Tag Archives: Lynda J. Kwallek

31 Days of Arkansas Rep: THE ELEPHANT MAN in 2009

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Thirty years after it opened on Broadway, Arkansas Rep presented The Elephant Man.  Due to anticipated renovations at the Rep’s main stage, it was performed at Wildwood Park in the Cabe Festival Theatre.

Rep founder Cliff Fannin Baker directed this production which starred Rep veteran Steve Wilkerson in the title role. Wilkerson, who had previously shown his skill and versatility in such varied roles as Peter Pan and Prior Walter, displayed his talents and physicality in portraying the deformed John Merrick.

Another Rep veteran, Joe Graves, played the doctor who befriended Merrick.  Others in the cast were Matt Walker, Nathan Klau, Val Landrum, Alanna Hammill Newton, and Wesley Mann.

The creative team included Mike Nichols (scenery), Marianne Custer (costumes), Matthew Webb (lighting), M. Jason Pruzin (sound), and Lynda J. Kwallek (props). The original score was composed by Buddy Habig, a Little Rock musician who died in December 2008.

31 Days of Arkansas Rep: LES MISERABLES in 2008

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The 33rd season of Arkansas Rep opened with its most expensive and expansive production to date – the Tony winning LES MISERABLES.

Rep Producing Artistic Director Bob Hupp helmed the production.  With a cast of 29 actors, most of whom played multiple parts, there were over 500 costume pieces, designed by Rafael Colon Castanera. The expansive musical was properly fitted into the Rep’s intimate space due to the scenic design of Robert Kovach.

Douglas Webster and Christopher Carl led the cast as Valjean and Javert, respectively. Maria Couch, Chris Newell, Jeanine Pacheco, Evan Shyer, Nina Sturtz, Mike Accardo and Catherine Smitko played other principal roles.

The cast also included Shelby Kirby, Julia Landfair, Molly Russ, Gracie Stover, Kelsie Adkisson, Michael Bartholmey, Conly Basham, Dustin Beam, Susan Belcher, Luke Bridges, Hannah Bruce, Andrew Buck, Kyle Huey, Mark Ludden, Jeremy Matthey, Laura Medford, Rick Qualls, Matthew Tatus, Pittman Ware and Tyler Whiteside.

Others on the creative team were M. Jason Pruzin (sound), Michael Eddy (lighting), Lynda J. Kwallek (props), Robert Harper (choreography), and D. C. Wright (fight choreography).

The production ran from September 12 through October 12 of 2008.  In March 2014, Webster and Carl returned to the show at Arkansas Rep, again directed by Hupp.

31 Days of Arkansas Rep: THE LEGACY PROJECT: IT HAPPENED IN LITTLE ROCK

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Since today is Elizabeth Eckford’s birthday, the past Arkansas Rep production that is featured is 2007’s The Legacy Project: It Happened in Little Rock.

Culled from three years of research and over 80 interviews, playwright and director Rajendra Ramoon Maharaj created a multi-faceted play with music that explored stories past and present of Central High’s desegregation and the legacy the events of those years have provided citizens of Little Rock, of Arkansas and of the United States.

The cast featured Destan Owens (playing parallel roles of a 1957 Harlem reporter and a 2007 artist (a stand-in for Maharaj) as well as nine other actors who played multiple roles of diverse ethnicity — from current Central students to the Little Rock Nine, from elected officials to blue-collar workers.  Those actors were J. Bernard Calloway, Mary-Pat Green, Taifa Harris, Shannon Lamb, Vanessa Lemonides, Arthur W. Marks, Gia McGlone, Nick Petrie and Julian Rebolledo.

The creative team included Sybil Roberts Williams (dramaturg), Michael Susko (choreographer and assistant director), Charles Creath (musical director) Steve Hudelson (musician), Mike Nichols (scenic design), Matthew Webb (lighting design), Leslie Bernstein (costume design), M. Jason Pruzin (sound design) and Lynda Kwallek (properties). Producing Artistic Director Bob Hupp and Education Director Leslie Golden were also involved in shepherding the project over the years.

Funding for the production came, in part, from the Winthrop Rockefeller Foundation and the National Endowment for the Arts.

The production ran from September 14 to September 30, 2007, in conjunction with other events commemorating the 50th anniversary.

In 2008, Maharaj directed a play called Little Rock Off Broadway. While a separate piece of drama, it was based on the research he conducted and infused by his experiences creating The Legacy Project: It Happened in Little Rock.

 

LR Culture Vulture turns 7

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The Little Rock Culture Vulture debuted on Saturday, October 1, 2011, to kick off Arts & Humanities Month.

