jack Weatherly noted that it was Sawyer’s finest performance to date. Of McCambridge he opined she was “lighting up those recesses of our lives with humor and humanity.”

31 Days of Arkansas Rep: 1979’s DAMES AT SEA

Guy Couch kicks up his heels while swabbing the deck in DAMES AT SEA.

Take every showbiz cliche imaginable, mix it with a score that is a pastiche of Warner Bros. 1930s musicals, and throw in a bit of World War II nostalgia – you get DAMES AT SEA.  With a cast of six, it was a perfect selection for the Arkansas Rep in the autumn of 1979.

Directed by Cliff Fannin Baker, it featured Jeannie LeMay, Robert Boles, Phyllis Blumenfeld, Guy Couch, and Craig Fuller in the cast.  Also in the cast, as the newest full-time member of the Arkansas Rep company was a young actress/chanteuse named Sharon Douglas. Over the next decade or so she would become closely identified with the Rep.

Multi-talented Jean Lind (who often acted in Rep productions) played the keyboard and served as musical director leading a pit band of three other musicians.

Dames at Sea kicked off the 1979-1980 season.  It ran from September 27 to October 14.  That year the Rep also celebrated ownership of its building. Because of grants it had received, it was able to accelerate the financing for the purchase of the building. As an Arkansas Gazette article pointed out, because of the grant they were able to keep tickets to $5 instead of charging $14.80 for tickets to the shows. (The latter would be the equivalent of $49.97 in 2018 .)

Little Rock Look Back: Bill Clinton Announces Run for Presidency

The Clintons following his remarks.

On October 3, 1991, Governor Bill Clinton strode out the front doors of the Old State House Museum and announced his intentions to seek the 1992 Democratic Party’s nomination for President of the United States.

He was the fifth major Democrat to announce for the office. That there were that many by early October was somewhat surprising considering that the first half of 1991 saw many national Democrats announce they were NOT seeking the office.

Jerry Brown, Bob Kerrey, Paul Tsongas, and Tom Harkin were also in the race.  Clinton was seen as a centrist, along with Senator Kerrey while the others were viewed as being from the far-left wing of the Democratic Party.

In its coverage of the announcement, The New York Times noted the significance of Gov. Clinton’s remarks on race.  In the speech he referenced his desire to strengthen relations and remove barriers between the races.  As the Times pointed out, it was at the Old State House that Arkansas held two conventions on the issue of secession prior to the state’s entry into the Civil War.

At the time of the announcement, Gov. Clinton was far from a frontrunner. His national profile was probably the lowest of any of the announced candidates. Most of the knowledge of him outside of Little Rock came from his lengthy speech about Michael Dukakis at the 1988 Democratic Convention and the subsequent appearance on “The Tonight Show” where both he and Johnny Carson poked fun as his loquaciousness.

Regardless of their views on his chances, the Governor’s family, friends, and fans packed the front lawn of the Old State House to cheer him.  The national media treated him as a serious, albeit largely unknown, candidate.  After having had Wilbur Mills, Dale Bumpers and others flirt with running and then backing out, the local media were probably thrilled to finally have someone from Arkansas actually running for the presidency.

One local media outlet would not see much of the campaign. Just fifteen days later, the Arkansas Gazette would close. As a paper which had covered nearly two decades of his career, the Gazette was often Clinton’s champion, though the paper was not afraid to point out times the two differed.  However, there would be no Gazette headline about Clinton in New Hampshire, at the Democratic Convention, or a general election victory.

On Election Day in 1992 and again in 1996, Bill Clinton would repeat the stride out the front doors of the Old State House accompanied by his wife and daughter.  Those two times the crowds would spill down the streets in all directions. Instead of a handful of media outlets there would be scores of them.

But it all started on a sunny autumn day in Little Rock in early October 1991.

31 Days of Arkansas Rep: KENNEDY’S CHILDREN in 1977

Since October 3, 2018, marks the 55th anniversary of JFK speaking in Little Rock, it seems an appropriate day to feature the 1977 Arkansas Rep production of Robert Patrick’s KENNEDY’S CHILDREN.

The play takes place in a NYC bar on Valentine’s Day 1974 as its denizens speak in intertwining monologues about the 1960s and coping with the disillusions they feel from that earlier decade.  The title comes from the sense that the 1960s after November 1963 were a reaction to the loss of JFK and his idealism.

One of the characters, who was played by Jean Lind at Arkansas Rep, is obsessed with the Kennedy Administration. Others in the cast were Jean Hendrickson, Phyllis Blumenfeld, Scott Edmonds and Barry Carter.  Guy Couch played the important, but non-speaking, role of the bartender who plies the quintet with drinks throughout the play.

In the original production, there is a jukebox which plays musical interludes as transitions. In a nod to director Cliff Fannin Baker’s ingenuity, that role was played by Frank Gordon on jazz clarinet. It actually added a sense of humanity and added soulfulness to the production.

The bar in which the action took place was designed and lit by Byl Harriell.  The physical presence was described by Bill Lewis in the Arkansas Gazette review as a “masterful sleezy bar.”

The production ran from December 1 through 17 in 1977. Tickets were $5.00 a person. (This is the equivalent of $20.80 today.)

31 Day of Arkansas Rep: THE RUNNER STUMBLES in 1979

Pat Brown, director of THE RUNNER STUMBLES

While he directed most shows at the Rep during the early years, Cliff Fannin Baker would bring in guest directors from time to time. One of these was Pat Brown who helmed the February 1979 production of The Runner Stumbles.

A co-founder of Houston’s Alley Theatre, Brown also had connections to Little Rock; she was a niece of Little Rock businesswoman Mae Horn (who dressed ALL the best-dressed men.)

Though Brown had worked all over the US, this was the first time she had directed The Runner Stumbles. This Milan Stitt play had run for 396 performances on Broadway from 1976 to 1978. The Arkansas Rep was one of the first regional theatres to produce the play.  (Side note: the original Broadway production was directed by Austin Pendleton who would later direct A Loss of Roses at Arkansas Rep.)

In his Arkansas Gazette review, Bill Lewis called the production “one of the strongest yet” for the Rep.  He described it as a “compelling, somber drama” that was “impeccably directed and acted with highest octane virtuosity.”  Lewis was not one to mince words, so when he gave praise it was deserved.

The cast for A Runner Stumbles included Craig Fuller, Jean Hendrickson, Scott Edmonds, Jean Lind, Ron Aulgur, Ken Klingenmeier, Jeannine Le May, Robert Boles, and Phyllis Blumenfeld. The show was designed by Byl Harriell.  Guy Couch assisted with set decoration and props.

The production ran from February 1 to 18 of 1979.

LR Culture Vulture turns 7

The Little Rock Culture Vulture debuted on Saturday, October 1, 2011, to kick off Arts & Humanities Month.

The first feature was on the Arkansas Symphony Orchestra, which was kicking off its 2011-2012 season that evening.  The program consisted of Mendelssohn’s Symphony No. 4 in A, Op. 90, Rossini’s, Overture to The Italian Girl in Algiers, Puccini’s Chrysanthemums and Respighi’s Pines of Rome.  In addition to the orchestra musicians, there was an organ on stage for this concert.

Since then, there have been 10,107 persons/places/things “tagged” in the blog.  This is the 3,773rd entry. (The symmetry to the number is purely coincidental–or is it?)  It has been viewed over 288,600 times, and over 400 readers have made comments.  It is apparently also a reference on Wikipedia.

The most popular pieces have been about Little Rock history and about people in Little Rock.