The first feature was on the Arkansas Symphony Orchestra, which was kicking off its 2011-2012 season that evening.  The program consisted of Mendelssohn’s Symphony No. 4 in A, Op. 90, Rossini’s, Overture to The Italian Girl in Algiers, Puccini’s Chrysanthemums and Respighi’s Pines of Rome.  In addition to the orchestra musicians, there was an organ on stage for this concert.

Since then, there have been 10,107 persons/places/things “tagged” in the blog.  This is the 3,773rd entry. (The symmetry to the number is purely coincidental–or is it?)  It has been viewed over 288,600 times, and over 400 readers have made comments.  It is apparently also a reference on Wikipedia.

The most popular pieces have been about Little Rock history and about people in Little Rock.

Pulitzers Play Little Rock: NEXT TO NORMAL on Arkansas Rep stage

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ndnextThe line “Valium is my favorite color” was uttered on the Arkansas Rep stage in 2012 when the Pulitzer Prize winning musical Next to Normal was performed.

The show was a surprise winner of the 2010 Pulitzer for Drama.  It had not been one of the three finalists selected by the jury, but was picked for the honor by the Pulitzer Board.

With music by Tom Kitt and a book and lyrics by Brian Yorkey, Next to Normal is a powerful rock musical about a mentally ill suburban mom who struggles with worsening bipolar disorder and the effects that illness has on her family.

The Arkansas Rep cast featured Deb Lyons as Diana — the mother of the family, Jonathan Rayson as her husband Dan, Kristin Parker and Will Holly as their children, Mo Brady as a friend of the family and Peter James Zielinski playing a pair of physicians.

Helen Gregory was the Musical Director. Other members of the creative team included Mike Nichols (scenic designer), Shelly Hall (costume designer), Michael J. Eddy (lighting designer), M. Jason Pruzin (sound designer) and Lynda J. Kwallek (properties designer).

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Pulitzers Play Little Rock: AUGUST: OSAGE COUNTY

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August Osage CastoTracy Letts won the Pulitzer for his sprawling family tale August: Osage County.  It was brought to life in Little Rock on the Arkansas Repertory Theatre stage.

Rep founder Cliff Baker, who starred in the Rep’s first production of The Threepenny Opera returned to the stage as an actor to portray the mysterious patriarch of the Weston clan.  Joining him were Susanne Marley as matriarch Violet and LeeAnne Hutchison, Kathy McCafferty and Brenny Rabine as their three daughters.  Marc Carver, Michael McKenzie,  and Mary Katelin Ward are family members of the three daughters.  Natalie Canerday, Richard Waddingham and Michael Patrick Kane played another branch of the family. Grant Neale and Cassandra Seidenfeld were two other residents of Osage County who are drawn into the family drama.

The design team includes Mike Nichols (set), Marianne Custer (costumes), Yael Lubetzky (lighting), Allan Branson (sound) and Lynda J. Kwallek (props).  Other members of the creative team include fight director D. C. Wright (and there is plenty of physical sparring in addition to the verbal sparring) and dialect coach Stacy Pendergraft.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.

Pulitzers play Little Rock – CLYBOURNE PARK

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Clybourne

While A Raisin in the Sun did not win the Pulitzer, it did inspire a sort of prequel AND sequel which did win that award.  Bruce Norris’ Clybourne Park was inspired by the earlier play.  After an Off Broadway production in 2010, it won the 2011 Pulitzer for Drama. A subsequent Broadway production won the 2012 Tony for Best Play.

In 1959, a white couple sells their home to a black family (the fictional Younger family from A Raisin in the Sun), causing an uproar in their middle-class neighborhood. Fifty years later in 2009, the same house is changing hands again, but the stakes have changed.

As neighbors wage a hilarious and pitched battle over territory and legacy, Clybourne Park reveals just how far our ideas about race and identity have evolved.

In 2014, Arkansas Repertory Theatre brought the play to Little Rock in a production directed by the founder of the Rep, Cliff Baker (up next at the Rep with God of Carnage which closes out the 2017-2018 season).

The cast included Shaleah Adkisson, Ryan Barry, Katie Cunningham, Lawrence Evans, LeeAnne Hutchison, Robert Ierardi, Jason O’Connell, and David Tennal.  The creative team includes scenic designer Mike Nichols, costume designer Yslan Hicks, lighting designer Yael Lubetzky, sound designer Allan Branson and properties designer Lynda J. Kwallek.

2018 marks the 100th anniversary of the first Pulitzer Prize for Drama being given. To pay tribute to 100 years of the Pulitzer for Drama, each day this month a different Little Rock production of a Pulitzer Prize winning play will be highlighted.  Many of these titles have been produced numerous times.  This look will veer from high school to national tours in an attempt to give a glimpse into Little Rock’s breadth and depth of theatrical history.